Spilliaert leon (29 resultados)

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present. Léon, Spilliaert (ilustrador).

No Binding. Condición: Good. Postcard in good condition, with a little writing on reverse. Unmailed. Cards are sent in stiff mailers. Photo.

Paperback. Condición: Very Good. Although often associated with the key figures of Belgian Symbolism, Lon Spilliaert in fact demonstrated a peculiarly individual style. Born in Ostend, he worked there for most of his career. An introvert and insomniac who suffered from poor health as a young man, Spilliaert wandered the night-time streets of the North Sea resort, creating mysterious and highly atmospheric depictions of its dark docks, beaches and promenades. Almost entirely self-taught, he drew influence from such painters as Odilon Redon and James Abbott McNeill Whistler, as well as the writers Edgar Allan Poe and Friedrich Nietzsche. This book brings together over a hundred works from international collections, including a series of haunting self-portraits that Spilliaert created in his twenties. Authoritative authors discuss the artist's singular approach and put his career in context alongside that of his more famous compatriot and contemporary James Ensor. Copyright © Royal Academy of Arts. …

softcover. Condición: Sehr gut. 61 S. Introduction by Francine-Claire Legrand. Sprache: Englisch Gewicht in Gramm: 407.

Couverture souple. Condición: Satisfaisant. In-4 broché. 256 pages. État correct d'occasion. in-4°.

softcover. Condición: Sehr gut. 256 p. Sprache: Französisch Gewicht in Gramm: 1021.

Antwerpen, Hannibal Books, [2023]. 111 pp. Col. & b./w. ills. Orig. softcover. 8vo. (Phoebus Focus, XXXII). [ISBN: 9789464666441].As a solitary walker in the Ostend dawn, Léon Spilliaert (1881-1946) is inspired by the desolate and ominous desolation of the sea wall. His fascination with spatial effects and the expression of infinity underpins the numerous dike views Spilliaert created between 1907 and 1909, heralding a unique formal innovation. Discover the captivating work "Kursaal ez zeedijk," featured in this Phoebus Focus. - Text in Dutch.…

softcover, 210 pages, illustrations en noir et blanc et en couleurs. 21x15cm. Text NL/ENG/FR. L on SPILLIAERT De Oorsprong van het Beeld Tekeningen en prenten in dialoog De tentoonstelling L on Spilliaert. De Oorsprong van het Beeld toont hoe het creatief proces van schets en tekening een ondersteunende rol speelde bij het tot stand komen van originele prenten en gravures in Spilliaerts oeuvre. Als jonge tekenaar bleef Spilliaert stilstaan bij gevoelens zoals liefde en dood, eenzaamheid, verlangen en schaamte en wierp hij een bezielde blik op de relaties tussen de man en de vrouw en tussen de mensen onderling. Daarbij illustreerde hij ook in kleine genuanceerde zelfportretten, eenvoudig met potlood en inkt, als zovele snapshots, de evolutie van zijn eigen zelfbeeld. Deze kritisch momentane en veelal zeer spontane aantekeningen vertegenwoordigen subtiel de diepere intieme ontledingen van zijn innerlijk getormenteerde geest. /// L on SPILLIAERT The Origin of the Image Drawings and prints in dialogue The exhibition L on Spilliaert. The Origin of the Image shows how the creative process of sketching and drawing played a supporting role in the creation of original prints and engravings in Spilliaert's oeuvre. As a young draftsman, Spilliaert dwelled on feelings such as love and death, loneliness, longing and shame, and he took an inspired look at the relationships between man and woman and between people themselves. In addition, he also illustrated the evolution of his own self-image in small nuanced self-portraits, simply with pencil and ink, like so many snapshots. These critically momentary and often very spontaneous notes subtly represent the deeper intimate dissections of his inner tormented mind. For the first time, exceptional works from private collections are (again) brought together here, which for many will mean a rediscovery of the artist's work. Voor het eerst worden hier uitzonderlijke werken uit priv verzamelingen (weer) samen gebracht die voor velen een herontdekking van het werk van de kunstenaar zullen betekenen. 0 g.…

Condición: Very Good.

