sasa ilic (32 resultados)

Paperback. Condición: Very Good+.

Paperback. Condición: Very Good. Minor wear to binding on corners, edges & spine. Light scuffing on cover. Edge of textblock lightly worn.

Condición: very_good. This books is in Very good condition. There may be a few flaws like shelf wear and some light wear.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: new. Paperback. Perhaps the first full-throated response to the war in Kosovo to be published in English, this anthology in a Serbian translation crossed the border between the two countries in 2014 as one of the first works to break a literary silence of three decades. Every play included here even the two comedies proceeds from traumatic circumstances or the wake of them: Set in the thick of the NATO bombing and the forced expulsion from Pristina, The Basement is a family drama in which every inclination and every snap reaction can have an unbearable effect. The Finger draws its impetus from a vacuum, from a family bereft, and the implacable dynamics between two women. In it a disappearance calls for and exacts rituals in the gap between life and death. In the monodrama, Slaying the Mosquito, exile carries with it all the derangement of the war, enacted in the person of the poet-madman-shaman, a tormented spirit caught between diverse worlds. The eponymous One Flew over the Kosovo Theater is an uproarious lampoon. Set in the days approaching the independence of Kosovo, it takes aim at the new government and their yen for censorship and the appropriation of the arts. Recapitulating the occupation and conflict, The Crossroads Cafe is a sweeping farce with a full cast of characters, including Serbian Police and guerrilla fighters, together with an Everyman trapped in the machinations. One Flew over the Kosovo Theater is more than a collection of plays. It is something that verges on a saga. "Originally published in Serbian in 2014 by Radniecka komuna Links, Belgrade, as Let Iznad Kosovskog Pozoriesta, antologija savremene kosovske drame."--Title page verso. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

Paperback. Condición: New. Perhaps the first full-throated response to the war in Kosovo to be published in English, this anthology in a Serbian translation crossed the border between the two countries in 2014 as one of the first works to break a literary silence of three decades. Every play included here even the two comedies proceeds from traumatic circumstances or the wake of them: Set in the thick of the NATO bombing and the forced expulsion from Pristina, The Basement is a family drama in which every inclination and every snap reaction can have an unbearable effect. The Finger draws its impetus from a vacuum, from a family bereft, and the implacable dynamics between two women. In it a disappearance calls for and exacts rituals in the gap between life and death. In the monodrama, Slaying the Mosquito, exile carries with it all the derangement of the war, enacted in the person of the poet-madman-shaman, a tormented spirit caught between diverse worlds. The eponymous One Flew over the Kosovo Theater is an uproarious lampoon. Set in the days approaching the independence of Kosovo, it takes aim at the new government and their yen for censorship and the appropriation of the arts. Recapitulating the occupation and conflict, The Crossroads Café is a sweeping farce with a full cast of characters, including Serbian Police and guerrilla fighters, together with an Everyman trapped in the machinations. One Flew over the Kosovo Theater is more than a collection of plays. It is something that verges on a saga.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAPERBACK. Condición: New. B004HC2XCK New.

Condición: New. pp. 302.

Condición: New. 2018. Paperback. . . . . .

Condición: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.

Condición: New.

Softcover. Condición: Fine. Leichte Kratzer / Abnutzungen / Druckstellen; Gebrochener Buchrucken / Seiten oder Softcover umgeknickt. Protagonista romana, dzez kontrabasista, nosi svoj instrument kao ukletog saputnika dok vodi citaoca kroz mentalne i geografske prostore, otkrivajuci mesta koja drustvo zeli da zaboravi. Od brodova Jugoslovenske ratne mornarice, preko bolnica, smrtonosnih obala Dunava, do hipokrizije humanitarizma i sudbina talentovanih pobunjenika, junak se suocava s devastirajucom napustenoscu. Njegov zivot, zarobljen u post-vremenu, traje izmedu katatonicnog ocaja i vojno-farmaceutskih "resenja", dok se bori s zahtevima plemenskog boga i zakonima industrije zabave. Knjiga postavlja vazno pitanje o tome kako progovoriti o ratnoj traumi, ostavstini prethodnog zivota koja se ne moze zaboraviti. Traganje za izlazom iz tog stanja neraskidivo je povezano s pronalazenjem nove slobode, sto je kljucni element ove proze. Roman istrazuje teme dzeza, ljubavi i antipsihijatrijske pobune protiv drustva koje je odlucilo da zaboravi svoje ratove, osvetljavajuci slozene emocije i unutrasnje borbe junaka.

Condición: As New. Unread book in perfect condition.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. pp. 302.

Condición: New. pp. 302.

Condición: Neuf.

Paperback. Condición: Brand New. 302 pages. 8.00x7.37x0.73 inches. In Stock.

