Shimoda brandon (157 resultados)

Condición: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Paperback. Condición: Very Good. Poetry. Literary Nonfiction. In EVENING ORACLE, Brandon Shimoda encounters shadows, specters, and women young and old, living and undead and finds himself standing in a graveyard in the middle of a rice field in a town that no longer exists. EVENING ORACLE is composed of poems originally handwritten at night before sleep in the beds of friends and strangers in Japan (2011-2012), and passages from emails and letters to and from friends and family on the subjects of fruit, vegetables, and dying grandparents. Featuring original poems by Dot Devota and Hiromi It, and correspondence by Etel Adnan, Don Mee Choi, Phil Cordelli, Youna Kwak, Quinn Latimer, Mary Ruefle, Rob Schlegel, and Karen McAlister Shimoda, among others.…

Paperback. Condición: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

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Paperback. Condición: Good. Shortlisted for the 2026 William Saroyan International Prize for Writing, Nonfiction!Chosen one of Booklist's Top Ten History Books of the Year!Winner of the Colorado Book Award for Creative Nonfiction"The Afterlife Is Letting Go is a meditative consideration of Japanese American incarceration during WWII by Brandon Shimoda, author of the PEN Open Book Award?winning The Grave on the Wall."?Matt Seidel, Publishers Weekly's "Big Indie Books""Both personal and choral, The Afterlife is Letting Go is deeply felt, precise, and as generous in its insights as it is unsparing in its critiques of how 'exclusion zones' proliferate and reach across time and space. A stirring, trenchant, and necessary work."?Christina Sharpe, author of Ordinary NotesIn a series of reflective, multi-layered, sometimes multi-voiced essays, poet Brandon Shimoda explores the ?afterlife? of the U.S. government?s forced removal and mass incarceration of Japanese immigrants and Japanese Americans during WWII, excavating the ways these events continue to resonate today. What emerges is a panoramic, yet intimate portrait of intergenerational trauma and healing.Informed by personal/familial history, years of research and travel, including visits to museums, memorials and the ruins of incarceration sites, these essays take us on both a physical and a metaphysical journey. What becomes increasingly clear are the infinite connections between the treatment of Japanese Americans and other forms of oppression, criminalization, dispossession, and state violence enacted by the United States, past, present, and ongoing.…

Condición: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Paperback. Condición: Very Good. Poetry. Literary Nonfiction. In EVENING ORACLE, Brandon Shimoda encounters shadows, specters, and women young and old, living and undead and finds himself standing in a graveyard in the middle of a rice field in a town that no longer exists. EVENING ORACLE is composed of poems originally handwritten at night before sleep in the beds of friends and strangers in Japan (2011-2012), and passages from emails and letters to and from friends and family on the subjects of fruit, vegetables, and dying grandparents. Featuring original poems by Dot Devota and Hiromi It, and correspondence by Etel Adnan, Don Mee Choi, Phil Cordelli, Youna Kwak, Quinn Latimer, Mary Ruefle, Rob Schlegel, and Karen McAlister Shimoda, among others.…

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Good. Shortlisted for the 2026 William Saroyan International Prize for Writing, Nonfiction!Chosen one of Booklist's Top Ten History Books of the Year!Winner of the Colorado Book Award for Creative Nonfiction"The Afterlife Is Letting Go is a meditative consideration of Japanese American incarceration during WWII by Brandon Shimoda, author of the PEN Open Book Award?winning The Grave on the Wall."?Matt Seidel, Publishers Weekly's "Big Indie Books""Both personal and choral, The Afterlife is Letting Go is deeply felt, precise, and as generous in its insights as it is unsparing in its critiques of how 'exclusion zones' proliferate and reach across time and space. A stirring, trenchant, and necessary work."?Christina Sharpe, author of Ordinary NotesIn a series of reflective, multi-layered, sometimes multi-voiced essays, poet Brandon Shimoda explores the ?afterlife? of the U.S. government?s forced removal and mass incarceration of Japanese immigrants and Japanese Americans during WWII, excavating the ways these events continue to resonate today. What emerges is a panoramic, yet intimate portrait of intergenerational trauma and healing.Informed by personal/familial history, years of research and travel, including visits to museums, memorials and the ruins of incarceration sites, these essays take us on both a physical and a metaphysical journey. What becomes increasingly clear are the infinite connections between the treatment of Japanese Americans and other forms of oppression, criminalization, dispossession, and state violence enacted by the United States, past, present, and ongoing.…

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condición: Good.

Condición: acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

Paperback. Condición: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

paperback. Condición: Very Good.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: good. Paperback Book.

Soft cover. Condición: Very Good. 1st Edition.

Condición: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable. Any access codes or passwords originally included with the book may be expired, used or no longer valid. Image is stock photo and cover art edition may be different than pictured.…

Paperback. Condición: Very Good. The poems in Portuguese began while Brandon rode city buses around Seattle, and were inspired by his fellow passengers--their voices and their minds, their faces and their bodies, their exuberances and infirmities, and the ways in which they enlivened and darkened the days at once. It was with and within these people that poetry seemed most alive. At the same time, they began as responses to the words and writings of visual artists, mostly painters, whom Brandon was reading while riding the bus, especially Etel Adnan, Eug ne Delacroix, Alberto Giacometti, Paul Klee, and Joan Mitchell, all of whom appear in the book. It was with and within these people, also, that poetry seemed most alive. In both senses, Portuguese is a work of color. Portuguese owes also a debt to a visit to Beirut, Lebanon (2009); six months spent in a cabin in the woods of western Maine (2010-2011); and the Japanese poets Kazuko Shiraishi, Ryuichi Tamura and Minoru Yoshioka, and their translators. It was written primarily in Seattle, Washington; Beirut, Lebanon; and Weld, Maine, though revised in Albany, California; Beacon, New York; and St. Louis, Missouri. In that sense, Portuguese is a travelogue, as well as a work of restlessness. Throughout writing the poems that became Portuguese, the presiding struggle was with poetry itself--the form and its impulses--voice and mind, face and body, exuberance and infirmity--as well as with the act of writing. The book actually began in the early 1980s, while on the bus to elementary school in a small town in New England, when Brandon was taunted for being Portuguese. In that sense, Portuguese returns its author to this moment in which he felt challenged to become what he was being called, however falsely, and despite feeling confused, flushed and afraid. In that sense, Portuguese is a work of crossdressing. However, Portuguese is both more and less than all these things. It was--and is--a way to keep up with life in the form of drawing observations and feelings on paper, and to give form to the energy making up some part of memory. It is the fourth book in a series that began with The Alps, The Girl Without Arms, and O Bon. In this sense--and in all those above--it is an act of preservation, and therefore a work for his friends, his family, and for love.…

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.