Condición: Sehr gut. 206 Seiten / pages. Kartoniert. Notiz auf Vorsatzblatt, sonst sehr gut erhalten. Note on endpaper else very good condition. Sprache: Englisch Gewicht in Gramm: 1020.

Couverture souple. Condición: Bon état. In-4 broché 29 cm sur 24. 187 pages. Page de titre avec e-libris tampon "B H". Bon état d'occasion.

vouwblad, aankondiging tentoonstelling bij Onze schilders 10 juni - 16 augustus 1967 te Oostende . 0 g.

Condición: Very Good. First edition. Paperback. Large octavo. 96pp. Original illustrated paperback. Light wear to covers otherwise near fine. Dutch text.

Condición: very good. vendeur professionnel. envoi soigne en 24/48h. Le livre peut montrer des signes d'usure dus a une utilisation constante, etre marque, porter des marques d'identification ou presenter plusieurs dommages esthetiques mineurs.

Softcover. Condición: Gut. r12477 Ex-library with stamp and library-signature in good condition, some traces of use. Sprache: Französisch Gewicht in Gramm: 550.

Paperback. Condición: Fine. First Edition. Wraps. 4to. Colour illustrated wraps/paperback. Copiously illustrated in colour and black and white throughout. French ext. ISBN: 2906524700 Pages: 187 Ownership signature of Elizabeth Clegg (Paris 1997) otherwise near fine.

Condición: very good. Musée-Galerie de la Seita, Broché occasion bon état non neuf proche très bon état grand souple.

Cloth. Condición: As New. 1st Edition. 213 p; many Ills. Höheres Porto, da Versand als Paket / Päckchen. PORTO: 4,75 Euro (Deutschland).

Pandora, 1994. 30,5 x 25,5 cm. Hardcover (clothbound) with dustjacket. Illustrated in color and b/w throughout. 110 pag. Text in Dutch, English and French. Almost AS NEW [Art / international artist [Buitenlandse Kunstenaars] ].

Soft Cover. Condición: Fine. Exhibition Catalog. Text: FR. 44 p.; ill.; 13,5 x 19 cm; 80 g. Very fine copy. Book.

Paperback. Condición: New. French Edition.

Hardcover. Condición: New.

Hardcover. Condición: As New.

Hardcover. Condición: As New.

Paperback. Condición: New.

