Schimmel david m (22 resultados)

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condición: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Condición: Good.

paperback. Condición: Good.

paperback. Condición: Very Good.

paperback. Condición: Fair.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Very Good. 1st Edition. Used - Very Good.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condición: Good. 1st Edition. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

228 pages. Large paperback: H 29.75cm x L 24.75cm. Stiff paper covers lightly rubbed. Interior pages are bright and clean. Binding is firm. A near fine copy. With color and b/w illustrations, Foreword by James T. Demetrion, Acknowledgments, Lenders to the Exhibition, essay "Sculpture and Paradox" by Neal Benezra (deputy director and curator of modern and comtemporary art at The Art Institute of Chicago), "Selected Texts" by Juan Munoz, Catalogue of the Exhibition, "An Interview with Juan Munoz" by Paul Schimmel, "Sound, Sight, Statuary" by Michael Brenson, "Suspicions of the Gaze" by Olga M. Viso, Documentation compiled by Stephanie D'Alessandro, List of Illustrations, and Credits. Published in conjunction with an exhibition opening at Washington, DC's Hirshhorn Museum and Sculpture Garden on October 18, 2001 to January 13, 2002 and touring to the Los Angeles Museum of Contemporary Art, The Art Institute of Chicago, and concluding in March 2003 at the Houston Contemporary Arts Museum. Please note that this large book has an approximate shipping weight of 3.75 pounds (1.7 kg) and will require additional postage for any postal class other than domestic Media Mail. ISBN 0865591903.…

Soft cover. Condición: Near Fine. 1st Edition. Minimal shelf wear to the corners; interior clean and fresh. Illustrated. Juan Muñoz (1953-2001) was a Spanish sculptor best known for his realistic figures installed in public spaces. Muñoz used a variety media, including paper-maché, resin, bronze, audio recordings, and painting to create his dynamic pieces, combining elements of sculpture and installation to blur the distinctions between reality and art. His works are in the collections of the Art Institute of Chicago, the Solomon R. Guggenheim Museum in New York, the Tate Gallery in London, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., and The Museum of Modern in New York, among others. …

Paperback. Condición: Near Fine. 1st. 256 pages, illustrations (some colour); 30 cm. Accompanies the exhibition held at the Museum of Contemporary Art, Los Angeles, December 6, 1992 to March 7, 1993; and other venues. Near fine. Firm binding, clean inside copy. Light edgewear to wraps. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "This important book revises our understanding of one of the key moments in American art: the beginnings of Pop art. A style celebrated for its use of mass-production, Pop art has conventionally been seen as constituting a complete break with the art movements that preceded it. Hand-Painted Pop: American Art in Transition, 1955-62 reevaluates this perception by considering Pop art's complex, layered period of evolution, focusing on its crucial seven years of development. Accompanying eight essays by distinguished art historians are 235 illustrations tracing Pop art's earliest beginnings. Many of the works shown have rarely been seen; others are among the most famous icons of our time. Hand-Painted Pop: American Art in Transition, 1955-62 places these works in the broader context of American culture. Among the topics covered are the formal links between New York School painting and early Pop art; the evolution of artists' choice of subject matter in the period; art education in the postwar era; the success and failure of the critical response to Pop; and gay iconography in the paintings of several Pop artists. This substantial revisionist history sheds considerable light on a central movement in art history." - Publisher. *** CONTENTS: Director's foreword, by Richard Koshalek; The faked gesture: pop art and the New York School, by Paul Schimmel; "Subjects of the artists": towards a painting without ideals, by Donna De Salvo; Unsentimental education: the professionalization of the American artist, by David Deitcher; Famous paintings seen and not looked at, not examined, by John Yau; Not necessarily pop: Cy Twombly and America, by Linda Norden; Early pop and the consumptive critic, by Stephen C. Foster; Modes of disclosure: the construction of gay identity and the rise of pop art, by Kenneth E. Silver; Fabulous confusion! Pop before pop?, by Dick Hebdige. Size: 4to. Collectible. …

Paperback. Condición: new. New Copy. Customer Service Guaranteed.

Paperback. Condición: Brand New. 1st edition. 216 pages. 9.75x7.00x0.50 inches. In Stock.

Soft cover. Condición: As New. Edition not stated. Probable first. Large 4to. Glued soft covers. 256 pages. Illustrated. Checklist of the Exhibition. Selected Bibliography. No signs of previous ownership. Not a library discard. A bright, crisp copy in as-new condition.