salvioni daniela (52 resultados)

Softcover, 164 pages; in Italian; very good condition; crease to spine; light rubbing to covers; no internal marks. Foreign shipping may be extra.

softcover. Condición: Fine copy. Well-illustrated Ilustrador. 1st. Small 4to, 386 pp.

Paperback. Condición: Very Good. No Jacket. Paperback, very good.

Paperback. Condición: Near Fine. introduction by Gregorio Magnani. 197 pages plus ads; 7 1/2 x 9 1/2 ".

Soft cover. Condición: Very Good. Clean solid copy with some edge wear to lower rear cover. 387 pages.

Trade Paperback. Condición: Used - Very Good. 'Art/Women/California 1950-2000: Parallels and Intersections 'is an unprecedented examination of the impact that specific women artists, working in California in the second half of the twentieth century, have had on broadening the definition of art. Twenty preeminent scholars from diverse cultural backgrounds investigate how the vast sociopolitical changes of the post-World War II era affected these women and how the ensuing events influenced the art that they produced. This book outlines the role these pivotal artists and their work played in reshaping the California cultural profile into what it is today.Illustrated with more than one hundred color plates and duotones, 'Art/Women/California 1950-2000 'reveals the richness of this fifty-year period by contrasting and comparing the artists and their varied artistic practices in relation to the larger sociopolitical context. The book employs a variety of historical perspectives to reflect the distinct and parallel experiences of California's major cultural communities while revealing points of intersection by analyzing shared themes and practices.Because California serves as a gateway for a myriad of immigrants and an epicenter for the feminist movement, and because of its history of activism, its culture of experimentation, and its reputation for innovative technology and media, the state has evolved into a crucial and inspirational environment for women artists. Their work continues to transform our perceptions and revitalize art's connections to its surrounding environment and community. Exploring the conjuncture between place and artistic activity from multiple perspectives, this book stands as a testament to the rich diversity that is contemporary California culture.'This book is a copublication with the San Jose Museum of Art' An essay collection surveying women artist's in California and their contribution to shaping the California cultural profile. It is fully illustrated and interspersed with poetry and interviews. Very nice clean, tight copy free of any marks.

Hardbound. Condición: Very Good. Quarto in dust jacket, xviii, 387 pp., color and b/w photos and reproductions, index "Art/Women/California 1950-2000: Parallels and Intersections is an unprecedented examination of the impact that specific women artists, working in California in the second half of the twentieth century, have had on broadening the definition of art. Twenty preeminent scholars from diverse cultural backgrounds investigate how the vast sociopolitical changes of the post-World War II era affected these women and how the ensuing events influenced the art that they produced. This book outlines the role these pivotal artists and their work played in reshaping the California cultural profile into what it is today.Illustrated with more than one hundred color plates and duotones, Art/Women/California 1950-2000 reveals the richness of this fifty-year period by contrasting and comparing the artists and their varied artistic practices in relation to the larger sociopolitical context. The book employs a variety of historical perspectives to reflect the distinct and parallel experiences of California's major cultural communities while revealing points of intersection by analyzing shared themes and practices.Because California serves as a gateway for a myriad of immigrants and an epicenter for the feminist movement, and because of its history of activism, its culture of experimentation, and its reputation for innovative technology and media, the state has evolved into a crucial and inspirational environment for women artists. Their work continues to transform our perceptions and revitalize art's connections to its surrounding environment and community. Exploring the conjuncture between place and artistic activity from multiple perspectives, this book stands as a testament to the rich diversity that is contemporary California culture." from flap copy.

