slim stealingworth (34 resultados)

fester Einband. 22 x 28,5 cm., 47 S. mit vielen Abb. Gebundenes Buch. Einband mit 1 kl. Bereibung vorne, ansonsten sehr gutes Exemplar.

hardback, landscape 4to, 86pp, bilingual text in English and Italian, colour illustrations, clean and tight, no inscriptions, laminated pictorial boards, Very Good condition . ISBN: 8881584506.

Hardbound. First (Trade Edition). Beige cloth boards with tipped-on color plate and clear plastic DJ, 321pp, 123 color and 102 BW plates and figures, 2 fold out catalogue. OVERSIZE AA4. A consideration of the work of American pop artist Tom Wesselmann (1931-2004). "This self-portrait (for Slim Stealingworth is Wesselmann's nom de plume) traces the artist's origins and development from fledgling cartoonist to Abstract Expressionist to creator of the Great American Nudes and other paintings celebrated for their highly charged colors and deadpan eroticism." (publisher's description). A comprehensive work at the time. Includes bibliographical references (pages 311-312) and index.collections list. Good+, some liught soiling evident on the cloth coves and lacks clear acetate cover found on other copies.

hardcover. Condición: Good. Good condition with wear and markings. Looks like an interesting title!

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardcover. Condición: Gut. First Edition. 320 pp. Dust jackets slightly browned and slightly rubbed, with pressure marks on spine, the book well preserved 315 Sprache: Englisch Gewicht in Gramm: 3240.

Softcover, 24 pages, in English; as new condition, clean and crisp; no internal marks.

Large 4to, 321pp. Colour and black & white illustrations. A very good hardback copy bound in beige cloth with illustrated cover. Transparent plastic cover cracked and yellowed.

Hardcover. Condición: Very Good. 1st Edition. First edition. Small stain on cover. Two small red dots on upper and lower edge of book. Light soiling of cloth covers. Original mylar wrapper missing. VG-.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,3200grams, ISBN:0896590720.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. The binding is clean and tight with minor shelf wear. Text and images unmarked. Text block is clean and crisp. The dust jacket shows some light handling, in a mylar cover. An attractive, well-kept copy. **PLEASE NOTE: Due to its size and weight, this book is ineligible for international shipping.**.

321 S., 1 Bl. mit zahlreichen Abbildungen. Erste Auflage / first edition. Der Umschlag mit dem Verlagsaufdruck Taschen (gutes Exemplar, leichte Gebrauchsspuren). Sprache: Englisch Gewicht in Gramm: 2800 4° (34 x 30,5 cm). Orig.-Pappband mit Orig.-Umschlag.

Condición: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,3000grams, ISBN:0896590720.

Hardcover with dustjacket, 324 pages; very good condition except dj has moderate rubbing and scratches to rear and light edgewear with small abrasions at top of dj spine; no internal marks. Foreign shipping may be extra.

Cloth. Condición: Very Good. Estado de la sobrecubierta: Very Good. 321 pp. Blank white cloth binding in pictorial jacket. Light spotting and rubbing to jacket and book, with light curling to the former. Internally clean and colours bright. the dustjacket has Taschen's name on it, so this may well be one distributed by them. This is a heavy item and may require additional postage if being shipped outside of Europe. 0896590720 Large Square 4to.

hardcover. Condición: Very Good Minus. First Edition. Very good minus lacking dust jacket, as issued. First edition first printing thus. Binding is square and solid. Quick flip thru of pages revealed no writing in body of book. Cover art is nice. Some soiling present on the off white cloth. We use quality packaging materials (including boxes!) for shipping.

Hardcover. Condición: Good+. 1st Edition, thus. Hardcover. 4to. Abbeville Press, Inc, New York. 1980. 321 pgs. Illustrated with Color / Black and White Plates. First Edition/First Printing. Bound in decorated cloth boards with color pastedown present to the front pastedown. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Tom Wesselmann (1931-) was one of the most prominent Pop artists of the 1960s. Whilst in the army he began drawing cartoons and afterward studied art at the Cincinnati Art Academy and then the Cooper Union. It was after his first one-man exhibition at the Tanager Gallery, New York, that he became known as one of the leading figures in American Pop art. He subsequently abandoned abstract expressionism for collages and constructions in mixed media, producing works created from clocks, television sets and air conditioners to ressemble shop windows. He became well known for the overt erotic imagery of his series, Great American Nude, which became progressively more sexual during the 1970s. This monograph is both a visual retrospective and informed critical account of Tom Wesselmann's work. EB; 13.30 X 11.90 X 1.70 inches; 320 pages.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Good. 1st Edition. Hardcover. Condition: Near Fine. Dust Jacket: Good plus clear mylar. 1st Edition, thus. Hardcover. 4to. Abbeville Press, Inc, New York. 1980. 321 pgs. Illustrated with Color / Black and White Plates. First Edition/First Printing. Bound in decorated cloth boards with color paste down present to the front pasted own. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Tom Wesselmann (1931-) was one of the most prominent Pop artists of the 1960s. Whilst in the army he began drawing cartoons and afterward studied art at the Cincinnati Art Academy and then the Cooper Union. It was after his first one-man exhibition at the Tanager Gallery, New York, that he became known as one of the leading figures in American Pop art. He subsequently abandoned abstract expressionism for collages and constructions in mixed media, producing works created from clocks, television sets and air conditioners to resemble shop windows. He became well known for the overt erotic imagery of his series, Great American Nude, which became progressively more sexual during the 1970s. This monograph is both a visual retrospective and informed critical account of Tom Wesselmann's work. EB; 13.30 X 11.90 X 1.70 inches; 320 pages."This self-portrait (for Slim Stealingworth is Wesselmann's nom de plume) traces the artist's origins and development from fledgling cartoonist to Abstract Expressionist to creator of the Great American Nudes and other paintings celebrated for their highly charged colors and deadpan eroticism." (publisher's description). A comprehensive work at the time. Includes bibliographical references (pages 311-312) and index.

