sam pulitzer (10 resultados)

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good-. First Edition. Dust jacket has some edge wear and a couple scratches.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: As New. Leichte Kratzer / Abnutzungen / Druckstellen. Der Band zeigt die Werke Sam Pulitzers (*1984 Fremont, NH, USA), die als Schenkung der Balois Group neu in die Sammlung der Nationalgalerie der staatlichen Museen Berlin aufgenommen wurden. Der Titel des Werks bezieht sich auf die Theorie des britischen Okonomen John Maynard Keynes aus den 1930-Jahren, der zufolge Entscheidungen nicht rationalen Berechnungen folgen, sondern aufgrund von animalischen Instinkten (,animal spirits") und von Laune, Gefuhl oder Zufall (,whim or sentiment or chance") getroffen werden. Der Installation werden weitere Werkgruppen Pulitzers sowie Arbeiten aus der Sammlung der Nationalgalerie von Daniel Buren, Hans-Peter Feldmann, Mona Hatoum, Jenny Holzer, Jonathan Horowitz, Gulsun Karamustafa, Bruce Nauman, Raymond Pettibon und Roman Signer gegenubergestellt. 'It is not rationality that determines our choices, but rather whim, sentiment or chance.' This Keynesian thesis is the focus of this volume on the work Acrylic Display Corridor, Animal Spirits by Sam Pulizer, winner of the Baloise Art Prize. The installation is steeped in language games and allusions to pop culture. Additional workgroups by Pulitzer are presented in the context of works by international artists from the collection of the Nationalgalerie in Berlin.

Gebunden. Condición: Neu. Neu -Der Band zeigt die Werke Sam Pulitzers (\*1984 Fremont, NH, USA), die als Schenkung der Balois Group neu in die Sammlung der Nationalgalerie der staatlichen Museen Berlin aufgenommen wurden. Der Titel des Werks bezieht sich auf die Theorie des britischen Ökonomen John Maynard Keynes aus den 1930-Jahren, der zufolge Entscheidungen nicht rationalen Berechnungen folgen, sondern aufgrund von animalischen Instinkten (»animal spirits«) und von Laune, Gefühl oder Zufall (»whim or sentiment or chance«) getroffen werden. Der Installation werden weitere Werkgruppen Pulitzers sowie Arbeiten aus der Sammlung der Nationalgalerie von Daniel Buren, Hans-Peter Feldmann, Mona Hatoum, Jenny Holzer, Jonathan Horowitz, Gülsün Karamustafa, Bruce Nauman, Raymond Pettibon und Roman Signer gegenübergestellt. 48 pp. Deutsch, Englisch.

Paperback. Condición: Brand New. Paperback.Width: 17 cm. Height: 22cm. 128 pages. English & German text.

Softcover. Condición: Very good. No jacket.

Hardcover. Condición: Gut bis sehr gut. 1. Auflage. Z : 26 x 29 cm, 304 pages - For the first time the three artist positions - Wade Guyton, Kelley Walker and Guyton Walker - are presented together in this publication. The presentation enables a direct viewing and analysis of the artists and the artistic duo founded in 2004 - to this day a unique union of two artists, who also worked and exhibited separately until then and continue to do so. The authors present the artists and dedicate themselves to the themes of independent authorship and the relationship between solo and collaborative artistic work as well as their common artistic techniques and visual languages.

