Savoy benedicte (940 resultados)

Condición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. A very good hardcover in a very good mylar wrapped dust jacket. Gently read, if at all. No markings.

hardcover. Condición: New.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. A major new history of how African nations, starting in the 1960s, sought to reclaim the art looted by Western colonial powers For decades, African nations have fought for the return of countless works of art stolen during the colonial era and placed in Western museums. In Africa's Struggle for Its Art, Bénédicte Savoy brings to light this largely unknown but deeply important history. One of the world's foremost experts on restitution and cultural heritage, Savoy investigates extensive, previously unpublished sources to reveal that the roots of the struggle extend much further back than prominent recent debates indicate, and that these efforts were covered up by myriad opponents.Shortly after 1960, when eighteen former colonies in Africa gained independence, a movement to pursue repatriation was spearheaded by African intellectual and political classes. Savoy looks at pivotal events, including the watershed speech delivered at the UN General Assembly by Zaire's president, Mobutu Sese Seko, which started the debate regarding restitution of colonial-era assets and resulted in the first UN resolution on the subject. She examines how German museums tried to withhold information about their inventory and how the British Parliament failed to pass a proposed amendment to the British Museum Act, which protected the country's collections. Savoy concludes in the mid-1980s, when African nations enacted the first laws focusing on the protection of their cultural heritage.Making the case for why restitution is essential to any future relationship between African countries and the West, Africa's Struggle for Its Art will shape conversations around these crucial issues for years to come.…

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread copy in mint condition.

Condición: New. Brand New.

Hardback. Condición: New. Beauty belongs to no one. But what about the objects that museums celebrate as great works of art: to whom do they belong? Do they belong to the places where they originated? To the cultures whose genius they embody? To the enlightened collectors who saw their value and appropriated them? Or to the whole of humanity which has access to them through institutions dedicated to their preservation? And if the latter, how can we justify the fact that some people are able to enjoy what is supposed to be a universally shared heritage while others cannot? We can begin to answer these questions, argues Bénédicte Savoy, by examining how these objects actually came to be with us and what their journeys reveal about our history and its violence and asymmetries, both symbolic and real. These objects have no doubt left their mark on the places where they arrived; they have also left wounds that are still raw in the places from which they came. The bust of Nefertiti, the Great Pergamon Altar, The Adoration of the Mystic Lamb, the 'Sistine Madonna', the Old Summer Palace bronze heads, Watteau's L'Enseigne de Gersaint, the 'Bangwa Queen', Klimt's Portrait of Adele Bloch-Bauer, the Benin bronzes: through the journeys of these iconic works, Savoy reflects on desire and domination, on rupture and restitution, and on the profound emotions evoked by beauty when it is laced with the pain of historical loss. This timely and highly original reflection on beauty, provenance, power, and loss will be essential reading for all those concerned with the preservation and restitution of cultural objects and it will appeal to anyone interested in art, culture, and politics today.…

Condición: New.

Condición: New.

Hardback. Condición: New. A major new history of how African nations, starting in the 1960s, sought to reclaim the art looted by Western colonial powers For decades, African nations have fought for the return of countless works of art stolen during the colonial era and placed in Western museums. In Africa's Struggle for Its Art, Bénédicte Savoy brings to light this largely unknown but deeply important history. One of the world's foremost experts on restitution and cultural heritage, Savoy investigates extensive, previously unpublished sources to reveal that the roots of the struggle extend much further back than prominent recent debates indicate, and that these efforts were covered up by myriad opponents.Shortly after 1960, when eighteen former colonies in Africa gained independence, a movement to pursue repatriation was spearheaded by African intellectual and political classes. Savoy looks at pivotal events, including the watershed speech delivered at the UN General Assembly by Zaire's president, Mobutu Sese Seko, which started the debate regarding restitution of colonial-era assets and resulted in the first UN resolution on the subject. She examines how German museums tried to withhold information about their inventory and how the British Parliament failed to pass a proposed amendment to the British Museum Act, which protected the country's collections. Savoy concludes in the mid-1980s, when African nations enacted the first laws focusing on the protection of their cultural heritage.Making the case for why restitution is essential to any future relationship between African countries and the West, Africa's Struggle for Its Art will shape conversations around these crucial issues for years to come.…

Hardback. Condición: New. Beauty belongs to no one. But what about the objects that museums celebrate as great works of art: to whom do they belong? Do they belong to the places where they originated? To the cultures whose genius they embody? To the enlightened collectors who saw their value and appropriated them? Or to the whole of humanity which has access to them through institutions dedicated to their preservation? And if the latter, how can we justify the fact that some people are able to enjoy what is supposed to be a universally shared heritage while others cannot? We can begin to answer these questions, argues Bénédicte Savoy, by examining how these objects actually came to be with us and what their journeys reveal about our history and its violence and asymmetries, both symbolic and real. These objects have no doubt left their mark on the places where they arrived; they have also left wounds that are still raw in the places from which they came. The bust of Nefertiti, the Great Pergamon Altar, The Adoration of the Mystic Lamb, the 'Sistine Madonna', the Old Summer Palace bronze heads, Watteau's L'Enseigne de Gersaint, the 'Bangwa Queen', Klimt's Portrait of Adele Bloch-Bauer, the Benin bronzes: through the journeys of these iconic works, Savoy reflects on desire and domination, on rupture and restitution, and on the profound emotions evoked by beauty when it is laced with the pain of historical loss. This timely and highly original reflection on beauty, provenance, power, and loss will be essential reading for all those concerned with the preservation and restitution of cultural objects and it will appeal to anyone interested in art, culture, and politics today.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. Cloth, viii, 214 pages, 16 pages of plates, illustrations (some colour); 25 cm. First published in German under the title Afrikas Kampf um seine Kunst Geschichte einer postkolonialen Niederlage. Tight, clean copy. Dust jacket protected in a mylar cover. A fine copy of the first printing. *** "A major new history of how, between 1965 and 1985, African nations sought the restitution of works of art stolen during the colonial period, written by the most important and influential figure in the field" - Publisher. *** CONTENTS: Introduction; Bingo; You Hide Me; Prussian Cultural Property; Zero; Increasingly Global; Pause; "German Debate"; Festac '77; Attack, Defence; A Spectre Is Haunting Europe; Battle of Lists; Lost Heritage; Mexico and the Greeks; Bremen; Open End; Back to the Future; Epilogue. Size: 8vo. Collectible.…

