sol glass (14 resultados)

Hardcover. Condición: Good. Estado de la sobrecubierta: Fair. 8vo hardcover. Blue cloth. Dust jacket in plastic cover, with significant chips, tears and wear on edges, and price scribbled out. Covers in good condition, just some minor shelf wear. Foxing along page edges. Pages clean and tight with no markings or stains.

Cloth. Condición: Very Good -. No Jacket. (1954), 280pp, illus., usual lib. markings, lib. rebound, light soiling & shelfwear to cover. Ex-Library.

Hardcover. Condición: Near Fine. No Jacket. 1st Edition. In blue cloth.

Hard Cover. Condición: Near Fine. Estado de la sobrecubierta: DJ Fair. Bright gilt titles on black cloth. 280pp. End papers lightly toned from contact with dust jacket, which is chipped and edgeworn and sunned on spine. A very nice copy of the book, presentable within new Brodart sleeve. Size: Large Octavo.

280pp. 1st ed., dedicated to Otto Hornung and signed by author on f.e.p., fine in D/W.

Softcover, staple-bound oversize playbill, 16 pages, very good condition, light rubbing to covers; no internal marks.

VG/G+. DJ HAS SMALL TEARS, LIGHT SOILING. OWNER NAME/DATA ON FIXED EP. PLATE DATA APPENDED NEATLY IN INK WHERE IT WAS MISSING. SIGNED BY AUTHOR. VOLUME INCLUDES- STORY OF EACH STAMP, EVENT COMMEMORATED, SOURCE OF DESIGN AND MUCH MORE.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Good. Large 8vo ; 280 pp; Book has no names, pages unmarked, covers excellent. Dust jacket intact with large areas of chipping on spine and rear panel, spine sunned. Comes in a clear, mylar dust jacket cover, due to chipping of DJ, mylar cover is about 1/4 inch smaller than book.

Condición: Good. Signed Copy First edition copy. . Acceptable dust jacket. Signed by author on title page. Dust jacket price clipped. (US history, reference).

West Somerville, 1954. 280 pp. Ills. Cloth.

BOX SET - Paperback. Condición: Fine. First Edition, First Printing. Primary Information, 2010. BOX SET (The boxed facsimile edition of Avalanche's complete run reproduces the first eight issues individually, and the final five in a single newsprint paperback). First Edition, First Edition. Limited Edition 1/1000 copies.Willoughby Sharp and Liza BÃ ar founded Avalanche shortly after they met in 1968. At the time, Sharp was a New York-based independent curator and BÃ ar an underground magazine editor who had recently moved to New York from London. They published the first issue in 1970 and collaborated on 13 issues from 1970 to 1976. Avalanche focused on art from the perspective of artists rather than critics, and investigated new forms of art that were developing in the U.S. and Europe with probing interviews, extensive use of photography and dynamic layouts. For many artists, publication in Avalanche preceded a one-person gallery or museum show. Aside from an eight-page news section, the editorial content included only interviews, artists' texts and documents of art and art making. All interviews were conducted by Sharp, BÃ ar or done jointly. Among the featured artists were Vito Acconci, Joseph Beuys, Hanne Darboven, Walter De Maria, Jan Dibbets, Philip Glass, Barry Le Va, Sol LeWitt, Richard Long, Gordon Matta-Clark, Bruce Nauman, Dennis Oppenheim, Yvonne Rainer, Keith Sonnier, Richard Serra, Robert Smithson, William Wegman, Lawrence Weiner and Jackie Winsor. This boxed facsimile edition of Avalanche's complete run reproduces the first eight issues individually, and the final five in a single newsprint paperback. CONDITION: Fine (the set)[ Housed in a Near Fine box showing ,oderate rubbing to panels from shelf wear.

597 pp.; 28.7 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca'' Corner della Regina, Venice, Italy, June 1 ? November 3, 2013. Exhibition was based on the original 1969 show--"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"--held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. The 2013 exhibition, curated by Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, was a physical reconstruction of the original show transported to a palazzo in Venice. This 2023 catalogue includes texts by Germano Celant, Dieter Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, and Glenn Phillips. Artists include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Mel Bochner, Alighiero Boetti, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Walter de Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McLean, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Panamarenko, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Frederick Lane Sandback, Alan Saret, Sarkis, Jean-Frederic Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio, and an interview with Germano Celant. Includes a "Register" (list of works, documents, and objects related to both exhibitions) and a selected bibliography. NEW. As issued in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

Encuadernación de tapa blanda. Condición: Bien. Estado de la sobrecubierta: Bien. Situation Esthetics: Impermanent Art and the Seventies Audience John Gutmann: A Transported Vision Carol Squiers Beuys: The Twilight of the Idol Benjamin H. D. Buchloh Willem de Kooning at the Pittsburgh International David Carrier Myron Stout s Complexity in Simplicity Tiffany Bell Dance : Lucinda Childs, Philip Glass and Sol LeWitt Deborah Perlberg David Reed s Paintings James Sherry Myth, Thermadorians and Solipsists Nicolas Calas COLUMNS FEATURES REVIEWS NEW YORK Stuart Morgan on Alice Aycock Stuart Morgan on Marco Bagnoli Stuart Morgan on Farrell Brickhouse Jeff Perrone on Robert Kushner Jeff Perrone on Willem de Kooning Jeff Perrone on Stefan Hirsch Jeff Perrone on Ron Gorchov Jeff Perrone on John McLaughlin Carrie Rickey on Philip Guston Carrie Rickey on Jennifer Bartlett Carrie Rickey on Steven Gianakos Carrie Rickey on Animals Living in Cities Hal Foster on Max Neuhaus Hal Foster on Richards Ruben Hal Foster on Lydia Dona Margaret Sheffield on Irving Petlin Margaret Sheffield on Don Gummer Judith Lopes Cardozo on Conrad Atkinson and Victor Burgin Judith Lopes Cardozo on Ed Kerns CAMBRIDGE Ronald J. Onorato on Corners DALLAS Fred Hoffman on Vernon Fisher LONDON Adrian Searle on Narrative Paintings Adrian Searle on John Hoyland LOS ANGELES Fred Hoffman on Chris Burden Fred Hoffman on DeWain Valentine Richard Armstrong on Jon Peterson SANTA BARBARA Richard Armstrong on Tom Wudl Richard Armstrong on Dialogue/Discourse/Research.

Cardboard box with paper title label affixed to top of box and list of artist's labels affixed to all 4 sides of the box top; includes 44 loose pages of xerox quality that reproduce the proposals of the artist's land art and performance projects for the NJ site and a text by Lenore Malen; very good condition except the top of the box is slightly crushed; 2 of the side labels are not firmly attached to the box; contents fine and untorn. I can only locate 4 copies of this item in US libraries; a very rare group exhibition catalog on land / conceptual art.