Sander gloria williams (21 resultados)

Hardcover. Condición: Fine. Fine Dust Jacket. 4to. 344 pages. We specialize in fine books in collectible condition. Orders are professionally packaged and shipped promptly.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. 1st Edition. This is a clean, unmarked copy with a lightly shelf worn dust jacket.

Oversized Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Fine. Book and dust jacket in excellent overall condition, with no markings, Slight roll to spine. International/expedited shipping will require additional postage due to bulk.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. Cloth, 341 pages, illustrations (some colour); 31 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Profusely illustrated. *** "Before the late 1960s, few museums or collectors acquired photographs or considered the medium as an art form. The moment arrived, however, when photography s profile ascended and the medium began to gain widespread acceptance in the art world as an art form engaged with issues that were central to contemporary art. This was precisely the moment of greatest growth for the collection presented here. This catalogue publishes for the first time the 548 photographs in the Norton Simon Museum of Art collection, more than 90 per cent of which were acquired during that fascinating moment of transition in the history of photography, 1969 to 1974. / Gloria Williams Sander is curator, Norton Simon Museum of Art. She lives in Los Angeles. Therese Mulligan is professor and graduate coordinator of the Master of Fine Art in Photography and director, School of Photographic Arts and Sciences Gallery, Rochester Institute of Technology. She lives in Rochester, NY." - Publisher. *** CONTENTS: Foreword, by Sara Campbell; More than the sum of its parts: the photography collection at the Norton Simon Museum, by Therese Mulligan; The Collectible Moment: Photography at the Pasadena Art Museum, by Gloria Williams Sanderl; Montage: Reflections by artists, curators and critics: Fred R. Parker. Robert Sobieszek. Peter Bunnell. Darryl Curran. Bart Parker. Lewis Baltz. Michael Stone. Robert Fichter. William Wilson. Judy Dater. Bill Arnold. Thomas Barrow. Charles Traub. Lynn Sloan. Leland Rice; Catalogue of the collection; Photography exhibition history, 1941-2004. Size: 4to. Collectible.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Oversized hardback book (344 pages) illustrated with numerous color and black and white photographs/reproductions. Dust jacket shows light rubbing/scuffing with small tear bottom front edge. INTERNATIONAL SHIPPING WILL REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (LL-Base2-C-Bottom-R) rareviewbooks.…

Mint. Condición: Mint. Folio in a light brown DJ; v. 1: illus (some color); 32 cm. Drawing -- European -- Catalogs. Mint, new in unopened shrink wrap.

Hardcover. Condición: Very Good. Hardcover. 4to. Published for the Norton Simon Art Foundation by Yale University Press, New Haven, CT. 2006. 341 pgs. Illustrated with black and white photographs. First Edition/First Printing. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Before the late 1960s, few museums or collectors acquired photographs or considered the medium as an art form. The moment arrived, however, when photography's profile ascended and the medium began to gain widespread acceptance in the art world as an art form engaged with issues that were central to contemporary art. This was precisely the moment of greatest growth for the collection presented here. This catalogue publishes for the first time the 548 photographs in the Norton Simon Museum of Art collection, more than 90 per cent of which were acquired during that fascinating moment of transition in the history of photography, 1969 to 1974. EB; 11.7 X 10.2 X 1.6 inches; 344 pages.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. A Fine book in a Fine dust jacket. First Edition/ First Printing (no other printings listed). From the library of Donald Simon, son of Norton Simon. Book is clean, unmarked, tight and square. Jacket is fully intact, bright and clean with no markings or tears. A solid copy over all.…

Condición: New. New.

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

Hardcover with dustjacket, 344 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. 341 p. : ill. (some col.) ; 31 cm. "Before the late 1960s, few museums or collectors acquired photographs or considered the medium as an art form. The moment arrived, however, when photography s profile ascended and the medium began to gain widespread acceptance in the art world as an art form engaged with issues that were central to contemporary art. This was precisely the moment of greatest growth for the collection presented here.".…

Erste Auflage. 30,1 x 25,6 cm. 341 S. OPappband mit illustriertem OUmschlag. Innen papierbedingt minimalst lichtrandig. Sonst sehr gutes Exemplar. Durchgehend mit schwarz-weißen und sepiafarbenen Abbildungen versehen. Der Umschlag ist gleichzeitig ein Faltplakat mit Aufnahmen der verschiedenen Fotografien recto und den zugehörigen Bildunterschriften verso. Texte in englischer Sprache.…

Condición: Very Good.

Hardcover. Condición: New. In shrinkwrap. Quarto. Hardcover. Light grey cloth boards in illustrated jacket. 523 pages : illustrations (chiefly color) ; 30 cm. "Northern European Art in the Norton Simon Museum celebrates the institution's holdings of Dutch, Flemish, Early Netherlandish, and German paintings from the fifteenth through the eighteenth centuries. This volume illuminates ninety-five extraordinary paintings and works on paper across a range of genres, from portraiture and landscape to still life and religious themes. An introductory essay by Carol Togneri, former Chief Curator at the Norton Simon Museum, addresses Simon's ambition and foresight as a collector and recounts some of his most public and dramatic acquisitions. The catalogue's entries-authored by curator and provenance researcher Amy Walsh, with technical reports by conservator Rosamond Westmoreland and contributions from a number of specialists in the field-offer insights into the historical context, ownership trajectories, and conservation assessment of these objects"--.…

hardcover. Condición: Good. Includes dust jacket. Dust jacket has minor wear. Pages are clean.

Hardcover. Condición: New.

hardcover. Condición: Very Good. Signed by Dater opposite her introduction. Large hardcover with dust jacket. Text unmarked, modest wear of book. Jacket with gentle surface wear.

dj. First Edition. First edition and first printing. Hardcover. 194 pages. Retrospective monograph on this underappreciated photographer. Features a foreword by Theresia De Vroom along with text contributions by Dater, Marilyn F Symmes, Gloria Williams, and Sander Donna Stein. Includes numerous black and white images, list of plates, and a selected bibliography. A clean and tight very near fine copy in a very near fine dust jacket with some very minor wear. Surprisingly uncommon.…

Softcover. Condición: gut. 2006. the collectible moment. catalogue of photographs in the norton simon museum. With contributions by Bill Arnold, Lewis Baltz, Thomas Barrow, Peter C. Bunnell, Darryl J. Curran, Judy Dater, Robert Fichter, Bart Parker, Fred R. Parker, Leland Rice, Jenna Siman, Lynn Sloan, Robert Sobieszek, Michael Stone, Charles H. Traub, William Wilson. In englischer Sprache. pages.…

Hardcover. Condición: New. Before the late 1960s, few museums or collectors acquired photographs or considered the medium as an art form. The moment arrived, however, when photographyâs profile ascended and the medium began to gain widespread acceptance in the art world as an art form engaged with issues that were central to contemporary art. This was precisely the moment of greatest growth for the collection presented here. This catalogue publishes for the first time the 548 photographs in the Norton Simon Museum of Art collection, more than 90 per cent of which were acquired during that fascinating moment of transition in the history of photography, 1969 to 1974.In The Collectible Moment Therese Mulligan outlines the character, quality, and importance of the Norton Simon collection, and Gloria Williams Sander explores the history of the Museumâs photography department in the context of the local art organizations in general and community of photographers specifically. First-person recollections by a number of important figures in the world of photography provide immediate and vivid accounts of the period and the photo artists of this important historical moment.…