Hardcover with dustjacket, 388 pages, very good condition, light rubbing to covers; pages yellowed at edges; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Used - Very Good. 'Art/Women/California 1950-2000: Parallels and Intersections 'is an unprecedented examination of the impact that specific women artists, working in California in the second half of the twentieth century, have had on broadening the definition of art. Twenty preeminent scholars from diverse cultural backgrounds investigate how the vast sociopolitical changes of the post-World War II era affected these women and how the ensuing events influenced the art that they produced. This book outlines the role these pivotal artists and their work played in reshaping the California cultural profile into what it is today.Illustrated with more than one hundred color plates and duotones, 'Art/Women/California 1950-2000 'reveals the richness of this fifty-year period by contrasting and comparing the artists and their varied artistic practices in relation to the larger sociopolitical context. The book employs a variety of historical perspectives to reflect the distinct and parallel experiences of California's major cultural communities while revealing points of intersection by analyzing shared themes and practices.Because California serves as a gateway for a myriad of immigrants and an epicenter for the feminist movement, and because of its history of activism, its culture of experimentation, and its reputation for innovative technology and media, the state has evolved into a crucial and inspirational environment for women artists. Their work continues to transform our perceptions and revitalize art's connections to its surrounding environment and community. Exploring the conjuncture between place and artistic activity from multiple perspectives, this book stands as a testament to the rich diversity that is contemporary California culture.'This book is a copublication with the San Jose Museum of Art' An essay collection surveying women artist's in California and their contribution to shaping the California cultural profile. It is fully illustrated and interspersed with poetry and interviews. Very nice clean, tight copy free of any marks. wrapped in complimentary Brodart dust jacket protector.

168 pp.; 25.7 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue no. 42 of Parkett, edited by Bice Curiger. Contents include: "Robert Frank: From Compromise to Collaboration," by Vince Leo; "Weiner's Werkatätte," by Brooks Adams; "Providing Metaphor Needs: Lawrence Weiner's Specific & General Works," by Frances Richard; "Public Freehold," by Dieter Schwarz; "The Meaning that Comes Away from the Work of Art," by Daniela Salvioni; "The Public Reacts to Smashed To Pieces (In The Still Of The Night)," by unattributed artists; "But Can She Bake a Cherry Pie?," by Lane Relyea; "& Vers les Etoiles," by Edward Leffingwell; "Rachel Whiteread: Separation Anxiety and the Art of Release," by Neville Wakefield; "Whiteread's Ghost," by Trevor Fairbrother; "The Curbed Monumentality of the Invisible," by Rudolf Schmitz; "About the House," by Simon Watney; "Cursive," by Ingrid Schaffner; "Les Infos Du Paradis: Claude Ritschard on Markus Raetz," by Claude Ritschard; "Cumulus Aus Europa," by Guy Brett; "Cumulus From America," by Martha Fleming and "Balkon," by Robert Ohrt. Insert by Nan Goldin. Text in German and English. Very Good. Sun bleaching to covers. Light rubbing of cover edges and bumping of top right corner of recto. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Paperback. Condición: Fine. 1st. xvii, 386 pages, colour illustrations; 26 cm. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Profusely illustrated. *** "Art/Women/California 1950-2000: Parallels and Intersections is an unprecedented examination of the impact that specific women artists, working in California in the second half of the twentieth century, have had on broadening the definition of art. Twenty preeminent scholars from diverse cultural backgrounds investigate how the vast sociopolitical changes of the post-World War II era affected these women and how the ensuing events influenced the art that they produced. This book outlines the role these pivotal artists and their work played in reshaping the California cultural profile into what it is today. Illustrated with more than one hundred color plates and duotones, Art/Women/California 1950-2000 reveals the richness of this fifty-year period by contrasting and comparing the artists and their varied artistic practices in relation to the larger sociopolitical context. The book employs a variety of historical perspectives to reflect the distinct and parallel experiences of California's major cultural communities while revealing points of intersection by analyzing shared themes and practices. Because California serves as a gateway for a myriad of immigrants and an epicenter for the feminist movement, and because of its history of activism, its culture of experimentation, and its reputation for innovative technology and media, the state has evolved into a crucial and inspirational environment for women artists. Their work continues to transform our perceptions and revitalize art's connections to its surrounding environment and community. Exploring the conjuncture between place and artistic activity from multiple perspectives, this book stands as a testament to the rich diversity that is contemporary California culture." - Publisher. *** CONTENTS: Preface, by Diana Fuller; Foreword, by Susan Landauer; Acknowledgements; Introduction: Art in Context, by Daniel Salvioni. CULTURAL OVERVIEW: "I Dream I'm the Death of Orpheus", by Adrienne Rich; Reflecting on Histories as Histories, by Whitney Chadwick; "Kopid'taya (A Gathering of Spirits)", by Paula Gunn Allen; Other Landscapes, by Angela Y. Davis. PARALLELS: Reconsidering the Terrain: Five Historical Perspectives: "Coal", by Audre Lorde; Liberating Blackness and Interrogating Whiteness, by Phyllis J. Jackson; "Yes, We are Not Invisible", by Janice Mirikitani; What Is an Asian American Woman Artist?, by Karin Higa; Excerpt from "The Poet in the World", by Denise Levertov; Constructing a New Paradigm: European American Women Artists in California, 1950-2000, by Laura Meyer; "To We Who Were Saved by the Stars", by Lorna Dee Cervantes; Califia/Califas: A Brief History of Chicana California, by Amalia Mesa-Bains; "Revolutionary Letter #21", by Diane di Prima; Uncovering/Recovering: Indigenous Artists in California, by Jolene Rickard. INTERSECTIONS: Ley Lines Burning Down the House: Feminist Art in California (An Interview with Amelia Jones), by Daniela Salvioni and Diana Burgess Fuller; A Collective History: Las Mujeres Muralistas, by Terezita Romo; Indigenous Visionaries: Native Women Artists in California, by Theresa Harlan; How The Invisible Woman Got Herself on the Cultural Map: Black Women Artists in California, by Judith Wilson. INTERSECTIONS: Themes and Practices Landing in California, by Jennifer Gonzalez; Women Artists in California and Their Engagement with Photography, by Sandra S. Phillips; California Filming: Re-Imagining the Nation, by Rosa Linda Fregoso; Construction Sites: Women Artists in California and the Production Space-Time, by Pamela Lee; Exchanges, by Moira Roth and Suzanne Lacy; Women, Art, and Technology: A Brief History, by JoAnn Hanley; What Do We Want? The Subject Behind the Camera: Women Video Artists and Self-Articulation, by N.

