stadler j c (61 resultados)

Paper Back. Condición: New.

Paperback. Condición: New.

Condición: As New. Unread book in perfect condition.

Couverture souple. Condición: Très bon. Edition originale. In-8° broché, 64 pages - Articles originaux : Ce que l'Alsace doit à la Gaule. - Eine neue Geschichte der Elsässer Baumwollindustrie. - A propos de la cathédrale de Metz. - Deutsche Literatur.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: Good. Hand-colored Aquatint. 10.5" x 8". Good with edge tears and minor losses. In mylar protective sleeve.

Hardcover. Condición: Très bon. Ancien livre de bibliothèque avec équipements. Couverture différente. Edition 1988. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Different cover. Edition 1988. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condición: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

gr. in-8vo, X + 150 p., ill n./b., cartonnage original. Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

Soft cover. Condición: Very Good. Depicts the famous inn and surrounding area in the aftermath of the battle of Waterloo. Soldiers seen idly digging holes to bury the dead some of whose extremities are protruding from hastily dug graves. Artist is E. Walsh, aquatint hand coloured, two original folds, measures 7.25x11.25", taken on the spot. Printer flaw in that reverse type seen along lower margin of the image.

Hardcover. Condición: Very Good. A.C. E.K. Saunders. Rev T Rackett. J.S. Mertz. W. Boys. S.H.Grimm. JG Wood. J. Caldwall. J. Storer. J.C. Stadler. G Richardson. Ilustrador. 1st Edition. Four volumes with One Hundred and Eighty Five Plates 1799-1805, First editions, 185 pls, some coloured, some folding, in 4 Vols in green cloth, corners bumped. Spines faded at base, edges bumped, gilt titles to red labels (some loss). Vol 1, half title, frontis, [4], [1], (ii-xxxii), [1], 326, [326* ie 4O1 is a cancel), 327-345 pp, [1], [8] index, [2] pl list, [1] errata, 29 pls (3 large folding), with 43 views + 1 vignette, paper repair at p33. Vol 2, 1801, half title, frontis, [4], [1], (ii-iv), [1], 2-289 pp, [1], [11] index, [2] p-l list, [1] errata, 37 pls with 39 views (3 coloured & 1 folding). Vol 3, half title, frontis, [4], [1], (ii-vi), [1], 2-270 pp, [10] index, [2] pl list, 41 pls (with 50 views, with 2 large folding). Vol 4, 1805, half title (with crease), frontis, [6], [1], (ii-vi), [4], [1], 2-279 pp, [1], [12] index, [2] pl list, 78 pls (with 100 views). [4], [1], 2-35 (Appendix answers to PML Dutens), [1], [12] index, [1] advert, tp dated 1805, introduction & appendix pages dated 1806, txt leaves water marked 1803. Short crack to Vol 2 spine joint, Malvern Library label to fpds, occasional unobtrusive oval stamps, lib pocket to epds V1,2 & 4, removed from 3. Oval embossed stamp of AJV Radford to tps, some light spotting, but overall an excellent copy. An important work on the castles and other important buildings, ruins and sites of Britain by the end of the 18th century. (446*280 mm). (ESTC T136033).

Bundle. Condición: New. Wie funktioniert das Ohr? Was kann die Zunge alles? Wie lesen blinde Menschen? In dieser Lernwerkstatt gehen Ihre Schueler diesen und weiteren spannenden Fragen rund um die auf den Grund. Sie erwerben grundlegendes Wissen ueber die erstaunliche Leistungsfaehi.

Condición: Good. 10.5" x 8" mounted on white backing board. Color Engraving. In mylar protective sleeve. Very Good.

Kein Einband. Condición: Gut. 15 x 23 cm Original-Karton-Band ohne Schutzumschlag Einband mit leichten Gebrauchsspuren, Schnitt leicht fleckig, sonst GUTES EXEMPLAR---"ISSN 0018-2613. B 1918 F. In Verbindung mit Jochen Bleicken, Knut Borchardt, Johannes Fried, Erich Meuthen, Gerhard A. Ritter, Eberhard Weis herausgegeben von Lothar Gall. Aufsätze: F. J. Bauer: Von Tod und Bestattung in alter und neuer Zeit; P. Stadler: Kulturkampf in der Schweiz - ein Sonderfall?; C. Simon: Revolution und Stabilität. Funktionen der Erinnerung an "1789" für die Schulgesetzgebung von Jules Ferry." Für Ihre Zufriedenheit versenden wir mit DHL und ausschließlich mit Trackingcode für eine sichere Sendungsverfolgung! Weitere Angebote unter antiquariat-kastanienhof , IV, 280 Seiten. nein.

