shadbolt m (29 resultados)

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condición: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

Paperback. Condición: new. Paperback. In the 1980s, Maurice Shadbolt began to research New Zealand's part in the tragic Gallipoli campaign of 1915 - research which was to lead to his stage play Once on Chunuk Bair, a television documentary, and this book Voices of Gallipoli. Voices of Gallipoli is compelling testimony to a pilgrimage which began and ended with visits to Turkey's haunted Gallipoli peninsula where the bones of nearly 3000 New Zealanders rest. To tell their story Maurice Shadbolt read through official documents, memoirs, war histories and diaries furtively kept by New Zealanders during their cruel seven months on the peninsula. He also talked to many of the small and diminishing band of veterans with vivid memories of the long, futile and ferocious battles that took so many New Zealand lives. Most of these soldiers had never brought themselves to talk honestly of Gallipoli before. Some had never talked of it at all. All knew that it was their last chance to confide their remarkable tales of suffering and survival. Maurice Shadbolt tells their stories with skill and lucidly backgrounds the campaign they survived. It is a remarkable document: the distilled memories of a dozen old men who innocently set out to do battle as loyal sons of the British Empire and returned home betrayed, embittered and disillusioned - and New Zealanders. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hard Cover. Condición: Good. No Jacket. First Edition. some wear cover edges, minimal library marks, otherwise clean and tight. Due to weight extra may apply to any quoted international postage Size: 8vo - over 7¾" - 9¾" tall. Ex-Library.

Paperback. Condición: Very Good. Later Edition. ISBN 9780774802628. Paperback copy in very good condition. Trade paperback edition. Tight sound reading copy, not underlined or marked up. DSW35-2. Later Edition. No Dustjacket.

Soft cover. Condición: Fine. ISBN 0774802626. Trade paperback copy in very good to near fine condition. No statement of printing. Tight clean attractive, unmarked copy. K2 Shelf 3 14.

Paperback. Condición: Brand New. 192 pages. 8.00x5.00x8.00 inches. In Stock.

Hard Cover. Condición: Good. Estado de la sobrecubierta: Good. First Edition. library marks endpapers, otherwise book clean and tight. DJ: slight edge wear, library sticker spine. Due to weight extra may apply to any quoted international postage Size: 8vo - over 7¾" - 9¾" tall. Ex-Library.

Hard Cover. Condición: Good. Estado de la sobrecubierta: Good. First Edition. slight wear to cover edges, some library marks, otherwise book clean and tight. DJ: slight edge wear, library sticker spine. Due to weight extra may apply to any quoted international postage Size: 8vo - over 7¾" - 9¾" tall. Ex-Library.

47pp, lots of b/w illustrations, some in colour, Printed Card Cover, VGC,

[0-7748-0262-6] 1986, 1st thus. (Mass market paperback) Very good. 58pp.

Super octavo hardcover (VG+) in d/w (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost.

Soft cover. Condición: Very Good. 48 pages. No publication date, but presumed to be 1959 based on British Library catalogue date. Slim staplebound paperback. A little general edge wear and light age toning to cover. No inscriptions. W & G Foyle bookseller red stamp to first interior page. --- General information: please email for any more information or condition photos. There may be other minor faults not included here, but this description should include all important points and convey accurately the overall conditon of the book(s). We are happy to give a more detailed description (by volume where applicable) on request. Posted next day (Mon-Fri) from the UK. We normally post by Royal Mail 1st class within the UK, but may use a slower service for books over 1kg or multiple orders or a tracked service for higher value orders. We normally post by Royal Mail Airmail for overseas deliveries, and may request additional postage (at cost) for heavier books or for tracking (buyers always have the option to cancel the order if we do so).

Super octavo stapled wrappers (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition but usually secondhand; frequently they are superior examples. Ordering more than one book keeps postage costs down.