Encuadernación de tapa blanda. Condición: Bien. Estado de la sobrecubierta: Bien. Essays "Books: Craig Clunas on Gao Minglu's 'Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art,'" by Craig Clunas; "Film: James Quandt on Raúl Ruiz's 'Mysteries of Lisbon,'" by James Quandt; "Slant: David Joselit on Nicolás Guagnini's 'The Panel Discussion, the Tennis Match, and a Bodegón,'" by David Joselit; "Slant: J. Hoberman on Jack Smith's Posthumous Career," by J. Hoberman; "On Site: Gary Indiana on the Steilneset Memorial," by Gary Indiana; "Film: Rachel Haidu on Sven Augustijnen's 'Spectres,'" by Rachel Haidu; "Top Ten," by Chandler Burr; "Fall 2011 Exhibitions: 45 Shows Worldwide"; "Julia Bryan-Wilson on 'Pacific Standard Time,'" by Julia Bryan-Wilson; "Venice 2011," by Claire Bishop, Daniel Birnbaum, Francesco Bonami, Benjamin Paul, Tim Griffin, John Kelsey, and Nicholas Cullinan; "Tabula Rasa: The Art of R.H. Quaytman," by Paul Galvez; "Truth or Dare: The Art of Witnessing," by David Joselit; "Close-Up: Leap Year," Yve-Alain Bois on Martin Barré's "Greenwich" and "60-T-44"; "Forest for the Trees: The Art of Goshka Macuga," by Dieter Roelstraete; "Openings: Adrián Villar Rojas," by Jessica Morgan; "Openings: Olivia Plender," by Brian Dillon. Reviews by Christine Mehring, Jeffrey Weiss, Sam Pulitzer, Dennis Lim, Frances Richard, Robert Pincus-Witten, David Frankel, Suzanne Hudson, Lisa Turvey, Ida Panicelli, Donald Kuspit, Emily Hall, Jeffrey Kastner, Michael Wilson, Lauren O'Neill-Butler, Eva Díaz, Daniel Quiles, Martha Buskirk, David M. Lubin, Nuit Banai, Franklin Melendez, Jan Tumlir, Catherine Taft, Michael Ned Holte, John-Paul Stonard, Barry Schwabsky, Zehra Jumabhoy, Maeve Connolly, Jian-Xing Too, Anthony Byrt, John Beeson, Michèle Faguet, Astride Wege, Noemi Smolik, Hans Rudolf Reust, Quinn Latimer, Giorgio Verzotti, Brigitte Huck, Markéta Stará, Kaelen Wilson-Goldie, Lauren Dyer Amazeen, Jon Bywater, Angie Baecker, and Shinyoung Chung. Cover: R.H. Quaytman.

Encuadernación de tapa blanda. Condición: Bien. Estado de la sobrecubierta: Bien. Essays "Books: J. Hoberman on 'Mad' Magazine's Early Imitators," by J. Hoberman; "Film: Michael Wood on Grant Gee's 'Patience (After Sebald),'" by Michael Wood; "News: Elizabeth Schambelan talks with Curator Carolyn Christov-Bakargiev About Documenta 13," by Elizabeth Schambelan; "Slant: Ken Okiishi on Forrest Bess," by Ken Okiishi; "Slant: Elizabeth Mangini on Arte Povera in Naples," by Elizabeth Mangini; "Top Ten," by Adriana Lara; "Summer 2012 Exhibitions: 45 Shows Worldwide"; "Graham Bader on 'Roy Lichtenstein: A Retrospective,'" by Graham Bader; "Image of the People: Mike Kelley (1954-2012)," by Ann Goldstein, Michael Smith, Tony Oursler, Paul McCarthy, Jim Shaw, and Kim Gordon; "Magnificent Obsession: The Films of Werner Schroeter," by James Quandt; "False Front: The Art of Ming Wong," by Joan Kee; "A Room of Their Own: Three Views on the Whitney Biennial," by David Rimanelli, Amy Taubin, and David Velasco; "1000 Words: Kraftwerk," by Michelle Kuo; "After Effects: The Art of Anja Kirschner and David Panos," by Martin Herbert; "Openings: Dave Miko," by Sam Pulitzer. Reviews by Thomas Crow, Suzanne Cotter, Adam Szymczyk, T.J. Demos, Jeffrey Kastner, Robert Pincus-Witten, Barry Schwabsky, Frances Richard, Johanna Burton, David Frankel, Suzanne Hudson, Donald Kuspit, Joshua Decter, Michael Wilson, Lauren O'Neill-Butler, Emily Hall, Brian Sholis, Sam Pulitzer, Eva Diaz, Nuit Banai, Nick Stillman, Joan Kee, Jan Tumlir, Catherine Taft, Gareth James, Sherman Sam, Steven Cairns, Claire Moulène, John Beeson, Daniela Stöppel, Hans Rudolf Reust, Quinn Latimer, Marco Meneguzzo, Gianfranco Baruchello, Alessandra Pioselli, Saskia van der Kroef, Filipa Oliveira, Midori Matsui, Ronald Jones, Zehra Jumabhoy, Anthony Byrt, and Jon Bywater. Cover: Mike Kelley.