Fol. , Hardcover/Pappeinband. Condición: Sehr gut. Limited Edition. 321 S., ill. OU etw. wellig, sonst einwandfrei; sehr gutes Expl. Sprache: Englisch Gewicht in Gramm: 3500.

4°. 34 x 31 cm. 321 Seiten. Original-Leinenband mit montierter Deckelillustration und Original-Schutzumschlag. 1. Auflage. Englischsprachige Ausgabe. Mit etwa 300 farbigen, ganzseitigen Abbildungen (teilweise doppelblattgroß) und zahlreichen kleineren Abbildungen in Schwarz-Weiß. Einband etwas stockfleckig, ansonsten gutes bis sehr gutes Exemplar. Original cloth binding with mounted cover illustration and original dust jacket. 1st edition. English language edition. With about 300 colored, full-page illustrations (some double-page-sized) and numerous smaller illustrations in black and white. Binding slightly foxed, otherwise near fine copy.

Hardcover. Condición: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condición: very good+. First edition. Quarto. 321pp White buckram with color plate mounted to front cover in acetate jacket. Signed and inscribed to former owner by Tom Wesselmann. Glassine wrapper shows overall toning and some closed tears. Does not effect the cloth of the book. Binding is tight.

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

Stealingworth, Slim. TOM WESSELMANN. 321 pp. profusely illustrated with color and monochrome plates, some tipped in, includes 4 pp. foldout of prints from 1965-1979. Folio, cloth. New York, Abbeville, 1980.

First Edition. Very Good in cloth with large mounted color image. No DJ and no glassine, 321 pages, unidentifiable age-toning to top edge. This copy is warmly inscribed to Wesselmann's friend and colleague, Richard Bellamy, who showed the artist at the Green Gallery, thus: "Dear Dick: In honor of fond memories of the old days. Tom Wesselmann. December, 1981." Further images upon request.

Lg square quarto, white heavy boards, 321pp, illus, VG (binding sloppy- boards shaky, light to moderate bruising to base of spine, moderate tanning & foxing/soiling to board edges, light soiling to boards, light tanning & soiling to page edges, moderate fading to edges of eps, moderate soiling & creasing to front eps, moderate foxing to prelims & terminals) in d/w, VG- (moderate creasing & chipping to edges, 1cm closed tear to head of spine, moderate tanning & chafing/soiling).

Softcover, unpaginated, in English and Japanese; very good condition, tear to bottom of spine; light rubbing to covers; no internal marks.

Folio; Leineneinband mit schwarzerDeckel- und Rückenprägung, montiertem farb. Bild auf dem vorderen Einbanddeckel und transp. OU.; FIRST EDITION;Großartige Werkschau, mit zahlreichen Studien und Vorzeichnungen, frühen Arbeiten, Assemblagen, Collagen, fotografischen Abbildungen aus Wesselmanns verschiedenen Ateliers; verfaßt von Wesselmann zusammen mit seinem Freund, dem Verleger Harry N. Abrams (der vor Fertigstellung der Monographie starb) unter dem Pseudonym "Slim Stealingworth". Die Ausstattung besorgte Wesselmanns Frau Claire; mit zahlr.s/w Abb. im Text. sowie vielen, meist ganzseitigen u. farbigen Abb. Zustand: Sehr gut, Schutzumschlag mit Gebrauchsspuren, im Inneren frisch und nahezu neuwertig, ein außergewöhnlich schöner großer Band in Ausstattung und Präsentation 4000 gr.

Hardback. Condición: Good. First Edition. 31 x 34cm 322pp good hardback in dust jacket with browning to front and rear, a small tear at head of spine. A fantastic observation of Wesselmann's Pop Art style paintings, reproduced in colour. Has a text by Slim Stealingworth and sections including Studies and Drawing, Prints and Editions, Biography, Exhibitions.A very heavy book, may require extra postage.

323(1) S. (inkl. Klapptafeln), Quart (ca. 30,7 x 33,8 cm), OPp. (hardcover; Leinenstruktur), m.OU. - First edition / Erstausgabe. Umfangreiche und grundlegende Monographie zu Leben und Werk T. Wesselmanns (1931-2004) - von ihm selbst verfaßt und unter Pseudonym publiziert. Reich bebildert. Mit gedruckter Widmung für Harry N. Abrams, der über 10 Jahre das Buchprojekt Tom Wesselmanns begleitete, aber noch kurz vor dessen Fertigstellung verstarb. - Minimal angestoßen am unteren Einbandrand (unter dem OU. (!)). Mit dem weißen, farbig illustr. Vertriebsumschlag von 'TASCHEN' (Köln). - Gutes, (sehr) frisches Exemplar.