siri engberg (149 resultados)

Hardcover. Condición: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condición: acceptable. Book is in acceptable condition. May have shelf wear, edge wear, and spine wear, but a very readable copy. May not come with supplemental materials if applicable. Does not include original dustcover jacket. Possibly Ex Library Copy.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover without dustjacket as issued, 152 pages, good condition; writing on spine almost rubbed away; small stains to top and bottom of spine; pages lightly wavy at top and bottom edge; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Very Good. Jumbo-sized. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE.

Hardcover. Condición: Good. Jumbo-sized. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD.

Hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Condición: Good.

Hardcover. Condición: Used - Very Good. A celebrated, popular and influential figure in American art, Chuck Close has focused exclusively, and with great innovation, on the genre of portraiture. This exhibition, co-organized by the San Francisco Museum of Modern Art and the Walker Art Center in Minneapolis, explores the artist's work in self-portraiture over four decades and across a variety of media, including painting, drawing, photography, collage, and printmaking. The first comprehensive museum survey of Close's self-portraits, the exhibition and its accompanying publication offer a fascinating glimpse of an artist's self-examination and evolution over time and elucidate his unbounded, process-driven experimentation with media and techniques. Working with the seemingly narrow subject of his own face, Close has produced a richly varied trove that ranges from intimately scaled collage maquettes and fingerprint drawings to monumental gridded canvases; from the sharp definition of certain photographic techniques to the ghostly blurs of daguerreotypes and holograms; from the tactile complexity of paper pulp editions to the smooth, mechanical surfaces of Polaroids and digital ink-jet prints; from the subtle tonalities of gray-scale paintings and drawings to the exuberance of an 111-color screenprint. When Close unleashes his imagination on his own visage, this familiar figure is at his most revealing. Essays by Siri Engberg, Madeleine Grynsztejn and Douglas R. Nickel. Foreword by Kathy Halbreich and Neal Benezra. Very nice clean, tight copy free of any marks.

Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condición: Like New. First Edition. First Edition, First Printing. Published by Walker Art Center, 2005. Quarto. Pictorial boards. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. No dust jacket as issued. 616 pages. ISBN: 9780935640786. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!

Paperback. Condición: Good. Paperback - clean, clean cover, no marks - from private collection -.

Softcover, 192 pages; as new condition; clean and crisp; no internal marks. Still has Keith Edmier insert. Foreign shipping may be extra.

Paperback. Condición: New. New oversized softcover in glossy printed wraps. Text is clean and free of marks or underlining. (7.75 x 0.6 x 10.25 inches) Includes photo plates, art prints, and a small art print insert. 192 pp. Fast sipping in a secure book box mailer with tracking. Is it real? Lifelike invites a close examination of art since the late 1960s based on commonplace objects and situations that are startlingly realistic, often playful and sometimes surreal--works that investigate the quieter side of the quotidian. While artists such as Vija Celmins, Rudolf Stingel and Paul Sietsema employ illusionistic painting and drawing, others' use of materials is surprising--Thomas Demand's video of what appears to be a rainstorm is made from animated candy wrappers; Susan Collis' sculpture of construction debris is fashioned from exotic hardwoods, mother of pearl and silver. What binds these artists together is their rejection of the easy route technology might offer in favor of labor-intensive fabrication. Featuring painting, sculpture, photography, drawing, video and installations by more than 40 artists, Lifelike is the first publication to address the recent history of artists using these strategies across media.

Hardcover. Condición: Very Good. 1st Edition. Very good book. 616pp with colour photogaphs.

Hardbound. Condición: As New. Illustrated thick boards. 152 pp., profusely illustrated with 50 bw and 85 color plates. This book is the first comprehensive study to focus on Close's self portraits and the portraits he has made of fellow artists, including Cindy Sherman, Francesco Clemente, Jasper Johns, and William Wegman. Beginning with a biographical discussion of the artist's life and career, the author broadens his understanding of the subject in interviews with both Close and his subjects.Catalog of an exhibition to be held at the Walker Art Center, Minneapolis, July 24-Oct. 16, 2005, at the San Francisco Museum of Modern Art, Nov. 19, 2005-Feb. 28, 2006, at the High Museum of Art, Atlanta, Mar. 25-June 18, 2006, and at the Albright-Knox Art Gallery, Buffalo, New York, July 22-Oct. 22, 2006.

Soft Cover. Condición: Very good. No jacket. First edition. Cover is very lightly soiled. Previous seller's sticker on back cover. Inside is clean, bright, and unmarked.

