Schneider maurice (204 resultados)

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Minor shelf wear on the jacket. Pale green boards with grey cloth spine lettered in silver.

Soft cover. Condición: Fine. Softcover 2000 edition. Text and covers in fine covers condition. Binding firm. Pages unmarked and clean. (486 pages).

Hardcover. Stated first edition, gray cloth, black lettering on spine, no d, lightly rubbed, ex-lib. Air; 17364.

Couverture souple. Condición: Très bon. Schneider, Georges (ilustrador).

hardcover. Condición: Very Good. Hardback. No dust jacket. Cover edges and corners in good shape. Spine is tight. Pages are clean, no markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

Hardcover. Condición: Good. Good condition with wear.

Condición: Good. 1964. Revised Edition. 151 pages. Dust jacket over grey paper covered boards. Black and white illustrations throughout. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning. Clipped jacket has light edgewear with tears and creasing. Mild foxing. Heavy tanning to spine. Visible rubbing and marking all over.…

Condición: Fair. 1959. Reprinted. 151 pages. Pictorial laminated dust jacket over grey cloth. Black and white illustrations throughout. Pages and binding are presentable with common faults. Text is legible throughout. Some issues present such as cracking, inscriptions, inserts, moderate foxing, tanning and thumb marking. Binding remains firm. Boards have noticeable shelf wear with rubbing and corner bumping. Moderate tanning and marking. Unclipped jacket has moderate edge wear with tears, chips, and some areas of loss. Noticeable rubbing and marking. …

paperback. Condición: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Broschiert. Condición: Gut. 130 S. : Ill., graph. Darst. ; Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäß entwidmet. Sprache: Deutsch Gewicht in Gramm: 300. …

Softcover. Condición: Very Good with no dust jacket. Sound binding. Clean, off-white pages. Wrappers have light handling wear, faint crease at spine on front. Contents: Gifford, Ernest Hemingway: the monsters and the critics. Farquhar, Dramatic structure in the novels of Ernest Hemingway. Schneider, Hemingway's A Farewell to Arms: the novel as pure poetry. Cochran, Circularity in The Sun Also Rises. Green, Symbolic sentences in "Big Two-Hearted River." Burhans, The complex unity of In Our Time. Ryan, Uses of irony in To Have and Have Not. Beebe and Feaster, Criticism of Ernest Hemingway: a selected checklist. 9.0" tall; 118 pages. …

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: As New. Hardcover. Near fine / near fine dust jacket. Clean text. For any additional information or pictures, please inquire.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condición: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

Paperback. Condición: New. For Alan Schneider, directing Endgame, Samuel Beckett lays out the play's philosophy, then adds: "Don't mention any of this to your actors!"He claimed he couldn't talk about his work, but Beckett proves remarkably forthcoming in these pages, which document the thirty-year working relationship between the playwright and his principal producer in the United States. The correspondence between Beckett and Schneider offers an unparalleled picture of the art and craft of theater in the hands of two masters. It is also an endlessly enlightening look into the playwright's ideas and methods, his remarks a virtual crib sheet for his brilliant, eccentric plays.Alan Schneider premiered five of Beckett's plays in the United States, including Waiting for Godot, Krapp's Last Tape, and Endgame, and directed a number of revivals. Preparing for each new production, the two wrote extensive letters-about intended tone, conception of characters, irony and verbal echoes, staging details for scenes, delivery of individual lines. From such details a remarkable sense of the playwright's vision emerges, as well as a feel for the director's task. Of Godot, Beckett wrote to Schneider, "I feel my monster is in safe keeping." His confidence in the director, and Schneider's persistent probing for a surer understanding of each play, have produced a marvelous resource: a detailed map of Beckett's work in conception and in production.The correspondence starts in December 1955, shortly after their first meeting, and continues to Schneider's accidental death in March 1984 (when crossing a street to mail a letter to Beckett). The 500 letters capture the world of theater as well as the personalities of their authors. Maurice Harmon's thorough notes provide a helpful guide to people and events mentioned throughout.…

Condición: Brand New. 128 pages. German language. 5.00x0.63x7.28 inches. In Stock.

Broché. 118 pages. Schneider, Georges (ilustrador).

Condición: New.

Condición: fine. Photo non contractuelle. Envoi rapide et soigné.

Condición: fine. Ancien support de bibliothèque.Photo non contractuelle. Envoi rapide et soigné.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Fine in a Fine Jacket.1st Edition.

Paperback. Condición: New. 1.

Articles dans la Nouvelle Revue Française. Numéro 405. Numéro complet.

kart., broschiert. Condición: Gut. 130 S., Ill., graph. Darst., 24 cm. Einband leicht berieben und bestoßen, mit wenigen Bleistiftunterstreichungen im Text, ansonsten gut erh. ISBN: 9783830931829 Sprache: Deutsch Gewicht in Gramm: 270.

Condición: New. In English.

Condición: Gut. 108 S., 8 Bl. 23 graph. Darstellungen, 13 farb. ganzseitige Illustr. Orig.-Ppbd. 25,5 x 17 cm. -- Goethes Urpflanze als Abbild von Planetenkräften und der Stoffesleib der Pflanze als Abbild von Tierkreiskräften. - Erstausgabe.Mit zwölf Aquarellen zur Metamorphose der Pflanze im Jahreslauf. -- Einband am oberen Rand mit zwei kleinen Druckstellen, gut erhaltenes Exemplar. Sprache: Deutsch Gewicht in Gramm: 1550.…

Condición: As New. Unread book in perfect condition.

Softcover/Paperback. Editor: Maurice Harmon | Published: second printing, 1999 | Format: paperback | Condition: Used - like new. Unread with rubbing to fore-edges. | For Alan Schneider, directing Endgame, Samuel Beckett lays out the play?s philosophy, then adds: ?Don?t mention any of this to your actors!?He claimed he couldn?t talk about his work, but Beckett proves remarkably forthcoming in these pages, which document the thirty-year working relationship between the playwright and his principal producer in the United States. The correspondence between Beckett and Schneider offers an unparalleled picture of the art and craft of theater in the hands of two masters. It is also an endlessly enlightening look into the playwright?s ideas and methods, his remarks a virtual crib sheet for his brilliant, eccentric plays.Alan Schneider premiered five of Beckett?s plays in the United States, including Waiting for Godot, Krapp?s Last Tape, and Endgame, and directed a number of revivals. Preparing for each new production, the two wrote extensive letters ? about intended tone, conception of characters, irony and verbal echoes, staging details for scenes, delivery of individual lines. From such details a remarkable sense of the playwright?s vision emerges, as well as a feel for the director?s task. Of Godot, Beckett wrote to Schneider, ?I feel my monster is in safe keeping.? His confidence in the director, and Schneider?s persistent probing for a surer understanding of each play, have produced a marvelous resource: a detailed map of Beckett?s work in conception and in production.The correspondence starts in December 1955, shortly after their first meeting, and continues to Schneider?s accidental death in March 1984 (when crossing a street to mail a letter to Beckett). The 500 letters capture the world of theater as well as the personalities of their authors. Maurice Harmon?s thorough notes provide a helpful guide to people and events mentioned throughout.…

Condición: New.