Softcover, 132 pages, very good condition, clean and crisp; owner's name on 2 pages; no other internal marks. Foreign shipping may be extra.

Condición: Very Good. 1st. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover staple bound, 16 pages, very good condition, light scuff to cover; no internal marks. Foreign shipping may be extra.

Trade Paperback. Condición: Used - Very Good. 'Art/Women/California 1950-2000: Parallels and Intersections 'is an unprecedented examination of the impact that specific women artists, working in California in the second half of the twentieth century, have had on broadening the definition of art. Twenty preeminent scholars from diverse cultural backgrounds investigate how the vast sociopolitical changes of the post-World War II era affected these women and how the ensuing events influenced the art that they produced. This book outlines the role these pivotal artists and their work played in reshaping the California cultural profile into what it is today.Illustrated with more than one hundred color plates and duotones, 'Art/Women/California 1950-2000 'reveals the richness of this fifty-year period by contrasting and comparing the artists and their varied artistic practices in relation to the larger sociopolitical context. The book employs a variety of historical perspectives to reflect the distinct and parallel experiences of California's major cultural communities while revealing points of intersection by analyzing shared themes and practices.Because California serves as a gateway for a myriad of immigrants and an epicenter for the feminist movement, and because of its history of activism, its culture of experimentation, and its reputation for innovative technology and media, the state has evolved into a crucial and inspirational environment for women artists. Their work continues to transform our perceptions and revitalize art's connections to its surrounding environment and community. Exploring the conjuncture between place and artistic activity from multiple perspectives, this book stands as a testament to the rich diversity that is contemporary California culture.'This book is a copublication with the San Jose Museum of Art' An essay collection surveying women artist's in California and their contribution to shaping the California cultural profile. It is fully illustrated and interspersed with poetry and interviews. the front cover and first pages are creased, excellent reference copy, no marking or highlights.stain at bottom binding.