[144] pp.; 26.7 x 21.5 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 9 - June 8, 1997. Curated and with an essay by Richard Flood. Artists include Zarina Bhimji, Nick Deocampo, Willie Doherty, Kay Hassan, Kcho (Alexis Leyva Machado), Gary Simmons, Meyer Vaisman, and Kara Walker. Includes interviews with the artists: Zarina Bhimji by Deepali Dewan; Nick Deocampo by Marlina Gonzalez-Tamrong; Willie Doherty by Joan Rothfuss; Kay Hassan by Susan Robeson; Kcho by Kellie Jones; Gary Simmons by Siri Engberg; Meyer Vaisman; by Douglas Fogle and Kara Walker by Elizabeth Armstrong. Additional essays by Douglas Fogle and Deppali Dewan. Includes exhibition histories and selected bibliographies. Very Good. Very light bumping of corners and a library sticker wrapping around covers: 2.8 cm. (recto), 1 cm. (spine), 2.5 cm. (verso). Contents clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.

paperback. Condición: Very Good. Ships Out Tomorrow!

Hardcover. Condición: Fine. No Jacket. 1st. (USA) Presumed first edition. No markings, Fine; no dust jacket as published. Boards, 152pp, bibliography, colour and B&W reproductions and photos of Close's amazing self-portraits. (2.9 JM LVR 200/b Size: 4to - over 9¾" - 12". Exhibition Catalogue.

Hardcover. Condición: Very Good. Well-kept, unopened copy in bright covers. Prolifically illustrated. Lower corner with gentle bump and small ink dot to bottom ends. Due to thick matte paper, this is a very heavy book.

paperback. Condición: Like New. May have light shelf wear and/or a remainder mark. Complete. Clean pages.

Softcover. 1st ed. Glued wraps with b+w illustration, all sides of text block have black edges. (11) 12-295 pp. featuring many color and b+w plates. Widely considered to be one of the most engaging and fascinating artists of our time, Kiki Smith has, over the past 25 years, developed into a major figure in the world of 21st-century art. Her subject matter is as wide-ranging as the materials her work has encompassed. In the 1980s, with her earliest figural sculptures in plaster, glass, and wax, Smith developed an elaborate vocabulary around the forms and functions of the body and its metaphorical as well as physical relationship to society. By the early 1990s she began to engage with themes of a more religious and mythological nature. Her re-imaginings of biblical women as inhabitants of physical bodies--rather than as abstract bearers of doctrine--led her to make a series of sculptural works related to the figure of the Virgin Mary, Mary Magdalene, Lilith, and others. The artist has more recently considered fairy tales and folk narratives as well as nurturing a growing menagerie of work concerned with animals and the natural world. Smith has now earned a considerable reputation as a virtuoso printmaker and draftsperson, and as a re-inventor of the startling sculptural possibitilies present in materials ranging from paper and resin to bronze and porcelain. Organized by the Walker Art Center with the full collaboration of the artist, the exhibition Kiki Smith represents the artist s first full-scale touring museum retrospective in the United States. This accompanying exhibition catalogue is a comprensive volume that includes critical essays, an interview, a generous four-color plate section, a complete exhibition history and bibliography, and the first-ever comprehensive illustrated chronology of Smith s life and work. VG: Exlibrary book. Sticker at the base of the spine. Sticker and due date card on the back pasted end page. Stamp on top text block.

Condición: Very Good. Frank Stella Ilustrador. 27 x 22.5 cm. 55pp. Some minor shelf wear.

[144] pp.; 26.7 x 21.5 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 9 - June 8, 1997. Curated and with an essay by Richard Flood. Artists include Zarina Bhimji, Nick Deocampo, Willie Doherty, Kay Hassan, Kcho (Alexis Leyva Machado), Gary Simmons, Meyer Vaisman, and Kara Walker. Includes interviews with the artists: Zarina Bhimji by Deepali Dewan; Nick Deocampo by Marlina Gonzalez-Tamrong; Willie Doherty by Joan Rothfuss; Kay Hassan by Susan Robeson; Kcho by Kellie Jones; Gary Simmons by Siri Engberg; Meyer Vaisman; by Douglas Fogle and Kara Walker by Elizabeth Armstrong. Additional essays by Douglas Fogle and Deppali Dewan. Includes exhibition histories and selected bibliographies. Very Good / Fine. Light bumping of corners, otherwise Fine. Contents clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.