Condición: NEW.

Paperback. Condición: new. Paperback. Perhaps the first full-throated response to the war in Kosovo to be published in English, this anthology in a Serbian translation crossed the border between the two countries in 2014 as one of the first works to break a literary silence of three decades. Every play included here even the two comedies proceeds from traumatic circumstances or the wake of them: Set in the thick of the NATO bombing and the forced expulsion from Pristina, The Basement is a family drama in which every inclination and every snap reaction can have an unbearable effect. The Finger draws its impetus from a vacuum, from a family bereft, and the implacable dynamics between two women. In it a disappearance calls for and exacts rituals in the gap between life and death. In the monodrama, Slaying the Mosquito, exile carries with it all the derangement of the war, enacted in the person of the poet-madman-shaman, a tormented spirit caught between diverse worlds. The eponymous One Flew over the Kosovo Theater is an uproarious lampoon. Set in the days approaching the independence of Kosovo, it takes aim at the new government and their yen for censorship and the appropriation of the arts. Recapitulating the occupation and conflict, The Crossroads Cafe is a sweeping farce with a full cast of characters, including Serbian Police and guerrilla fighters, together with an Everyman trapped in the machinations. One Flew over the Kosovo Theater is more than a collection of plays. It is something that verges on a saga. "Originally published in Serbian in 2014 by Radniecka komuna Links, Belgrade, as Let Iznad Kosovskog Pozoriesta, antologija savremene kosovske drame."--Title page verso. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: New. KlappentextrnrnPerhaps the first full-throated response to the war in Kosovo to be published in English, this anthology in a Serbian translation crossed the border between the two countries in 2014 as one of the first works to break a literary.

Paperback. Condición: New. New Book, Direct from Publisher.

Condición: new.

Paperback. Condición: New. Perhaps the first full-throated response to the war in Kosovo to be published in English, this anthology in a Serbian translation crossed the border between the two countries in 2014 as one of the first works to break a literary silence of three decades. Every play included here even the two comedies proceeds from traumatic circumstances or the wake of them: Set in the thick of the NATO bombing and the forced expulsion from Pristina, The Basement is a family drama in which every inclination and every snap reaction can have an unbearable effect. The Finger draws its impetus from a vacuum, from a family bereft, and the implacable dynamics between two women. In it a disappearance calls for and exacts rituals in the gap between life and death. In the monodrama, Slaying the Mosquito, exile carries with it all the derangement of the war, enacted in the person of the poet-madman-shaman, a tormented spirit caught between diverse worlds. The eponymous One Flew over the Kosovo Theater is an uproarious lampoon. Set in the days approaching the independence of Kosovo, it takes aim at the new government and their yen for censorship and the appropriation of the arts. Recapitulating the occupation and conflict, The Crossroads Café is a sweeping farce with a full cast of characters, including Serbian Police and guerrilla fighters, together with an Everyman trapped in the machinations. One Flew over the Kosovo Theater is more than a collection of plays. It is something that verges on a saga.

Taschenbuch. Condición: Neu. Neuware - 'Originally published in Serbian in 2014 by Radniécka komuna Links, Belgrade, as Let Iznad Kosovskog Pozoriésta, antologija savremene kosovske drame.'--Title page verso.

Hardcover. Sehr guter Zustand. Aus dem Serbischen von Elvira Veselinovic. Pappband, 311 Seiten. Gewicht: 468.

Gebunden. Condición: New. Wie eine Berliner U-Bahn taucht der Roman Das Berliner Fenster rasch in eine andere Welt ab, die man schwer wieder ausblenden kann, an die man sich aber dennoch nie genau erinnert. So verhaelt es sich mit den Geschichten, die hier zum Leben erweckt werden.

Buch. Condición: Neu. Neuware - Wie eine Berliner U-Bahn taucht der Roman 'Das Berliner Fenster' rasch in eine andere Welt ab, die man schwer wieder ausblenden kann, an die man sich aber dennoch nie genau erinnert. So verhält es sich mit den Geschichten, die hier zum Leben erweckt werden. Auf dramaturgisch brillante Weise laufen Schicksale aus dem Dritten Reich, der DDR, dem Jugoslawienkrieg der Neunzigerjahre und der Berliner Gegenwart zusammen, stets mitreißend und dennoch unaufdringlich. Vor der Kulisse aus Stationslärm, Musikanten und der Vielsprachigkeit der Passagiere schreibt Sasa Ilic gegen das Verdrängen und Verleugnen an; mal rot, mal schwarz, oft schmerzhaft ehrlich und zugleich bezaubernd unterhaltsam. Ein Berliner Buch mit Nachhall, das niemanden zum 'Zurückbleiben!' auffordern wird.