Schmutzer christian (8 resultados)

Condición: good. Fast & Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: very good. Gently used. May include previous owner's signature or bookplate on the front endpaper, sticker on back and/or remainder mark on text block.

Softcover. Condición: Très bon. Ancien livre de bibliothèque. Légères traces d'usure sur la couverture. Edition 2001. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Slight signs of wear on the cover. Edition 2001. Ammareal gives back up to 15% of this item's net price to charity organizations.…

paperback. Condición: New. Language:Chinese.Pages Number: 220 Publisher: Posts Telecom Press Pub. Date :2003-03. the future will be a network model of intelligent optical transmission and IP integration to network performance and management capabilities to meet the growing demand. This book systematically introduces the next generation of deep optical IP network each network construction ideas. standardization progress. new technology development and networking applications include the following: current and future ope.…

Ohne Pag. Mit einem Titelbild und 39 (davon 4 farbigen) Abbildungen auf Tafeln. Ogln. mit OUmschlag. Schutzumschlag minimal berieben, sonst gut erhalten.

Condición: Good. First 3 of eventual 4 massive volumes. 262 plates. Very fresh without foxing and very heavy: would be 3 cartons of about 11 kilos each. 46 x 61.5cm. Contemporary qtr. red morocco and red boards, rubbed. Binder's etiquette: Tessier, No. 45, rue de la Harpe, Paris. I: [10], 140, [192] p., [90] pl.;II: [6], 98, [186] p., [87] pl.;III: [6], 60, [178] p., [84] pl.OCLC Number / Unique Identifier:1915199.Vol. I. Discours historique sur la peinture ancienne. Tableaux d'histoire. Par S.C. Croze-Magnan.IVol. I. Discours historique sur la peinture moderne. Tableaux de genre et portraits. Par S.C. Croze-Magnan.Vol. III. Discours historique sur la gravure en taille-douce et sur la gravure en bois. Tableaux de paysages, marines et vues. Par E.Q. Visconti et T.B. Eméric-David.On the title-pages of volume III the name of S.-C. Croze-Magnon is replaced by those of E.Q. Visconti and T.B. Éméric-David. Imprint varies: Volume I is dated 'An XI. = 1803'; vol. II, 'An XIII. = 1805'; vol. III, 1807; .Consisting of nearly 350 plates with accompanying descriptive letterpress and introductory essays, the work describes paintings and sculptures in the Louvre. Published at a time when the former royal collections of France were being added to by the works of art collected by Napoleon from many parts of Europe, the plates (which include several works which were later repatriated such as the Laocoön, a small plaster copy of which is in Soane's collection, are arranged in four broad sections: history paintings including religious works; genre paintings and portraits; landscapes and seascapes; and ancient sculpture. According to the 'Avertissement Contenant Le Plan Général De L'Ouvrage' in vol. I, one volume of the completed work was to be devoted to each genre, but the plates were issued in livraisons containing plates from all four sections concurrently (each section part having a contents leaf) for the sake of variety, each part of each section with a letterpress table of contents, and purchasers were free to choose their own binding order. The preliminary 'Discours Historiques' are sometimes found bound in a separate volume. from Sir John Soane's Museum Collection Reference Number 5590.In-folio, de 90, 87 et 85 planches gravées, demi-veau rouge époque, dos lisse orné de filets dorés (Tessier), frottements, sans le tome IV. Ce magnifique ouvrage appartient tout entier au XVIIIe siècle par ses graveurs et leur tradition artistique. C'est au dévouement et à l'activité du graveur Pierre Laurent qu'on le doit. (Cohen-743) (Brunet-IV-1335) (Vicaire-V-1229) (Graesse-VI-139). …