Paperback. Condición: new. Paperback. In the 1980s, Maurice Shadbolt began to research New Zealand's part in the tragic Gallipoli campaign of 1915 - research which was to lead to his stage play Once on Chunuk Bair, a television documentary, and this book Voices of Gallipoli. Voices of Gallipoli is compelling testimony to a pilgrimage which began and ended with visits to Turkey's haunted Gallipoli peninsula where the bones of nearly 3000 New Zealanders rest. To tell their story Maurice Shadbolt read through official documents, memoirs, war histories and diaries furtively kept by New Zealanders during their cruel seven months on the peninsula. He also talked to many of the small and diminishing band of veterans with vivid memories of the long, futile and ferocious battles that took so many New Zealand lives. Most of these soldiers had never brought themselves to talk honestly of Gallipoli before. Some had never talked of it at all. All knew that it was their last chance to confide their remarkable tales of suffering and survival. Maurice Shadbolt tells their stories with skill and lucidly backgrounds the campaign they survived. It is a remarkable document: the distilled memories of a dozen old men who innocently set out to do battle as loyal sons of the British Empire and returned home betrayed, embittered and disillusioned - and New Zealanders. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Softcover. Condición: Very Good. Estado de la sobrecubierta: No Dust Jacket. 8vo. 10 x 6.75 in. Illustrated paper wraps, staple-bound. Illustrated in black-and-white. Featuring articles by DORIS SHADBOLT, HENRI MASSON, and KATHLEEN M. FENWICK. Very good example. Light toning, handling, interior else largely clean and crisp.

FIRST EDITION, square octavo stapled wrapper (VG-, segment cut out of title page): all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost.

Paperback. Condición: new. Paperback. In the 1980s, Maurice Shadbolt began to research New Zealand's part in the tragic Gallipoli campaign of 1915 - research which was to lead to his stage play Once on Chunuk Bair, a television documentary, and this book Voices of Gallipoli. Voices of Gallipoli is compelling testimony to a pilgrimage which began and ended with visits to Turkey's haunted Gallipoli peninsula where the bones of nearly 3000 New Zealanders rest. To tell their story Maurice Shadbolt read through official documents, memoirs, war histories and diaries furtively kept by New Zealanders during their cruel seven months on the peninsula. He also talked to many of the small and diminishing band of veterans with vivid memories of the long, futile and ferocious battles that took so many New Zealand lives. Most of these soldiers had never brought themselves to talk honestly of Gallipoli before. Some had never talked of it at all. All knew that it was their last chance to confide their remarkable tales of suffering and survival. Maurice Shadbolt tells their stories with skill and lucidly backgrounds the campaign they survived. It is a remarkable document: the distilled memories of a dozen old men who innocently set out to do battle as loyal sons of the British Empire and returned home betrayed, embittered and disillusioned - and New Zealanders. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:034018719X.

Paperback. Condición: G++. 1st Edition. 182 x 118 mm. 48 pages. Book is in very good minus condition with minor but noticeable signs of wear and/or age. Rear cover bit grubby.

Octavo, illus light card covers, white lettering to spine & front cover, illus eps, 124pp, illus, VG- (heavy creasing to spine & covers with light chafing, light tanning & foxing to page edges, top corner heavily scuffed chipped).

Paperback. Condición: Fine. Jack Shadbolt Ilustrador. Lightly Scuffed on Front, Rear Covers; Front, Rear Covers, Spine Lightly Chipped. CONTENTS: Foreword; Introduction; In Search of Freedom; From Primitivism to Place; Jack Shadbolt's journal, 24 February 1985; "Act of Art"; Cultural Transformations; Jack Shadbolt's journal, 9 July 1985; Lenders to the Exhibition; List of Paintings and Artifacts; Bibliography; Acknowledgements. SERIES: 18th in series. Museum Note Design: W. McLennan. Museum Notes are produced with the assistance of the Leon and Thea Koerner Foundation and the Anthropology Shop Volunteers. SYNOPSIS: Jack Shadbolt was inspired in his formative years by his contact with Emily Carr and with her brooding woks portraying the remnants of Indian villages against the overwhelming wilderness. He made sketches of Indian artifacts and the Cowichan Reserve in the 1930s, but it was only after World War II that elements of Indian art began to show up in his style. Marjorie Halpin finds in the changes in the way Indian forms occur in Shadbolt's paintings an appropriate expression of the changing attitudes of British Columbians to native society and the political will the native people now manifest. As she demonstrates, the place of Indian motifs in Shadbolt's painting can be broadly correlated with the cultural quickening of Indian society in recent years. From the late 1940s until his 1969 retrospective, Shadbolt chiefly used details from Indian sculptures as elements in highly designed watercolours. Subsequently, they became part of more generalized primitives, combining with elements of tribal art of the Southwestern United States and Melanesia. But in the 1980s, the coastal artifacts have become wholly integrated yet autonomous forms in the paintings. Though Jack Shadbolt has never been an ideological artist, he recognizes that his recent works make direct political statements. But he believes his expression of his feelings must continue to be in poetic rather than literal terms. Shadbolt's paintings reveal his emotional sympathy with Kwagiutl, Haida, and Tlingit forms and his deep response to the Indians' spiritual and historic present in the British Columbia environment. Marjorie Halpin adds an informative and intriguing commentary to the growing body of critical literature on Jack Shadbolt and the various movements of which he has been a part. Significantly too, she stresses the commonality between Canadian native and non-native artists in addressing universal artistic concerns. Marjorie M. Halpin is an associate professor of anthropology at the University of British Columbia and curator of ethnology at the Museum of Anthropology. Size: 4to - over 9¾" - 12" tall.