Condición: Good. Folio. 18 x 12.5 inches. 46 x 3.5 cm. Original qtr. red morocco gilt spine rubbed with later marbled boards and matching morocco corners , together with a matching slipcase with leather ties housing the aquatints.iv, [2], 42, [2]pp. Abbey, Travel in Aquatint and Lithography, no. 381; Colas 2788; Blackmer 1585; OCLC Number: 458998508.This unique package includes 6 aquatints from Spilsbury and 7 from Luigi Mayer, "Views in Palestine," Abbey, Travel, 369, Vol. II.The Spilsbury aquatints include Abbey 381, nos. 1; 4; 7 (stained in lower margin) ; 12; 13; 14; three with full margins and three trimmed but with margins. The Mayer aquatints include, Abbey 369, nos. 5; 6; 7; 12; 18; 20; 21. Full margins, few with remnants of corner hinges; 3 matted. First edition of English naval surgeon Francis Spilsbury's account of his travels in the Holy Land and Syria during the Napoleonic campaigns there.Spilsbury was surgeon on board HMS Tigre during the campaigns of 1799 and 1800. The Tigre brought Sir William Sidney Smith to defend Acre against Napoleon's siege, and led a naval force in support of Turkish armies which finally relieved Acre, and his text gives some account of the military campaigns and the Turkish dignitaries. In his reminiscences Napoleon accused Smith of making him miss his destiny, as Smith's timely appearance thwarted Napoleon's drive to invade Syria and forced him to retreat to Egypt. The magnificent views (sadly missing from this book which is reflected in the price) are mostly connected with the coastal towns of modern Lebanon and Israel, though several are from Spilsbury's travels inland to meet the Grand Vizier in charge of the Turkish army, Jezzar Pacha, and other dignitaries.

Aquatint. Size: 29 x 23.5 cm. Vertical fold line across plate, some discolouration, in good condition.

Print. Condición: Very Good. Size: 290 x 175 mm. Attractive hand-coloured aquatint of Dawlish Seafront prior to the railway being constructed.

Aquatint printed in colours, finished by hand. Dimensions: 310 x 415mm. (12.25 x 16 inches).

Dimensions: 310 x 415mm. (12.25 x 16 inches).

Aquatint printed in colour, finished by hand; very slight tears on lower left margin. Dimensions: 305 x 415mm. (12 x 16.25 inches).

No Binding. Condición: Very Good. J. C. Stadler Ilustrador. 1st Edition. Hand Coloured aquatint plate from Ackermann's History of Oxford showing an interior scene of the "stacks" in the Bodleian Library. A light brown age mark bottom edge and some old water markings to right edge along the length. Image not affected by these plate make noted and hand-made laid cartridge paper. Measures; Approx 11 x 13. 3 inches to edges and 8 x 10.5 to print edges. (20 x 26 cm). Guaranteed 1814.

Aquatint printed in colours and finished by hand.

22,2 x 29,2 cm. 8¾ x 11½" inches Aquatinta. Unter Passepartout. Gut erhalten. A fine and good condition. Reference: Porter, R. K. "Travelling sketches in Russia and Sweden during the years 1805-1808", an English archaeologist and diplomat. The theatre was built in 1783 and was in the 19th century the main Russian theatre for Ballet and Opera. Sprache: english.

Condición: Good. Color aquatint. 12.5 x 16.5 inches. A little soiled. From History of the River Thames, Abbey no. 432. Marginal tears.

Black Aquatint, 12 X 6½ inches in original hand-colour. Drawn by George Walker and Engraved by I.C. Stadler A fine example. Rare view of Ramsgate with Seven Bathing Machines in the water and two more on the sands. Sailing ships at anchor in the harbour and couples promenading in the foreground in Regency costume. A charming view of fashionable Ramsgate sands with Smeaton's newly completed harbour in the background. KENT THANET KENT.

No Binding. Condición: Good. 1st Edition. London: Pub. by J & J Boydell, Shakspeare Gallery, 1793, First Edition. Aquatint with hand colouring print, by Joseph Constantine Stadler after Joseph Farington. Sellotape remains to the reversr of the print where previously mounted. From A History of the River Thames published by John and Joshia Boydell in 1793 and 1796. The brothers originally intended to include the rivers Thames, Severn, Forth and Clyde 'and intended to illustrate an original History of those Rivers, including all that adorns, dignifies or enriches them and their Vicinities, whether of Art or Nature'. The project was abandoned at the completion of the History of the Thames. Joseph Constantine Stadler was a printmaker of German origins, working in London between 1780-1819. Joseph Farington (1747-1821) was a landscape painter and diarist. He studied in Manchester, and moved to London in 1763 to be taught in the studio of Richard Wilson. He became a member of the Society of Artists in 1765, joined the Royal Academy at its inception in 1769, and became an academician in 1785. Approximately 16 ¼ inches wide, by 12 inches tall to the outer margin (42 x 31cm). Condition Report See above and photos. Publisher: see above. Publication Date: 1793 Binding: Hardback.

No Binding. Condición: Good. 1st Edition. London: Pub. by J & J Boydell, Shakspeare Gallery, 1793, First Edition. Aquatint with hand colouring print, by Joseph Constantine Stadler after Joseph Farington. Some thinning to the paper in the margin and on the image with resulting holes to the image (see photo) and to top margin. Remains of Sellotape marks to the rear. From A History of the River Thames published by John and Joshia Boydell in 1793 and 1796. The brothers originally intended to include the rivers Thames, Severn, Forth and Clyde 'and intended to illustrate an original History of those Rivers, including all that adorns, dignifies or enriches them and their Vicinities, whether of Art or Nature'. The project was abandoned at the completion of the History of the Thames. Joseph Constantine Stadler was a printmaker of German origins, working in London between 1780-1819. Joseph Farington (1747-1821) was a landscape painter and diarist. He studied in Manchester, and moved to London in 1763 to be taught in the studio of Richard Wilson. He became a member of the Society of Artists in 1765, joined the Royal Academy at its inception in 1769, and became an academician in 1785. Approximately 16 ¼ inches wide, by 12 inches tall (42 by 31). Condition Report See above and photos. Publisher: see above. Publication Date: 1793 Binding: Hardback.

Aquatint with hand-colour. Dimensions: 305 x 415mm. (12 x 16 inches).