Librería: The Enigmatic Reader, Los Angeles, CA, Estados Unidos de America
EUR 26,93
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Añadir al carritoHardcover. Condición: Very Good. No Jacket. Ex-library.
Librería: Charlie Byrne's Bookshop, Galway, GALWA, Irlanda
EUR 51,83
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Añadir al carritoHardcover. Condición: As New. As new.
Idioma: Alemán
Publicado por Wien ; Köln ; Weimar : Böhlau,, 1996
ISBN 10: 3205984994 ISBN 13: 9783205984993
Librería: Versandantiquariat buch-im-speicher, Berlin, Alemania
Miembro de asociación: GIAQ
EUR 22,00
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Añadir al carritoCondición: Sehr gut. 306 S. : Mit Abb. ; Frisches Exemplar ohne Einträge. Sprache: Deutsch Gewicht in Gramm: 853 Gr.-8° , roter Org.-Leinen mit illustr. Org.-Umschlag.
Publicado por Sala Bolognese, Forni, 1991
Librería: Libreria SEAB srl (socio Alai/Lila), Bologna BO, BO, Italia
EUR 35,00
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Añadir al carritoIn 8°, brossura con sovraccoperta, pp. 294, molte pagine con notazioni musicali. Tradizioni musicali 10.
Librería: Ria Christie Collections, Uxbridge, Reino Unido
EUR 139,39
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Añadir al carritoCondición: New. In.
EUR 178,04
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Añadir al carritoHardback. Condición: New. We seldom consider how much we mistakenly presume in hewing to definitions of music that differ dramatically from the standpoint of other cultures. In What Makes Music European, Marcello Sorce Keller examines the limitations of accepted wisdom about the concept of music in Euro-Western culture. His investigations of the conclusions reached by music researchers of the past several decades considerably upsets the concepts relied upon by the concert-going public. Sorce Keller insightfully asks: Who makes the music? Should music be original, and how much can it be? Why do people identify with songs, pieces, styles, and repertoire? Why is music so ideological? Why do we misunderstand the music of different times and places, and why do we enjoy doing so? He also explores the juxtaposition of economy, society, and music making, as well as the concept of "illegal harmonies."In What Makes Music European, Sorce Keller addresses the little-discussed matters that are essential to an understanding of how music intersects with the life of so many people. Readers are offered an approach for thinking about music that depends as much on its history as on the concepts and attitudes of the social sciences. What Makes Music European concisely demonstrates, to those familiar with Western music, how peculiar Euro-Western concepts of music appear from a cross-cultural perspective. At the same time, it encourages ethnomusicologists to apply their knowledge to Western music and explain to its public how much of what listeners take for granted is, at the very least, highly debatable.
EUR 167,67
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Añadir al carritoHardback. Condición: New. We seldom consider how much we mistakenly presume in hewing to definitions of music that differ dramatically from the standpoint of other cultures. In What Makes Music European, Marcello Sorce Keller examines the limitations of accepted wisdom about the concept of music in Euro-Western culture. His investigations of the conclusions reached by music researchers of the past several decades considerably upsets the concepts relied upon by the concert-going public. Sorce Keller insightfully asks: Who makes the music? Should music be original, and how much can it be? Why do people identify with songs, pieces, styles, and repertoire? Why is music so ideological? Why do we misunderstand the music of different times and places, and why do we enjoy doing so? He also explores the juxtaposition of economy, society, and music making, as well as the concept of "illegal harmonies."In What Makes Music European, Sorce Keller addresses the little-discussed matters that are essential to an understanding of how music intersects with the life of so many people. Readers are offered an approach for thinking about music that depends as much on its history as on the concepts and attitudes of the social sciences. What Makes Music European concisely demonstrates, to those familiar with Western music, how peculiar Euro-Western concepts of music appear from a cross-cultural perspective. At the same time, it encourages ethnomusicologists to apply their knowledge to Western music and explain to its public how much of what listeners take for granted is, at the very least, highly debatable.
Publicado por Angeli, Milano., 1983
Librería: Studio Bibliografico Adige, Trento, TN, Italia
EUR 35,00
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Añadir al carrito307 p., 22 cm, bross.
Idioma: Inglés
Publicado por Bloomsbury Publishing (UK), 2011
ISBN 10: 081087671X ISBN 13: 9780810876712
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
EUR 141,71
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Añadir al carritoHRD. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Idioma: Inglés
Publicado por Bloomsbury Publishing (UK), 2011
ISBN 10: 081087671X ISBN 13: 9780810876712
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
EUR 148,77
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Añadir al carritoHRD. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Librería: moluna, Greven, Alemania
EUR 157,45
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Añadir al carritoCondición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Über den AutorMarcello Sorce Keller is Board Member of the Mediterranean Institute at the University of Malta. He is the author and producer of Note in liberta, a radio program on Swiss Italian Radio.Klappentext.
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 195,08
Cantidad disponible: 1 disponibles
Añadir al carritoBuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - We seldom consider how much we mistakenly presume in hewing to definitions of music that differ dramatically from the standpoint of other cultures. In What Makes Music European, Marcello Sorce Keller examines the limitations of accepted wisdom about the concept of music in Euro-Western culture. His investigations of the conclusions reached by music researchers of the past several decades considerably upsets the concepts relied upon by the concert-going public. Sorce Keller insightfully asks: Who makes the music Should music be original, and how much can it be Why do people identify with songs, pieces, styles, and repertoire Why is music so ideological Why do we misunderstand the music of different times and places, and why do we enjoy doing so He also explores the juxtaposition of economy, society, and music making, as well as the concept of 'illegal harmonies.'In What Makes Music European, Sorce Keller addresses the little-discussed matters that are essential to an understanding of how music intersects with the life of so many people. Readers are offered an approach for thinking about music that depends as much on its history as on the concepts and attitudes of the social sciences. What Makes Music European concisely demonstrates, to those familiar with Western music, how peculiar Euro-Western concepts of music appear from a cross-cultural perspective. At the same time, it encourages ethnomusicologists to apply their knowledge to Western music and explain to its public how much of what listeners take for granted is, at the very least, highly debatable.