157 pp.; 25.7 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Bice Curiger. Essays "Carsten Höller - Getting Real," by Michelle Nicol; "Juan Muñoz and the Specularity of the Divided Self," by Lynne Cooke; "The Art of Conversation," by Alexander Melo; "A Conversation, New York, 22 January 1995," by James Lingwood and Juan Muñoz; "A Man in a Room, Gambling," by Gavin Bryars; "Breath," by Robert Creeley; "The Evolution of the Horse," by Ingrid Schaffner; "Paintings as an Immense Feeling," by Jean-Christophe Ammann; "Essential Hesitations," by Mark Stevens; "On Walking and Working. An Interview," by Joan Simon and Susan Rothenberg; "Inter-view," by Hans-Ulrich Obrist and Fabrice Hybert; "Les Infos Du Paradis: Neville Wakefield on Robert Smithson," by Neville Wakefield; "Cumulus From America: Daniela Salvioni on SFMOMA," by Daniela Salvioni; "Cumulus Aus Europa," by James Roberts "Balkon," by Lisa Liebmann. Insert by Robert Smithson. Text in German and English. Fine. Covers and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

First Edition. First edition. Softcover. 16 pages. Exhibition catalog for a show that ran October 14 through November 12, 1988. Essay by Daniela Salvioni. Includes 12 color illustrations. A fine copy in stapled wrappers.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: very good. Unmarked. Dust jacket under clear mylar cover. Exhibition catalog. Featuring over 100 splendid color plates and duotones and almost 20 essays by scholars from different cultural backgrounds, including Whitney Chadwick and Angela Davis. First survey of women artists in post-World War II California and their impact on contemporary culture. 397p. Measures 8.75x10.5 inches.

Paper. Condición: Fine Copy. Fine paper copy, 387 pages, illustrated with over 100 color plates and B/W reproductions, text throughout.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. Inscribed & signed on the half-title page by Diana Burgess Fuller, one of the editors. Square quarto. Color and B&W illustrations. Condition: DJ has several small edge-tears & minor wear; else near fine in very good DJ. Pages: xviii, 387. Inscribed by Author(s).

Stiff Wrappers. Condición: Fine Condition. 132 pages. Paperback. Text in English. Tight binding, crisp edges, and clean, unmarked interior. 80 illustrations in color. Published on the occasion of the exhibition from the San Francisco Museum of Modern Art, San Francisco CA 10 December 1992-7 February 1993 and the Walker Art Center, Minneapolis MN 10 July-3 October 1993. Book.

Hardcover. Condición: New in shrinkwrap. Red cloth boards, black and red illustrated dust jacket, xvii, 386 pp, richly illustrated in color and bw. Published in association with the San Jose Museum of Art. Contents include: Preface --; Foreword /; Susan Landauer --; Introduction : art in context /; Daniela Salvioni --; I dream I'm the death of Orpheus /; Adrienne Rich --; Reflecting on history as histories /; Whitney Chadwick -- Kopis'taya, a gathering of spirits /; Paula Gunn Allen --; Other landscapes /; Angela Y. Davis --; Coal /; Audre Lorde --; Liberating blackness and interrogating whiteness --; Phyllis J. Jackson --; Yes, we are not invisible /; Janice Mirikitani --; What is an Asian American woman artist? /; Karin Higa --; From "The poet in the world" /; Denise Levertov --; Constructing a new paradigm : European American women artists in California, 1950-2000 /; Laura Meyer --; To we who were saved by the stars /; Lorna Dee Cervantes -- Calafia/Califas : a brief history of Chicana California /; Amalia Mesa-Rains --; Revolutionary letter #21 /; Diane di Prima --; Uncovering/recovering : indigenous artists in California /; Jolene Rickard --; Burning down the house : feminist art in California (an interview with Amelia Jones) /; Daniela Salvioni and Diana Burgess Fuller --; A collective history : Las mujeres muralistas /; Terezita Romo --; How the invisible woman got herself on the cultural map : Black women artists in California /; Judith Wilson --; Landing in California /; Jennifer Gonzalez --; Women artists in California and their engagement with photography /; Sandra S. Phillips --; California filming : re-imaging the nation /; Rosa Linda Fregoso --; Construction sites : women artists in California and the production of space-time /; Pamela Lee --; Exchanges /; Moira Roth and Suzanne Lacy --; Women, art, and technology : a brief history /; Joann Hanley --; What do we want? the subject behind the camera : women video artists and self-articulation /; Nancy Buchanan --; Epilogue : the baby or the bath water : being an inquiry into the nature of woman, womyn, art, time, and timing in five thousand words or less /; Allucquere Rosanne Stone.

