Schanilec david (5 resultados)
Más imágenesInk on the Elbow; Conversations Between David Esslemont & Gaylord Schanilec
Esslemont, David; Gaylord Schanilec; J. Andrew Armacost [intro]; David Chambers [intro]
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Librería: Midway Book Store (ABAA), St. Paul, MN, Estados Unidos de AmericaMidway Book Store (ABAA)
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EUR 316,46
Envío por EUR 7,02Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: Fine in Fine slipcase. Limited edition. 34.5 x 23.5 cm. Folio. 153pp. Bound in half grey cloth, half patterned blue paste-down, paper spine label, housed slipcase.Limited to 200 copies printed on Zerkall mould-made paper, this copy is NOT numbered. Illustrated with color linocuts by Esslemont and wood-engra…vigns by Schanilec.
Editorial: Midnight Paper Sales & Solmentes Press, 2003
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- Primera edición
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Librería: Claude Cox Old & Rare Books ABA, ILAB, Saxmundham, Reino UnidoClaude Cox Old & Rare Books ABA, ILAB
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado
EUR 358,05
Envío por EUR 17,38Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
FIRST EDITION, no.46 of 200 copies, signed, folio, pp.153 + colophon; illustrated throughout with colour linocuts by Esslemont, wood-engravings by Schanilec (including fine folding panorama of the Welsh countryside looking north from Dragon Ridge), tip-ins of various original leaves from books produced by each press, and other p…lates in colour; beautifully printed in Cronos on mould-made paper; fine in paste-patterned cloth, paper label, & cloth slip-case. 'In one way, [their] correspondence. is a daybook chronicling the seasons of the year in Wisconsin and Wales. In another way, it is a diary, with production notes, of editing, printing, and producing some important books. It is also a log of two personal journeys, a record of the writers' struggles to manage personal lives and professional lives in the midst of children, book fairs, accolades, and calamities.' Illustrated Private Press.
Editorial: Midnight Paper Sales / Solmentes Press 2003 2003
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Librería: Peter J. Hadley Bookseller BA, Ludlow, Reino UnidoPeter J. Hadley Bookseller BA
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EUR 417,72
Envío por EUR 28,91Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Find in paste patterned cloth with paper label to spine in Slipcase. Number 26 of 200 copies Signed by Authors. Illustrated throughout with tipped in examples of work from both presses in color and black & white. ISBN 0907014208.
Más imágenesEditorial: Midnight Paper Sales & Solmentes Press, Stockholm, WI 2003
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- Firmado
Librería: Lux Mentis, Booksellers, ABAA/ILAB, Portland, ME, Estados Unidos de AmericaLux Mentis, Booksellers, ABAA/ILAB
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado
EUR 10.850,18
Envío por EUR 6,58Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Limited Edition/Unique. Limited Edition/Unique. Hardcover. Conversations between David Esslemont & Gaylord Schanilec. Bound by David Esslemont. With an extra suite of the 15 color linocuts [one dup] titled and signed [some numered, some AP]. There are 6 original leaves tipped in: 4 from Esslemont's books and 2 from Sc…hanilec's, including a 4-page leaf with color engraving of Manhattan from New York Revisited. ". . . an edited summary of their conversations over the past four years, telling of domestic problems . . . of printers' problems: of getting in materials, of making the presses work, of which inks to use." Shoulder notes clarify what might be obscure. Esslemont's visits to the Schanilec home in Wisconsin provided the inspiration for his color linocuts; Schanilec's visits and 6-month stay in Wales resulted in the 33-inch color engraving of the Esslemont homestead. A unique iteration of this relatively early work. Includes laid in note from Esslemont explaining history and location of other copies, and an additional suite of signed plates found only with this copy. Tight, bright, and unmarred. Full white alum-tawed goatskin, laminated bevelled boards, painting in acrylic ink, paste graining, and gold tooling, pastepaper flyleaves [inspired by the birch trees in Schanilec's yard]; housed in black cloth fleece lined drop-spine case, printed paper label at spine. 4to. 153pp. Illus. (14 color linocuts by Esslemont, 3 color wood engravings by Schanilec (including a 33-inch folding panorama), 10 tipped-in color ink jet images, and 6 original leaves). Numbered limited edition of 10 copies, this being 4 [entire run is 200]. Signed by both author/artists. This is the only copy to have the extra suite of plates. Fine in Fine Drop-Spine Archival Box.
Más imágenesEditorial: Midnight Paper Sales & Solmentes Press, [Stockholm] 2003
Librería: Rulon-Miller Books (ABAA / ILAB), St. Paul, MN, Estados Unidos de AmericaRulon-Miller Books (ABAA / ILAB)
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado
EUR 565,11
Envío por EUR 10,53Se envía dentro de Estados Unidos de AmericaCantidad disponible: 2 disponibles
Edition limited to 200 copies, folio, pp. 153, [2]; this is one of 100 copies bound in America in half cloth, with paste paper covered boards, paper spine label; beautifully illustrated throughout with wood engravings by Schanilec, including a magnificent foldout panorama of the Welsh countryside, and color linocuts by David Ess…lemont; also tipped in are original leaves from books produced by each press. A record of email correspondence between David Esslemont and Gaylord Schanilec with additional notes and illustrations. With introductions by J. Andrew Armacost and David Chambers. "In one way, the correspondence of Gaylord and David is a daybook chronicling the seasons of the year in Wisconsin and Wales. In another way, it is a diary, with production notes, of editing, printing, and producing some important books. It is also a log of two personal journeys, a record of the writers struggles to manage personal lives and professional lives in the midst of children, book fairs, accolades, and calamities. Still another important story is Gaylord and David's continuing dialogue about their current printing projects and the implications of their individual printing decisions. These conversations raise a number of interesting issues," (introduction). Quarter to Midnight A.225.c.
