Shan huang (Más de 1500 resultados)

hardcover. Condición: Very Good. Cover has light wear. Text unmarked, pages clean & bright, binding tight. Ships Next Business Day.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Book.

Condición: New.

Hardback. Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condición: Very Good. Text is in Chinese. Top of back cover has soil; bottom outer edge has small bit of soil; volume has minor wear; tight, text clean. 359 p., illustrated. [br 14: shore/ship cvr].

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. B00K: Fine/, $48.12 ZHOU BROTHERS: a RETROSPECTIVE * ZHOU, SHAN ZUO; ZHOU, DA HUANG FEINGARTEN GALLERIES, LOS ANGELES; CA/EAST WEST CONTEMPORARY ART GALLERY CHICAGO, IL 1989 Probably a 1st Edition Black Spine With Title White Letters, Dust Jacket: Fine/Very Good/, Slight Shelf, Edge Stretching And Corner Wear. Rectangular Hard Cover B0K: Fine/, 94 Numbered Pages, That Were Lightly Read, And Are Clean And Tight To The Spine, Slight Shelf, Edge And Corner Wear. Acquired From The Estate Of, Donalda Dunnett, Who Was Downsizing. Description, Applies To This BooK, ONLY. This Book Is Hard To Find, Will Be Packaged And Shipped Carefully, To Avoid Shipping Damage And Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift. World Wide Shipping, AVAILABLE. *. B00K: Fine/, 1989 (ilustrador). …

Paperback. Condición: Very good. First Edition, First Printing. Octavo. 6 x 8.75 in. 282 pp. Translated from the original Chinese by Fu Di and Bob Flaws. Very good in original pictorial wrappers with faint wear to corners, nick to head of spine's rear corner.

Softcover staple-bound, 44 pages, as new condition, no internal marks, crisp and clean.

Condición: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condición: New.

Condición: New.

Paperback or Softback. Condición: New. The Dynamic Spread of Buddhist Print Culture (Vol. 2): Mapping Buddhist Book Roads in China and Its Neighbors. Book.

Paperback or Softback. Condición: New. The Dynamic Spread of Buddhist Print Culture (Vol.1): Mapping Buddhist Book Roads in China and Its Neighbors. Book.

Hardback. Condición: New.

Condición: New.

Super octavo softcover (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples.Ordering more than one book will reduce your overall postage cost.…

Condición: New.

Hardcover with dustjacket, 96 pages; very good condition except front cover board splays upward slightly along right edge; no internal marks. Foreign shipping may be extra for this book.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Good. No Jacket. This could have light cosmetic flaws, but remains in good condition. No dust jacket included with this book. Secure packaging for safe delivery.

Condición: New.

Paperback. Condición: New. Picturing the True Form investigates the long-neglected visual culture of Daoism, China's primary indigenous religion, from the tenth through thirteenth centuries with references to both earlier and later times. In this richly illustrated book, Shih-Shan Susan Huang provides a comprehensive mapping of Daoist images in various media, including Dunhuang manuscripts, funerary artifacts, and paintings, as well as other charts, illustrations, and talismans preserved in the fifteenth-century Daoist Canon. True form (zhenxing), the key concept behind Daoist visuality, is not static, but entails an active journey of seeing underlying and secret phenomena.This book's structure mirrors the two-part Daoist journey from inner to outer. Part I focuses on inner images associated with meditation and visualization practices for self-cultivation and longevity. Part II investigates the visual and material dimensions of Daoist ritual. Interwoven through these discussions is the idea that the inner and outer mirror each other and the boundary demarcating the two is fluid. Huang also reveals three central modes of Daoist symbolism-aniconic, immaterial, and ephemeral-and shows how Daoist image-making goes beyond the traditional dichotomy of text and image to incorporate writings in image design. It is these particular features that distinguish Daoist visual culture from its Buddhist counterpart.…

Paperback. Condición: new. Paperback. Picturing the True Form investigates the long-neglected visual culture of Daoism, China's primary indigenous religion, from the tenth through thirteenth centuries with references to both earlier and later times. In this richly illustrated book, Shih-Shan Susan Huang provides a comprehensive mapping of Daoist images in various media, including Dunhuang manuscripts, funerary artifacts, and paintings, as well as other charts, illustrations, and talismans preserved in the fifteenth-century Daoist Canon. True form (zhenxing), the key concept behind Daoist visuality, is not static, but entails an active journey of seeing underlying and secret phenomena.This book's structure mirrors the two-part Daoist journey from inner to outer. Part I focuses on inner images associated with meditation and visualization practices for self-cultivation and longevity. Part II investigates the visual and material dimensions of Daoist ritual. Interwoven through these discussions is the idea that the inner and outer mirror each other and the boundary demarcating the two is fluid. Huang also reveals three central modes of Daoist symbolism-aniconic, immaterial, and ephemeral-and shows how Daoist image-making goes beyond the traditional dichotomy of text and image to incorporate writings in image design. It is these particular features that distinguish Daoist visual culture from its Buddhist counterpart. In this richly illustrated book, Shih-shan Susan Huang investigates the visual culture of Daoism, Chinas primary indigenous religion, from the tenth through thirteenth centuries with references to earlier and later times. Huang shows how Daoist image-making goes beyond the usual dichotomy of text and image to incorporate writings in image design. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condición: Fine. 1.4 x 12.2 x 9.9 Inches; 352 pages.