Soft cover. Condición: Very Good. Signed and inscribed on first page by Jack Shadbolt to Cynthia Villet Gardner a fellow artist and student of his. Cynthia Villet was married to Kenneth Hall Gardner, award-winning Vancouver architect. "For Cynthia - artist to artist - with affection and great respect. Jack ". Very good indeed / near fine condition. Paperback. No dj. Inscribed by Author(s).

Jaquette en bon état, ouvrage en très bon état.

Couverture rigide. Condición: bon. R150178139: 1977. In-8. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 211 pages. Nombreuses photos en couleurs dans le texte et hors texte. Avec Jaquette. . . Classification Dewey : 996-Autres régions du pacifique.

Couverture rigide. Condición: bon. R150220491: 1977. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 212 pages- nombreuses illustrations en couleurs dans et hors texte- 1 illustration en couleurs contrecollée en 1er plat. . . . Classification Dewey : 996-Autres régions du pacifique.

In 8º grande (26 cm) 211 pp., 250 foto a colori. Cartone editoriale, sovraccoperta ingiallita. Ottimo stato. All books are in stock in fine condition or described meticulously. Very safe packaging.

Paperback. Condición: Good. Illustrated by Archambault, Louis Ilustrador. First Edition. Pages 181-220 Illustrated in colour and black and white. Features: Some reflections on art in Alberta ; My Native Province; The Arts and the Vanishing Frontier; Summer School Under the Pines; The Birds of Louis Archambault;; A Canadian Sculptor in Mexico; James MacDonald - of people and the city; An Artist Relates his skills to architecture; A Symposium on Framing; and more. Printed on glossy stock. Moderate wear. Unmarked. A sound vintage copy.; Magazine; 4to - over 9¾" - 12" tall; Canadian Art Magazine, Autumn 1955 - The Birds of Louis Archambault / James MacDonald art in Alberta ; My Native Province; The Arts and the Vanishing Frontier; Summer School Under the Pines; The Birds of Louis Archambault;; A Canadian Sculptor in Mexico;

Paperback. Condición: Good. Illustrated by St.-Cyr, Jacques (cover) Ilustrador. First Edition. Pages 34-92 Illustrated in black and white. Features: Canadian collections lauded in Europe; Adieu, Matisse; A Return to Europe; Recent acquisitions by Canadian galleries and museums; Combining the fine and decorative arts; Lawren P. Harris - a way to abstract painting; A more co-operative effort to sell paintings; The probme of the artist in the Maritimes; How you can borrow pictures in Vancouver; New life to the graphic arts on the west coast; and more. Printed on glossy stock. Moderate wear. Unmarked. A sound vintage copy.; Magazine; 4to - over 9¾" - 12" tall; Canadian Art Magazine, Winter 1955: Lawren P. Harris - A Way to Abstract Painting Canadian collections lauded in Europe; Adieu, Matisse; A Return to Europe; Recent acquisitions by Canadian galleries and museums; Combining the fine and decorative arts; La.