Paperback. Condición: New. A major new history of how African nations, starting in the 1960s, sought to reclaim the art looted by Western colonial powers For decades, African nations have fought for the return of countless works of art stolen during the colonial era and placed in Western museums. In Africa's Struggle for Its Art, Bénédicte Savoy brings to light this largely unknown but deeply important history. One of the world's foremost experts on restitution and cultural heritage, Savoy investigates extensive, previously unpublished sources to reveal that the roots of the struggle extend much further back than prominent recent debates indicate, and that these efforts were covered up by myriad opponents.Shortly after 1960, when eighteen former colonies in Africa gained independence, a movement to pursue repatriation was spearheaded by African intellectual and political classes. Savoy looks at pivotal events, including the watershed speech delivered at the UN General Assembly by Zaire's president, Mobutu Sese Seko, which started the debate regarding restitution of colonial-era assets and resulted in the first UN resolution on the subject. She examines how German museums tried to withhold information about their inventory and how the British Parliament failed to pass a proposed amendment to the British Museum Act, which protected the country's collections. Savoy concludes in the mid-1980s, when African nations enacted the first laws focusing on the protection of their cultural heritage.Making the case for why restitution is essential to any future relationship between African countries and the West, Africa's Struggle for Its Art will shape conversations around these crucial issues for years to come.…

hardcover. Condición: New.

hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: new.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: new. Paperback. For decades, African nations have fought for the return of countless works of art stolen during the colonial era and placed in Western museums. In Africas Struggle for Its Art, Benedicte Savoy brings to light this largely unknown but deeply important history. One of the worlds foremost experts on restitution and cultural heritage, Savoy investigates extensive, previously unpublished sources to reveal that the roots of the struggle extend much further back than prominent recent debates indicate, and that these efforts were covered up by myriad opponents.Shortly after 1960, when eighteen former colonies in Africa gained independence, a movement to pursue repatriation was spearheaded by African intellectual and political classes. Savoy looks at pivotal events, including the watershed speech delivered at the UN General Assembly by Zaires president, Mobutu Sese Seko, which started the debate regarding restitution of colonial-era assets and resulted in the first UN resolution on the subject. She examines how German museums tried to withhold information about their inventory and how the British Parliament failed to pass a proposed amendment to the British Museum Act, which protected the country's collections. Savoy concludes in the mid-1980s, when African nations enacted the first laws focusing on the protection of their cultural heritage.Making the case for why restitution is essential to any future relationship between African countries and the West, Africas Struggle for Its Art will shape conversations around these crucial issues for years to come.'A closely observed look at the resistance of European museums to repatriate artwork looted from Africa during the colonial era. . . . A thoughtful study in the ethics of art collection.' Kirkus Reviews "First published in German under the title Afrikas Kampf um seine Kunst Geschichte einer postkolonialen Niederlage by Baenaedicte Savoy. Copyright A Verlag C.H.Beck oHG, Meunchen 2021"--Copyright page. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condición: new.

Hardback. Condición: New. A major new history of how African nations, starting in the 1960s, sought to reclaim the art looted by Western colonial powers For decades, African nations have fought for the return of countless works of art stolen during the colonial era and placed in Western museums. In Africa's Struggle for Its Art, Bénédicte Savoy brings to light this largely unknown but deeply important history. One of the world's foremost experts on restitution and cultural heritage, Savoy investigates extensive, previously unpublished sources to reveal that the roots of the struggle extend much further back than prominent recent debates indicate, and that these efforts were covered up by myriad opponents.Shortly after 1960, when eighteen former colonies in Africa gained independence, a movement to pursue repatriation was spearheaded by African intellectual and political classes. Savoy looks at pivotal events, including the watershed speech delivered at the UN General Assembly by Zaire's president, Mobutu Sese Seko, which started the debate regarding restitution of colonial-era assets and resulted in the first UN resolution on the subject. She examines how German museums tried to withhold information about their inventory and how the British Parliament failed to pass a proposed amendment to the British Museum Act, which protected the country's collections. Savoy concludes in the mid-1980s, when African nations enacted the first laws focusing on the protection of their cultural heritage.Making the case for why restitution is essential to any future relationship between African countries and the West, Africa's Struggle for Its Art will shape conversations around these crucial issues for years to come.…

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: New. 2024. paperback. . . . . .