No Binding. Condición: Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. (Belgian Art) Spilliaert, Leon. PLAISIRS D'HIVER. Bruxelles: Edition de l'Art Decoratif C. Dangotte, 1918. FIRST EDITION. Folio - 13" x 9-1/2". [iii], plus [10] lithographed plates, loose in original publisher's paper folio as issued. This incredibly scarce album contains ten original lithographs (five in striking color and five in elegant minimalist outline) by the visionary Belgian symbolist artist Léon Spilliaert, all centering on children and wintertime scenes. Includes the single text sheet folded to [4] pp. containing the half-title, limitation page, and title page. This copy is exceptionally rare, representing one of only 100 luxury copies printed on fine japon impérial, hand-numbered at the press and SIGNED BY THE ARTIST on the limitation page: "No 11 / 'Leon Spilliaert'." Housed in the original publisher's light brown, textured stiff paper portfolio, with titles stamped in brown and an original drawing by Spilliaert printed in black to the front cover; publisher's advertisement to the inside of the back cover. The physical condition of the lithographs is graded (9/10) - EXCELLENT (utilizing a standardized 10-point scale for photographic prints and original works of art, indicating mild condition issues that are barely perceptible to the naked eye). The accompanying original text sheet and the portfolio housing are graded together as NEAR FINE on the standard antiquarian book grading scale; the internal text leaves remain remarkably clean and bright, while the exterior portfolio wrapper exhibits only light, scattered superficial spotting to its textured surfaces, remaining structurally sound and entirely intact. Produced during the final structural tremors of the First World War, this album stands as a towering achievement in early twentieth-century Belgian graphic art and avant-garde publishing. Commissioned by the innovative Brussels publisher Charly Dangotte—a key figure in promoting wartime Belgian decorative arts—the "Collection du Petit Artiste" sought to redefine the aesthetic boundaries of children's literature by engaging top-tier modernists. Léon Spilliaert, an iconic self-taught master celebrated for his moody, existential ink drawings and symbolist beachscapes, brings an uncommonly tender yet hauntingly atmospheric quality to these winter scenes. Shifting between rich, saturated color fields and stark, geometric outline work, Spilliaert beautifully captures the quiet isolation and simple joys of childhood in winter, elevating a simple seasonal motif into a profound exercise in graphic minimalism. This copy boasts a distinguished institutional pedigree, originating from Heritage Auctions' landmark sale, Once Upon a Time. Rare Children's Literature from Justin G. Schiller, Ltd. (December 16, 2020, Lot 45195), cementing its importance among serious collections of historic juvenile illustration. Because these delicate portfolios were issued with loose plates intended for individual framing or interactive viewing, the vast majority of the tiny edition of 100 copies were broken up, damaged, or lost to time. Complete sets containing all ten pristine plates, the original text sheets, including the signed limitation page are practically non-existent on the open market. A current global sweep of the OCLC/WorldCat database locates only one copy preserved in institutional special collections worldwide: the Cotsen copy held by Princeton University Library. This scarcity places the present copy among the rarest documented survivals of Spilliaert's printmaking career. THE SURVIVAL OF THIS EXCEEDINGLY RARE WARTIME AVANT-GARDE PORTFOLIO, PRINTED ON LUXURY JAPON IMPÉRIAL AND BEARING THE MINT AUTOGRAPH OF LÉON SPILLIAERT, REPRESENTS A CRITICAL ACQUISITION FOR INSTITUTIONAL SPECIAL COLLECTIONS OR EXTRAORDINARY PRIVATE COLLECTIONS DEVOTED TO THE HISTORY OF MODERN BELGIAN ART, GRAPHIC ILLUSTRATION, OR SIGNED, LIMITED EDITIONS. Spilliaert, L. (Leon) (ilustrador). Signed by Illustrator(s).…

Bruxelles, Éditions "Sélection", 1920. 23 x 19,5 cm, non paginé. Broché, couverture rempliée, des rousseurs sur la couverture sinon bon exemplaire. Edition originale, un des 99 ex. num. sur papier Van Gelder.

Bruxelles, Editions des Artistes, 1935, format in-4°, 225 pp + (8) pp nn + frontispice portrait de l'auteur + 22 gravures intercalées dans le texte et une suite supllémentaire de 23 gravures (signé au crayon par les artistes). . Tirage limité à 386 exempl.numérotés et 10 exempl. pour les collaborateurs. Ceci est l'exemplaire n° 8 (des 15) sur Japon blanc nacré, en feuilles et chemise d'éditeur avec l'emboitage rouge. L'emboitage avec traces d'usage, sinon exemplaire en parfait état. Ce livre est un vraie florilège de l'art de la gravure belge dans l'Interbellum. Tous les artistes importantes de cette période ont contribué. Jean Brusselmans, L. Buisseret, Anto-Carte, Ph. Cockx, A. Crommelynck, A. De Kat, James Ensor, Fl. Jespers, Henri Letellier, Franz Masereel, George Minne, Louis Navez, Is. Opsomer, Willem Paerels, Al. Saverijs, Al. Sevaes, Léon Spilliaert, M. Stobbaert, R. Strebelle, E. Tytgat, Ed. Van Offel et le seul non-belge Maurice De Vlaminck (avec une point-sèche ''Simon le Musicien'). .Les planches sont tirées par Van Campenhout.…

Bruxelles, Éditions de l'art décoratif C. Dangotte, Collection du Petit Artiste, 1918. Édition originale. Album de 10 lithographies originales dont 5 en couleurs, tiré à 100 exemplaires sur Japon Impérial numérotés à la presse et signés par l'auteur à la justification. Très bon état. Collation : 33 x 24 cm, 1 f. double n.ch. + 10 pl. En feuillets, sous chemise à rabats illustrée de l'éditeur, très léger défaut à la couverture fort habilement restaurée.…