Smith chloe wigston (105 resultados)

Condición: New.

Paperback or Softback. Condición: New. Small Things in the Eighteenth Century. Book.

Condición: As New. Unread book in perfect condition.

paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condición: New. Offering an intimate history of how small things were used, handled, and worn, this collection shows how objects such as mugs and handkerchiefs were entangled with quotidian practices and rituals of bodily care. Small things, from tiny books to ceramic trinkets and toothpick cases, could delight and entertain, generating tactile pleasures for users while at the same time signalling the limits of the body's adeptness or the hand's dexterity. Simultaneously, the volume explores the striking mobility of small things: how fans, coins, rings, and pottery could, for instance, carry political, philosophical, and cultural concepts into circumscribed spaces. From the decorative and playful to the useful and performative, such small things as tea caddies, wampum beads, and drawings of ants negotiated larger political, cultural, and scientific shifts as they transported aesthetic and cultural practices across borders, via nationalist imagery, gift exchange, and the movement of global goods.…

Paperback. Condición: new. Paperback. Offering an intimate history of how small things were used, handled, and worn, this collection shows how objects such as mugs and handkerchiefs were entangled with quotidian practices and rituals of bodily care. Small things, from tiny books to ceramic trinkets and toothpick cases, could delight and entertain, generating tactile pleasures for users while at the same time signalling the limits of the body's adeptness or the hand's dexterity. Simultaneously, the volume explores the striking mobility of small things: how fans, coins, rings, and pottery could, for instance, carry political, philosophical, and cultural concepts into circumscribed spaces. From the decorative and playful to the useful and performative, such small things as tea caddies, wampum beads, and drawings of ants negotiated larger political, cultural, and scientific shifts as they transported aesthetic and cultural practices across borders, via nationalist imagery, gift exchange, and the movement of global goods. Featuring tiny books, buttons, ceramic trinkets, toothpick cases, handkerchiefs, mugs, tea caddies, coins and much more, this interdisciplinary book explores how people in the eighteenth century interacted with the small things they used, wore, played with, and displayed to signal their engagement with the larger world. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: new. Paperback. Longlisted for the Historians of British Art Book Prize 2023The 18th century has been hailed for its revolution in consumer culture, but Material Literacy in Eighteenth-Century Britain repositions Britain as a nation of makers. It brings new attention to 18th-century craftswomen and men with its focus on the material knowledge possessed not only by professional artisans and amateur makers, but also by skilled consumers. This book gathers together a group of interdisciplinary scholars working in the fields of art history, history, literature and museum studies to unearth the tactile and tacit knowledge that underpinned fashion, tailoring and textile production. It invites us into the workshops, drawing rooms and backrooms of a broad range of creators, and uncovers how production and manual knowledge extended beyond the factories and machines which dominate industrial histories.This book illuminates, for the first time, the material literacies learnt, enacted and understood by British producers and consumers. The skills required for sewing, embroidering and the textile arts were possessed by a large proportion of the British population: men, women and children, professional and amateur alike. Building on previous studies of shoppers and consumption in the period, as well as narratives of manufacture, this collection documents the multiplicity of small producers behind Britains consumer revolution, reshaping our understanding of the dynamics between making and objects, consumption and production. It demonstrates how material knowledge formed an essential part of daily life for eighteenth-century Britons. Craft technique, practice and production, the contributors show, constituted forms of tactile languages that joined makers together, whether they produced objects for profit or pleasure. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback or Softback. Condición: New. Material Literacy in 18th-Century Britain: A Nation of Makers. Book.

Paperback. Condición: New. Longlisted for the Historians of British Art Book Prize 2023The 18th century has been hailed for its revolution in consumer culture, but Material Literacy in Eighteenth-Century Britain repositions Britain as a nation of makers. It brings new attention to 18th-century craftswomen and men with its focus on the material knowledge possessed not only by professional artisans and amateur makers, but also by skilled consumers. This book gathers together a group of interdisciplinary scholars working in the fields of art history, history, literature and museum studies to unearth the tactile and tacit knowledge that underpinned fashion, tailoring and textile production. It invites us into the workshops, drawing rooms and backrooms of a broad range of creators, and uncovers how production and manual knowledge extended beyond the factories and machines which dominate industrial histories.This book illuminates, for the first time, the material literacies learnt, enacted and understood by British producers and consumers. The skills required for sewing, embroidering and the textile arts were possessed by a large proportion of the British population: men, women and children, professional and amateur alike. Building on previous studies of shoppers and consumption in the period, as well as narratives of manufacture, this collection documents the multiplicity of small producers behind Britain's consumer revolution, reshaping our understanding of the dynamics between making and objects, consumption and production. It demonstrates how material knowledge formed an essential part of daily life for eighteenth-century Britons. Craft technique, practice and production, the contributors show, constituted forms of tactile languages that joined makers together, whether they produced objects for profit or pleasure.…

Condición: New.

Condición: New.

Paperback. Condición: Brand New. 344 pages. 6.69x0.72x9.61 inches. In Stock.

Condición: New. In English.

Condición: As New. Unread book in perfect condition.

Paperback / softback. Condición: New. New copy - Usually dispatched within 3 working days.

Condición: New. In English.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. Glossy illustrated dust-jacket showing some light shelf-wear, no tears or chips. Book itself is unmarked, unused, as new.

Paperback. Condición: Brand New. 344 pages. 6.69x0.72x9.61 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Condición: New. 2024. hardcover. . . . . .

Condición: New.

Hardback. Condición: New. The first sustained study of the vibrant links between domestic craft and British colonialism  Finalist, Susanne M. Glasscock Book Prize   In the eighteenth century, women's contributions to empire took fewer official forms than those collected in state archives. Their traces were recorded in material ways, through the ink they applied to paper or the artifacts they created with muslin, silk threads, feathers, and shells. Handiwork, such as sewing, knitting, embroidery, and other crafts, formed a familiar presence in the lives and learning of girls and women across social classes, and it was deeply connected to colonialism.   Chloe Wigston Smith follows the material and visual images of the Atlantic world that found their way into the hands of women and girls in Britain and early America-in the objects they made, the books they held, the stories they read-and in doing so adjusted and altered the form and content of print and material culture. A range of artifacts made by women, including makers of color, brought the global into conversation with domestic crafts and consequently placed images of empire and colonialism within arm's reach. Together, fiction and handicrafts offer new evidence of women's material contributions to the home's place within the global eighteenth century, revealing the rich and complex connections between the global and the domestic.…

Condición: New.

Condición: new.

Condición: New. In English.