schleifer marc (9 resultados)

338 pp.; 23.8 x 16 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed "Fred W. McDarrah - for the past twenty-five years the picture editor of The Village Voice - was present, camera in hand, when the Beats first came east to Greenwich Village. Kerouac and Friends is the definitive photographic record of that period of American literary history. Along with his own remarkable photographs, McDarrah has gathered written documents as well: the writings of some of America's greatest critics, journalists, and historians on the Beat Generation. Here is John Clellon Holmes with the first definition of the term "beat", Kenneth Rexroth on jazz and poetry, Diana Trilling, John Ciardi, Seymour Krim, and even an angry denunciation of the Beats and their work by Norman Podhoretz. All of the great names of the generation are here - those who have endured like Mailer, Ginsberg, Corso, Ferlinghetti, Baraka, Silverstein, Baldwin, and those now only dimly remembered as part of the world the Beats created. The photos depict a Greenwich Village that is no more : quaint folk dancing in Washington Square Park, the Cafe Bizarre, the Eighth Street Bookshop, and Charlie Mingus and Kenneth Patchen doing a jazz and poetry recital at the Living Theater. These photographs - more than 190 in all - and the texts that accompany them form at once an important historical document and a nostalgic look back at a special time in the history of American life and letters." -- publisher's statement. Very Good. Light wear to dust-jacket including scratching and original pricing sticker. Contents clean and unmarked. Due to large size and weight of this publication additional shipping charges may be required for international orders.

Condición: Very Good. 2nd printing. Second printing. Brown wraps with photographic front cover. Minor aging, near fine. Marxist/leftist publication, with contributions regarding the assassination of Malcolm X, hashish, the Vietcong, and more. Much on racism. 64 pp.

Condición: Good. Spring 1960, premiere issue featuring Paul Bowles, William S. Burroughs, Charles Olson, Allen Ginsberg, and more. Pictorial stiff paper wraps have allover moderate soiling and foxing, particularly near spine. Rubbing to spine fold. Light shelfwear to edges, corners bumped. Interior age-toned with scattered foxing.

Softcover. First Edition; First Printing. Very good+ with soiling and a wrinkled rear cover. Loaded with great writers: Burroughs, Leroi Jones, Alan Ginsberg, Charles Olson, Diane Di Prima and more. ; 8vo 8" - 9" tall; 51 pp.

Soft cover. Condición: Very Good. 1st edition. VG. 4to, 64pp, stapled wrappers. Scarce issue of this radical underground literary magazine. Bob Dylan's girlfriend Suze Rotolo (who appears with him on the cover of the Freewheelin' album) is credited as Art Editor on the masthead. Includes a full-page photograph of Malcolm X by Ed Druck and a poem for Malcolm by Marc Schleifer, plus writing by other noteworthy contributors. Faint library stamp to cover (else unmarked), light outer wear and soil. Not Signed.

