Sink kitchen (23 resultados)

Soft cover. Condición: Very Good. 1973 - Comic Book in Very Good condition with some wear to edges. Pages are flat and tight to staples. AL SKU-222395 Rare.

Condición: As New. Like New condition.

Condición: Very Good. Very Good condition.

Comic. Condición: Very Good. Very good+/near fine, great condition. Comic is flat, tight and clean.

Magazine. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Trivial shelving wear/rubbing. Toned pages but very clean and unmarked.

Magazine. Condición: Fine. Excellent condition. Trivial shelving wear.

Comic. Condición: Good. Good, worn condition. Cover is well attached and inside pages are clean.

4°, Broschur. Condición: Sehr gut. 2 Hefte. unpaginierte Seiten Buch ist in einem sehr guten Zustand, 2 Hefte, Papier in sehr gutem Zustand. B16-01-02I Sprache: Englisch Gewicht in Gramm: 225.

Condición: Very Good. 4 pages, illustrated. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: 18 x 25 cms. Category: Encounter; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Comic. Condición: Very Good. Very good, nice condition. Comic is flat, tight and clean.

Magazine. Condición: Fine. Pages are toned but very clean and bright with no markings. Binding is tight and square. Overall in excellent condition.

paperback. Condición: Good.

Comic. Condición: Good. Comic book. Lower right corner is creases a bit, a few small chips at bottom of front cover, some light rubbing. so a bit worn but still presentable. Photos on request.

Comic. Condición: Fine. Kitchen Sink; Alien Fire ( 1987 Series ) issue #1 dated January 1987 with a Very Fine/Near Mint [ NM90 ] condition, c1.; 1987; 1.

4°, Broschiert. Condición: Neu. 32 Seiten Underground Comic; Insgesamt neuwertig; Weitere Ausgaben verfügbar. Konvolutpreise können erfragt werden. B02-04-06A Sprache: Englisch Gewicht in Gramm: 58.

4°, Broschiert. Condición: Wie neu. 40 Seiten Underground Comic; Insgesamt neuwertig; Weitere Ausgaben verfügbar. Konvolutpreise können erfragt werden. B02-04-06A Sprache: Englisch Gewicht in Gramm: 73.

Tapa blanda. Condición: Bueno. Formato Poster de 49,5cm x 33cm.

Paperback.

Condición: New. Satisfaction Guaranteed or your money back.

1p., 4to. In fair condition, lightly aged and creased. He asks her whether she means by 'a favourite recipe' one 'which I know of that others are likely not to know of? Or just one that I like but might well be familiar?' He ends by suggesting that she try asking Alan Bates, 'who I think has a secret recipe'. He gives an address for the actor.…

1p, 4to. In fair condition, aged and lightly creased. Folded twice. The letter begins: 'Dear Bernard, | You probably know that I have just returned from Cuba and it was an exciting trip. | Unfortunately, one of the most depressing things was their very bad theatre; this is particularly because it is new and has no tradition, but also, to a great extent, due to their intolerable isolation.' Although there is little that they can do, Wesker promised to 'send as many plays and books' as he can. 'They really don't have hard currency to purchase more than a handful of international works', so Wesker has promised 'to write to a few writers and publishers asking whether they would contribute copies of their work which I would send, together with the Leyland buses, on a ship to Cuba'. Kops cannot imagine 'how hungry they are to be in contact'. He asks for copies of Kops's plays and of his book 'The Whole World is a Wedding'. He would buy the books, but this 'would work out very expensive', so he is 'asking lots of writers to share the burden'. He ends with best wishes to 'Erica and the children'.…

First Edition. Uncut Sheet of 36 "Dope Fiends" Trading Cards, published by The Kitchen Sink Press in 1995. Measures approx. 24.5 x 17.5 inches. Printed on glossy card stock, matte finish to verso. Features reproductions of 36 classic exploitation pulp fiction paperback covers. From The Ronald K. Siegel Collection of Books on Psychoactive Plants and Drugs. . Minor creasing and soiling to edges, else fine. …

Both 1p, 4to, and in good condition, lightly aged and folded once. Both letters addressed to Hodes at Beit Rosenberg, Keron Heyesod Street, Herzlia-on-Sea, Israel. The subject of the letters is Centre 42, the touring arts group Wesker formed to bring culture to the masses on his release from prison, following a sentence for civil disobedience with the Committee of 100 in opposition to nuclear weapons. The group moved to the Roundhouse in London in 1964. The first letter begins: 'Emersed as I have been in the festivals, I have only just got around to answering your letter and I find in it that you ask me to send some material to a friend in Ramat Chem. I am afraid it is too late to send him material now as he has probably returned. I am sorry about this, but I hope that the enclosed material will give some indication of the scope of the festivals.' The first three festivals have been 'mounted with varying success but the project as a whole has gained a great deal of public attention, though not always sympathy. There is something inherent in the English personality that considers culture outside the commercial framework to be an enfringement of a basic democratic principle.' He concludes: 'Plenty of Israeli theatres appear to have wanted my plays none of them have yet done so. [sic] God knows why.' The second letter is on Centre 42's stylish letterhead in grey and red, and begins with reference to a meeting between the two men in Israel, and 'Megged's book', a copy of which he has received from the publisher Gollancz. 'Concerning Centre 42 I have sent all the information about us to Dov Vardi and I understand he is going to write about us'. Wesker is sending 'a set of literature' to Hodes, adding: 'However, it strikes me as very strange that anyone in Israel should be interested in this sort of movement, since as far as I understand the Histadruth spends over a million pounds on the Arts and cultural activity in Israel, and this is what we dream of happening here in England. [] We even quote Israel as an example of the situation we should like to see.'. …