Shaw dent alan editor (3 resultados)
Librería: Visible Voice Books, Cleveland, OH, Estados Unidos de AmericaVisible Voice Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Aceptable
EUR 4,54
Envío por EUR 3,96Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Good. Alfred A. Knopf New York 1952 8vo. 385 pages. dust jacket taped to pastedowns. crayon inscriptions to ffep. binding tight. dust jacket age toned and soiled.
Editorial: Victor Gollancz, 1952. 1952
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- Primera edición
Librería: Hay Cinema Bookshop Limited, Hay on Wye, Reino UnidoHay Cinema Bookshop Limited
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EUR 9,19
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1st edition. 8vo. 339pp. Slight browning, original boards, d/w. slightly chipped to edges. US$10.
Más imágenesBernard Shaw and Mrs. Patrick Campbell: Their Correspondence.
Shaw, George Bernard / Mrs. Patrick Campbell [that is: "Beatrice Rose Stella Tanner"] / Alan Dent (Editor)
Idioma: Inglés
Editorial: London, Victor Gollancz Ltd. 1952
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Librería: Inanna Rare Books Ltd., Skibbereen, CORK, IrlandaInanna Rare Books Ltd.
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EUR 78,00
Envío por EUR 28,00Se envía de Irlanda a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Wie neu. Octavo. 339 pages. Original Hardcover with original dustjacket in protective collector's mylar. Very good condition with only minor signs of wear. Beatrice Rose Stella Tanner (9 February 1865 9 April 1940), better known by her stage name Mrs Patrick Campbell or Mrs Pat, was an English stage actress, best know…n for appearing in plays by Shakespeare, Shaw and Barrie. She also toured the United States and appeared briefly in films. Campbell was born Beatrice Rose Stella Tanner in Kensington, London, to John Tanner (18291895), son and heir of a wealthy British Army contractor to the British East India Company, and Maria Luigia Giovanna ("Louisa Joanna") née Romanini (18361908), daughter of Italian Count Angelo Romanini. Her father John Tanner (18291895), a descendant of Thomas Tanner, Bishop of St Asaph, was a Consul and merchant who "managed to get through two large fortunes", in part through losses in the Indian Mutiny. Her mother, Louisa Joanna Romanini, was one of the eight daughters of Angelo Romanini of Brescia and Rosa née Polinelli of Milan. Angelo had joined the Carbonari and, as a result, had to leave Italy. He and his family travelled over Eastern Europe aided by a firman from the Sultan of Turkey. Six of his eight daughters, all under eighteen, married Englishmen. She studied for a short time at the Guildhall School of Music. Campbell made her professional stage debut in 1888 at the Alexandra Theatre, Liverpool, four years after her marriage to Patrick Campbell. In March 1890, she appeared in London at the Adelphi, where she afterward played again in 189193. She became successful after starring in Sir Arthur Wing Pinero's play, The Second Mrs Tanqueray, in 1893, at St. James's Theatre where she also appeared in 1894 in The Masqueraders. As Kate Cloud in John-a-Dreams, produced by Beerbohm Tree at the Haymarket in 1894, she had another success, and again as Agnes in The Notorious Mrs. Ebbsmith at the Garrick (1895). Among her other performances were those in Fédora (1895), Little Eyolf (1896), and her notable performances with Forbes-Robertson at the Lyceum in London's West End in the rôles of Juliet in Romeo and Juliet, Ophelia in Hamlet, and Lady Macbeth (189598) in Macbeth. Once established as a major star, Campbell assisted in the early careers of some noted actors, such as Gerald Du Maurier and George Arliss. In 1900, "Mrs Pat", having become her own manager/director, made her debut performance on Broadway in New York City in Heimat by Hermann Sudermann, a marked success. Subsequent appearances in New York and on tour in the U.S. established her as a major theatrical presence there. Campbell would regularly perform on the New York stage until 1933. Other performances included roles in The Joy of Living (1902), Pelléas et Mélisande (1904; as Melisande to the Pelleas of her friend Sarah Bernhardt), Hedda Gabler (1907), Electra (1908), The Thunderbolt (1908), and Bella Donna (1911). In 1914, she played Eliza Doolittle in the original West End production of Pygmalion, which George Bernard Shaw had expressly written for her. Although forty-nine years old when she originated the role opposite the Henry Higgins of Sir Herbert Beerbohm Tree, she triumphed and took the play to New York and on tour in 1915 with the much younger Philip Merivale playing Higgins. She successfully played Eliza again in a 1920 London revival of the play. A couple of "Mrs Pat"'s later significant performances were as the title role in the 1922 West End production of Henrik Ibsen's play Hedda Gabler and Mrs. Alving in the "Ibsen Centennial" (1928) staging of Ghosts (with John Gielgud as her son Oswald). Her last major stage role was in the Broadway production of Ivor Novello's play A Party, where she portrayed the cigar-smoking, Pekingese-wielding actress "Mrs. MacDonald" a clear takeoff on her own well-known persona and made off with the best reviews. In her later years, Campbell made notable appearances in films, including One More River (1934), Riptide (1934), and Crime and Punishment (1935). Her tendency, however, to reject roles that could have vitally helped her career in later years caused Alexander Woollcott to declare ".she was like a sinking ship firing on the rescuers". In the late 1890s Campbell first became aware of George Bernard Shaw the famous and feared dramatic critic for The Saturday Reviewwho lavishly praised her better performances and thoroughly criticised her lesser efforts. Shaw had already used her as inspiration for some of his plays before their first meeting in 1897 when he unsuccessfully tried to persuade "Mrs Pat" to play the role of Judith Anderson in the first production of his play The Devil's Disciple. Not until 1912, when they began negotiations for the London production of Pygmalion, did Shaw develop an infatuation for "Mrs Pat" that resulted in a passionate, yet unconsummated, love affair of mutual fascination and a legendary exchange of letters. It was Campbell who broke off the relationship although Shaw was about to direct her in Pygmalion. They remained friends in spite of the break-up and her subsequent marriage to George Cornwallis-West, but Shaw never again allowed her to originate any of the roles he had written with her in mind (e.g. Hesione Hushabye (Heartbreak House), the Serpent (Back to Methuselah), etc.). When Anthony Asquith was preparing to produce the 1938 film of Pygmalion, Shaw suggested Campbell for the role of Mrs Higgins, but she declined. In later years, Shaw refused to allow the impoverished Campbell to publish or sell any of their letters except in heavily edited form, for fear of upsetting his wife Charlotte Payne-Townshend and the possible harm that the letters might cause to his public image. Most of the letters were not published until 1952, two years after Shaw's death. (Wikipedia).
