Smith henry d ii editor (9 resultados)

Soft cover. Condición: Very Good. Softcover in very good condition. Article topics include : review articles on Japanes literature: the Seidensticker Genji; Keene, World within Walls; Tokyo as an idea: an Exploration of Japanese urban thought until 1945; internal migration in prewar Japan; saving, accumulation and modern economic growth: the contemporary relevance of Japanese history; and more. Size: 8vo - over 7¾ - 9¾" tall. Journal. …

PAPERBACK. First edition. 75pp + ads b/w illustrations quarto paper. slight cover wear otherwise very good.

PAPERBACK. First edition. 104pp + ads b/w illustrations quarto paper. slight cover wear otherwise very good.

Softcover. Condición: VG. Blue illus. wraps; 109 pp.; 9 color plates, numerous bw figures. Issue includes the articles "The Rediscovery of the 'Tendo Hiroshiges,'" "Prostitute As Bodhisattva: The Eguchi Theme in Ukiyo-e," "Ukiyo-e Memories of Ise Monogatari," and " Bubbles, East and West: An Iconic Encounter in 18th-Century Ukiyo-e".…

Soft cover. Condición: Fine. First Edition. Scarce. Published for the exhibition, 2007-2008, of the later woodblock prints of the acclaimed Japanese artist. Utagawa (Ando) Hiroshige, 1797-1858, was one of the last great masters of the colour print, his skills perfectly demonstrated in these atmospheric landscapes. In perfect condition throughout. All our UK orders are posted First Class. All profits to Amnesty International.…

Softcover. Condición: VG. Red illus. wraps; 89 pp.; 11 color plates, numerous bw figures. Issue includes the articles "Portraits of the Emperor Meiji," "Japan's First Modern Manga Magazine," "Bridging Edo and Meiji: Shosai Ikkei's Comic Views of Early Tokyo," and others.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good+. 1st Edition. 224 pages in near fine condition. Pages are clean and unmarked, filled with beautiful black and white prints by Hokusai. Bound in blue cloth with red titles. Pink and white dustjacket in very good condition. Light wear on the edges. Lightly faded on the spine. 1ST EDITION. NF/VG+. Hokusai (ilustrador). Book.…

Soft cover. Condición: Very Good. 1st Edition. Very Good−. Original pale-blue pictorial wraps show noticeable age-related fading, toning, and discoloration, particularly along the spine, cover edges, and extremities. Additional light rubbing, scattered surface marks, and minor edge and corner wear are present, with a darker irregular area of discoloration near the upper portion of the rear cover. Spine is toned but remains intact. Text-block edges are noticeably age-toned and discolored. Minor age-related page toning and occasional internal discoloration are present. Pages remain clean and fully legible, with no writing, highlighting, underlining, ownership inscriptions, or other markings observed. Binding is sound and the text block remains secure. No dust jacket, as issued. Book Description First edition, first printing, 1980. Edited by Henry D. Smith II and published by the Program in Asian Studies at the University of California, Santa Barbara, with distribution by the Japan Society of New York. This copy meets the established first-printing points. The copyright page carries only the original 1980 copyright statement and does not contain a later-printing designation. Subsequent and revised printings explicitly identify themselves as such. Published before the broadcast of the original 1980 television miniseries, Learning from Shōgun was created as a scholarly companion to James Clavell's novel. The collection examines the historical realities underlying Clavell's fictional narrative while addressing the Western assumptions, romantic conventions, and cultural interpretations through which early modern Japan was presented to English-speaking audiences. The essays explore Japanese political, military, religious, and social history and compare historical figures and events with their fictional counterparts. Subjects include Hosokawa Gracia as the historical model for Mariko, samurai society and armor, Christianity in Japan, European contact, cultural interpretation, and the transformation of Japanese history into Western popular fiction. Illustrated with period-style depictions of samurai armor derived from Murai Masahiro's 1837 woodblock publication Tanki yōryaku, represented by an example in the Metropolitan Museum of Art. The volume also contains historical and reference material intended to help readers distinguish the documented world of early seventeenth-century Japan from its fictionalized treatment in Shōgun. An uncommon original first printing and a desirable association item for collectors of James Clavell, Shōgun, Japanese history, Asian Studies, historical fiction, television history, and Japanese-Western cultural interpretation.…

Hardcover. Condición: Good. Dust Jacket Included. 1st Edition. English text.; Hardcover (with dust jacket).; 29.5 x 29.5 cm.; 1.9 kg.; 228 pages with colour illustrations.; Used with signs of wear on the exterior and interior. The dust jacket is worn, slightly loose due to wear, shows edge wear, scuffs and scratches, tear and small chip at the top of the spine and also another tear and chip at the top right side of the back cover, both top edges are slightly chipped, tiny chip also on the back cover. The hardover shows wear (only seem if the dust jacket is removed). The dust jacket is protected with a clearcover. Interior with wear marks, a previous owner pen written signature on title page. The rear of the front and back cover show minor wear marks as well as the first page. Good condition overall. Good readable/working copy.; The new wave - a term referring to the revival in Japanese woodblock printmaking during the early decades of the twentieth century - presents a comprehensive and authoritative picture of the important, but often neglected shin hanga ('new prints') of the Taisho (1912-1926) and early Showa (1926-1989) periods. The fully-illustrated publication contains three essays: an art historical overview of the developments of shin hanga (Donald Jenkins); a discussion of the pioneering role of the publisher Watanabe Shôzaburô (Henry D. Smith II and Okamoto Hiromi); and an introduction to western artists working in Japan during the formative years of the shin hanga movement (Julia Meech). The largest portion of the publication consists of over 300 annotated entries for each work (Amy Reigle Stephens). The new wave includes all the major figures of the shin hanga movement such as Hashiguchi Goyo, Ito Shinsui, Yamamura Koka and Torii Kotondo as well as over fifty lesser-known artists. In addition, in an attempt to set the stage for the development of the shin hanga movement, the publication also comprises the works by artists of the earlier Meiji period (1868-1912) such as Kobayashi Kiyochika, Kaburagi Kiyokata, Yoshu Chikanobu, Ogata Gekko and others, and by western artists working in Japan. All of the works are drawn from the impressive Robert O. Muller collection, the largest of its kind in the field of shin hanga. …