Seth siegelaub ed (5 resultados)

Idioma: Inglés
Editorial: Seth Siegelaub, New York, 1969
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Librería: Antiquariat UEBUE, Zürich, SuizaAntiquariat UEBUE
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Muy bueno
EUR 278,04
Envío por EUR 26,90Se envía de Suiza a Estados Unidos de AmericaCantidad disponible: 1 disponible
Añadir al carritoSoftcover. Condición: Gut bis sehr gut. Limitierte Ausgabe. Z : 24 pages, with 9 photographic images throught the pages, spiral bounding, cardboard cover - Exhibition catalogue published in conjunction with the last physical exhibition mounted by Seth Siegelaub in his gallery, held January 5 - 31, 1969. Publication including three to four pages of exhibited works by Robert Barry, Douglas Huebler, Joseph Kosuth and Lawrence Weiner. Works reproduced as projects within book. Includes artists' statements by each artist except Barry. …

Idioma: Inglés
Editorial: Siegelaub/Wendler, New York, 1968
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- Primera edición
Librería: Antiquariat UEBUE, Zürich, SuizaAntiquariat UEBUE
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Muy bueno
EUR 1334,59
Envío por EUR 26,90Se envía de Suiza a Estados Unidos de AmericaCantidad disponible: 1 disponible
Añadir al carritoSoftcover. Condición: Gut bis sehr gut. 1. Auflage, Limitierte Ausgabe. Z : 21 x 28 pages. Illustrated book with 175 lithographs, First edition of 1000 - Andre Barry Huebler Kosuth LeWitt Morris Weiner is commonly referred to as The Xerox Book owing to its original conception as a book to be produced using Xerox photocopiers. The publication was ultimately printed using commercial offset lithography when the costs of using photocopiers proved to be higher than traditional printing. The Xerox Book comprises original projects made for the pages of the publication by the seven artists named in its title. The pioneering art dealer Seth Siegelaub and Jack Wendler, who would later become a dealer, offered each artist twenty-five pages in which to create a work that could only be seen as a serialized, page-by-page progression formatted for a book. Both the artists and the publishers viewed the pages of The Xerox Book as a singular exhibition venue for new artistic presentationsone that contains art in the same way a museum or commercial art gallery does. - Das erste der konzeptionellen Bücher. Fotokopieren als Kunsttechnik. Vergleichsreproduktion von 25 Werken von sieben Künstlern, also 175 Werke. - Bekannt als das "Xerox-Buch" besteht dieses Buch ausschließlich aus Werken, die von Carl Andre, Robert Barry, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Robert Morris und Lawrence Weiner kopiert werden sollen. Diese Konzeptkünstler nutzten die in dieser Reproduktionstechnik innewohnenden Unvollkommenheiten (Flecken, Ungenauigkeit, begrenzte Farben), um grafische Werke zu schaffen, die Teil der Kontinuität ihrer Produktion waren. - Seth Siegelaub, der Inhaber einer Konzeptkunstgalerie, der das Xerox-Buch in Auftrag gab, sah diese fotokopierte Sammlung als eigenständiges Kunstwerk, selbstgenügsam, das nicht zur Dokumentation einer Ausstellung da war. - Der Verlag hatte geplant, einen Xerox-Kopierer zu verwenden, doch dieser Prozess erwies sich als zu teuer, sodass das Buch schließlich offset gedruckt wurde, wobei der Name "Xerox Book" beibehalten wurde.…
Editorial: Trieste, Navado Press 2004 illustrated, 2004
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- Primera edición
Librería: Antiquarian Bookshop Klikspaan, Leiden, HolandaAntiquarian Bookshop Klikspaan
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado
EUR 125,00
Envío por EUR 19,30Se envía de Holanda a Estados Unidos de AmericaCantidad disponible: 1 disponible
Añadir al carrito1st ed. - 271 pages. - With literature, index. - Softcover, good+.

Idioma: Lenguajes múltiples
Editorial: Seth Siegelaub, New York, 1969
- Tapa blanda
- Primera edición
Librería: Antiquariat UEBUE, Zürich, SuizaAntiquariat UEBUE
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 166,82
Envío por EUR 26,90Se envía de Suiza a Estados Unidos de AmericaCantidad disponible: 1 disponible
Añadir al carritoSoftcover. Condición: Gut. 1. Auflage. Z : 26 pp./Seiten, numerous b/w illustrations - July, August, September 1969 was a groundbreaking conceptual art exhibition organized by Seth Siegelaub, in which 11 artists created works in 11 different locations worldwide, documented through a trilingual catalogue. - The exhibition included eleven major conceptual artists, each assigned a distinct site : Carl Andre — The Hague Robert Barry — Baltimore Daniel Buren — Paris Jan Dibbets — Amsterdam Douglas Huebler — Los Angeles Joseph Kosuth — New Mexico Sol LeWitt — Düsseldorf Richard Long — Bristol N.E. Thing Co. Ltd. — Vancouver Robert Smithson — Yucatán Lawrence Weiner — Niagara Falls.…

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- Primera edición
Librería: A&M Bookstore / artecontemporanea, Milano, MI, ItaliaA&M Bookstore / artecontemporanea
Contactar con el vendedorVendedor de 2 estrellasCondición: Usado - Como Nuevo
EUR 250,00
Envío por EUR 42,00Se envía de Italia a Estados Unidos de AmericaCantidad disponible: 1 disponible
Brossura. Condición: come nuovo. prima edizione. "Books and Ideas after Seth Siegelaub spans an arc of tension between the works of Seth Siegelaub and contemporary cultural production. It features an interview with Seth Siegelaub, two essays by Regine Ehleiter and Michalis Pichler, and an extensively illustrated catalogue with bibliographic details. In preparation for the project, Siegelaub and Pichler met twice in Amsterdam, where they had a long recorded conversation about books, living with books, being intimately connected with books, and producing books, and about the recent emergence of contemporary publications that show clear reference to books Siegelaub had produced, both piracies and homages, and not always to his delight. Books by Siegelaub that are often paraphrased include the Xerox Book (1968), which was printed in offset and has since been xeroxed by various artists and publishers in many different ways, the catalogue exhibitions from 1969, as well as Lawrence Weiner s Statements (1968). These publications are often taken as starting points for new projects, which are derivative and yet substantial artworks in their own right. Also, Siegelaub s engagement with the Art Workers Coalition and subsequent draft of The Artist s Reserved Rights Transfer and Sale Agreement has had wide reception and reaction in contemporary art and activism." As new, unread.…