Soft cover. Condición: Good. 1st Edition. 8vo. Stapled wrappers (issue 1) then wrappers. 52pp.-104pp., with loose subscription forms in issues 2, 3, 5, 12, 13, 19, and 20, the form bound into issue 10 removed. Issue 12 includes the note on the assassination of JFK and the poem by LeRoi Jones for Jackie Kennedy, both bound in. A complete run of 'Kulchur', an essential magazine of its time and place spanning the avant-garde arts through a mixture of commentary, criticism, and creative work. Gilbert Sorrentino, who guest edited issue 4, has said: '"Kulchur" evolved a review style that, for better or worse, has persisted in little-magazine writing to this day. It was personal, colloquial, wry, mocking, and precisely vulgar when vulgarity seemed called for; nothing was ever explained, the writing was elliptical, casual, and obsessively conversational. We had wanted a flashing, brilliant magazine that had nothing to do with the academic world and we had got one.' The magazine has a contentious editorial history. Hornick became Managing Editor on issue 6, after which Schleifer is not listed, and she was supported by an editorial board until issue 12, from which she is described as the Editor. Jones was involved until the final issue, and Charles Olson was a contributing editor to the first thirteen issues. Contributors include William S. Burroughs ('The Conspiracy' and 'In Search Of Yage'), Olson (for example on proprioception), Edward Dorn (including 'What I See In The Maximus Poems: PART ONE'), Jack Kerouac, Paul Bowles, Allen Ginsberg, Diane di Prima, Jones, Fielding Dawson, Paul Goodman, Joel Oppenheimer (guest editor of issue 5), George Brecht, Gary Snyder, Herbert Huncke, Julian Beck, Tuli Kupferberg, Ron Loewinsohn, Robert Duncan, Louis Zukofsky, Cid Corman, Sorrentino, Kenneth Koch, Jonathan Williams, Frank O'Hara, Denise Levertov, Donald Phelps, John Fles, Roy Fisher, Jerome Rothenberg and Robert Creeley (on deep image poetry), Robert Kelly, Morton Feldman, Gael Turnbull, Bill Berkson, Paul Blackburn, Willem de Kooning, Philip Guston, Anselm Hollo, Michael McClure, Douglas Woolf, Ruth Krauss, Kenward Elmslie, Barbara Guest, George Oppen, Edwin Denby, Larry Eigner, Michael Rumaker, Joseph LeSueur, Walter Lowenfels, George Bowering, Richard Brautigan, Kenneth Irby, George Economou, Clayton Eshleman, Paul Metcalf, Joe Brainard, Ted Berrigan, Andy Warhol, Gerard Malanga, Rochelle Owens, Jack Hirschman, Soren Agenoux, John Keys, Ron Padgett, David Meltzer, Armand Schwerner, David Antin, John Sinclair, Tom Veitch, Dick Gallup, Aram Saroyan, Douglas Blazek, Tom Clark, and Margaret Randall. Cover artists include Franz Kline (issue 7), Larry Rivers (issue 9), La Monte Young (issue 11), Warhol (issue 13), Brainard (issue 14), Robert Rauschenberg (issue 15), and Robert Indiana (issue 17). The cover of issue 4 shows 'Inspector Maigret and Sam Spade' - Burroughs and Kerouac. A Good set, outwardly rubbed and marked in general, with some spines creased, the edges (primarily the head edges) somewhat spotted and the staples of issue 1 rusty, the price on that issue's front cover corrected in pen, but sound nonetheless, the text clean with only very occasional soiling and (rarer still) pencilled annotations by Andrew Crozier, whose ownership inscription is in every issue bar 10, 17, 19, and 20.

VG in slightly dusty pictorial publishers wrappers. 1st edition. Includes contributions from William S. Burroughs, Charles Olson, Paul Bowles and Allen Ginsberg. ISBN B001L17W80.

[1] pp.; 30.4 x 22.5 cm.; black-and-white; edition size unknown; unsigned and unnumbered; other printing process; Dry point etching printed poster published in conjunction with an evening of readings and talks on the subject of Peyote held at an artist's studio in the East Village, New York City, October 25, 1959. The evenings contributors included Ray Bremser, "Pomes and Other Writings"; Clinton Nichols, Marc Schleifer, George Preston, "Pomes, Talk on Peyote Religion in U.S.A." and Jud Yalkut [misspelled Yarkut], "Journal of the Ridiculous Man." Good. Folded in three. Chipping and tearing of page edges with loss to corners and edges. Otherwise clean and unmarked.

Condición: Near Fine. Estado de la sobrecubierta: Very Good+. First edition. First edition, first printing of the rare hardcover issue. [vi], 128 pp. Bound in publisher's black cloth affect with spine lettered in gilt. Near Fine with lean to binding. In a Very Good+ unclipped dust jacket with fading to spine, short crease at crown with light wear and rubbing to covers. A forgotten classic, an armed self-defense manifesto that challenged pacifist priorities of the Civil Rights Movement. The work directly influenced Huey P. Newton and the founding of the Black Panther Party. Often overlooked, Williams is considered a crucial figure of the Black Power Movement in the late '60s; when this book was published he was serving as a sort of Tokyo Rose or Lord Haw-Haw of Cuba, in exile there. He would become the first President of the Republic of New Afrika organization. Hardcover copies of the first edition are scarcely seen in the trade.