Idioma: Inglés
Publicado por teNeues Publishing Company, 2008
ISBN 10: 3832792805 ISBN 13: 9783832792800
Librería: Better World Books, Mishawaka, IN, Estados Unidos de America
EUR 10,20
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Idioma: Inglés
Publicado por teNeues Publishing Company, 2008
ISBN 10: 3832792805 ISBN 13: 9783832792800
Librería: Better World Books, Mishawaka, IN, Estados Unidos de America
EUR 10,20
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Librería: Antiquariat UEBUE, Zürich, Suiza
Original o primera edición
EUR 31,24
Cantidad disponible: 1 disponibles
Añadir al carritoSoftcover. Condición: Sehr gut. 1. Auflage. Z : 17 x 24 cm, 280 pages, 53 b/w illustrations - 12 essays about the comedic in art. Philosopher Simon Critchley and art historian Janet Whitmore discuss the modern origins of comedic genres and some of the key theoretical articulations of laughter and witby Freud, Bergson and othersand the special zone of outlandish humor demarcated by the cabarets, café concerts and ephemeral publications of Montmartre in the 1880s and 1890s. John C. Welchman focuses on John Baldessari, one of the fountainheads for the new permissibility of humor in art in the 1960s as the hegemonies of modernist seriousness withered away, while performer, playwright and former V-Girl, Jessica Chalmers, and writer and curator, Jo Anna Isaak, discuss the relation between comedy and gender. Finally, artist and writer David Robbins reports on his decade long investigation into the comedy in objects, as video, performance and installation artist Michael Smith reflects on his hilariously awkward and regressive journeys with alter persona "Mike.".