selznick daniel (26 resultados)

Condición: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: like_new. Book is in like new condition with minimal signs of wear. Pages are clean and free from notes or highlighting. Dust cover is intact. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. This is a clean, unmarked copy with minimal shelf wear.

Hard Cover -. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Color and B&W Illustrations Ilustrador. First edition / 1st Printing. . Illustrated with several color photos and numerous b&w photos from the movie production. 1st edition / 1st printing. Hard Cover. 256pp. 22 x 28. Size: 4to - over 9¾" - 12" tall. Book.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. clean text, cover and perfectly intact dust jacket; tight binding.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. As new with minimal wear. From private collection of former book reviewer. ; 11.25 X 8.75 X 0.90 inches; 254 pages.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: used very good. 2026.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. 1st Edition. Heavyset book with redcloth boards; Illust.clipped jacket; Book is fine clean & unmarked, jacket is almost fine except it has been clipped. 254 pages with index; Fully illust.throughout with b/w & colour photos; A complete look at the making of one of the screen's biggest ever films! May require extra postage due to size/weight.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. No damage or markings to book and only light wear to dust jacket - one short (1cm) tear to bottom edge, no loss. 1989 hardback, 1st impression. The photo is of the actual book you will receive. Fast dispatch, normally within 24 hours, by UK seller.

Wrappers. Condición: Very Good. Thin square 8vo. Intorduction dated 1966. A little soiling and mild edgewear to wrappers. VG in wrappers.

Hardcover. First Edition; First Printing. Very Good+ in a Very Good+ dust jacket. ; 254 pages.

Condición: Good. 8vo. [12 pp]. Stiff, printed black and white wraps. Good with marginal toning along spine and wrap edges. 18 black and white photographs. Brown laid endpapers. Includes additional text by Daniel Selznick. From the collection of the Art Historian Peter Selz.

Vintage press kit for the 1989 book. Pocketed illustrated folder contains one side-stapled full-color promotional booklet, two photographs, and four pages of xerographically duplicated promotional material. An exploration of the production and design of David O. Selznick's classic 1939 film "Gone with the Wind." Introduction by Selznick's son Daniel M. Selznick. Folder and contents Near Fine.

Autograph note signed from composer Adele Franz to producer Daniel Selznick. The note, executed on Franz's stationery, noting that she is delivering herewith the LP soundtrack recording for an obscure play titled, "Long Time Between Loves," along with a script for same. Included is a photostat of Selznick's detailed response, in which he mentions his favorite songs on the record, noting that it has "the primitive charm of French cabaret music." Adele Franz worked most notably as an actress under the name Adele Longmire, and is best known for her roles in "Battle Circus" (1953) and the film noir, "The Turning Point" (1952). Daniel Selznick, the son of David O. Selznick, is best known as a producer for films such as Peter Bogdanovich's "Targets" (1968) and various documentaries about Hollywood. His association with his father allowed him many opportunities to meet and correspond with numerous actors, actresses, and directors of note. Note: 5 x 4 inches. Bonded stationery stock, Near Fine. Photostat letter: 8.5 x 11 inches. Signed.

Typed letter signed from novelist-screenwriter Erich Segal to Daniel Selznick, dated October 15, 1968, on two-color printed Yale University letterhead. At this point Segal had written the screenplay to the Beatles' animated feature, "Yellow Submarine," but the letter precedes by nearly two years Segal's phenomenal success as the author of the best selling "Love Story," as well as the screenwriter for the novel's adaptation to the screen. In the letter, Segal responds enthusiastically to an invitation from Selznick, but jokes that he may out-chic Selznick with his new Italian suit. Daniel Selznick, the son of David O. Selznick, is best known as a producer for films such as Peter Bogdanovich's "Targets" (1968) and various documentaries about Hollywood. His association with his father allowed him many opportunities to meet and correspond with numerous actors, actresses, and directors of note. 8.5 x 5.5 inches. Bonded stationery stock, folded twice. Signed.

Autograph letter signed from noted director René Clair to producer Daniel Selznick, executed on hotel airmail stationery. In French. Included are two photostat copies of related letters from Selznick to Clair (also in French), as well as a ditto-style mimeograph copy of a wire from Clair to Selznick noting where Clair is staying during May 1968. The letters involve a project for Universal, for which Selznick is soliciting Clair's involvement. A rough English translation of the letter reads: "Dear Mr. Selznick / It is with pleasure that I would examine with you the project described in your letter of July 23 (which got to my address in Paris on August 1, and was then delivered to me here). / I am in St. Moritz at the above address until August 20, then Neuilly, then Madrid. Please let me know where and when it would be convenient for us to meet. Warmly, René Clair." Daniel Selznick, the son of David O. Selznick, is best known as a producer for films such as Peter Bogdanovich's "Targets" (1968) and various documentaries about Hollywood. His association with his father allowed him many opportunities to meet and correspond with numerous actors, actresses, and directors of note. Note: 5 x 4 inches. Bonded stationery stock, Near Fine. Photostat letter: 8.5 x 11 inches. Signed.

Small archive including two typed letters signed from producer Leland Hayard to producer David O. Selznick regarding a new adaptation of the 1951 autobiographical novel "My Six Convicts." Also included are photostat copies of Selznick's enthusiastic responses to same. In the first of the two letters, Hayward briefly notes that he is sending Selznick a copy of Wilson's novel to consider. In the second letter, written on personal stationery with an address on Madison Avenue in New York, Hayward goes on at length regarding the possibilities of a new adaptation of the book, noting that the 1952 Stanley Kramer adaptation was "a lousy one for my taste." He goes on to note that while the language in the book-which is about a psychologist's attempt to reform six different inmates-is fairly dated, the story itself has all kinds of possibilities for melodrama and humor. Leland Hayward was a Hollywood and Broadway agent, best known for his original productions of "South Pacific" and "The Sound of Music," "Mister Roberts" (both the play and the film), and "The Spirit of St. Louis." Daniel Selznick, the son of David O. Selznick, is best known as a producer for films such as Peter Bogdanovich's "Targets" (1968) and various documentaries about Hollywood. His association with his father allowed him many opportunities to meet and correspond with numerous actors, actresses, and directors of note. Two letters: 8 x 10 inches. Near Fine.