Paperback. Condición: Fine. First Edition. Softcover in red wraps with flaps. 7 3/4" x 9". First printing. As New condition, crisp and clean and unread. Catalogue published to accompany an exhibit in San Francisco in 1999 at the Museum of Modern Art. Includes work by Janine Antoni, Shonagh, Cindy Sherman, Laurie Simmons, Kim Dingle, Sue Williams, Katharina Fritsch, Kiki Smith, Nicola Tyson, Sharon Lockhart, Lisa Ruyter, and Lisa Yuskavage. All plates in color. Unpaginated.

164 pp.; 24 x 18.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the Padiglione d'arte contemporanea, Milan, June 7 - July 8, 1988. Curated by Gregorio Magnani, Daniela Salvioni, and Giorgio Verzotti. Artists include Dennis Adams, John Baldessari, Bernd and Hilla Becher, Alan Belcher, Jennifer Bolande, Victor Burgin, Clegg and Guttmann, Günther Förg, Gilbert and George, IFP, Alfredo Jaar, Imi Knoebel, Karen Knorr, Joseph Kosuth, Barbara Kruger, Marie-Jo Lafontaine, Bertrand Lavier, Louise Lawler, Sherrie Levine, Ken Lum, Leonel Moura, Peter Nagy, Giulio Paolini, Michelangelo Pistoletto, Richard Prince, Olivier Richon, Christiane Richter, Gerhard Richter, David Robbins, Thomas Ruff, Cindy Sherman, Jeff Wall, and Andy Warhol. Includes biographies of the artists. All text in Italian. Good / Very Good. Rubbing of cover edges and scratching and yellowing of covers. Light yellowing of page edges. Contents clean and unmarked.

Brossura. Fotografie in b/n e a colori f.t. Numero di tavole: pp.164 altezza 0 larghezza 0 Esemplare in buone condizioni.Copertina con macchie di polvere e lievi segni di usura ai bordi, al dorso e agli angoli.Tagli ingialliti e con tracce di polvere.Pagine leggermente ingiallite.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. xvii, 386 pages, colour illustrations; 26 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Profusely illustrated. *** "Art/Women/California 1950-2000: Parallels and Intersections is an unprecedented examination of the impact that specific women artists, working in California in the second half of the twentieth century, have had on broadening the definition of art. Twenty preeminent scholars from diverse cultural backgrounds investigate how the vast sociopolitical changes of the post-World War II era affected these women and how the ensuing events influenced the art that they produced. This book outlines the role these pivotal artists and their work played in reshaping the California cultural profile into what it is today. Illustrated with more than one hundred color plates and duotones, Art/Women/California 1950-2000 reveals the richness of this fifty-year period by contrasting and comparing the artists and their varied artistic practices in relation to the larger sociopolitical context. The book employs a variety of historical perspectives to reflect the distinct and parallel experiences of California's major cultural communities while revealing points of intersection by analyzing shared themes and practices. Because California serves as a gateway for a myriad of immigrants and an epicenter for the feminist movement, and because of its history of activism, its culture of experimentation, and its reputation for innovative technology and media, the state has evolved into a crucial and inspirational environment for women artists. Their work continues to transform our perceptions and revitalize art's connections to its surrounding environment and community. Exploring the conjuncture between place and artistic activity from multiple perspectives, this book stands as a testament to the rich diversity that is contemporary California culture." - Publisher. Size: 4to. Collectible.

171 pp.; 25.7 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Bice Curiger. Essays "On Asta Gröting," by Gudrun Indoen; "Gary Hill: 'Who am I but a figure of speech?'," by Lynne Cooke; "A Conversation with Ilya Kabakov: 'With Russia on your Back,'" by Boris Groys; "The Architect of Emptiness," by Robert Storr; "On Lies and Other Truths," by Jan Thorn-Prikker; "Kabakov's Twinkle," by Claudia Jolles; "Bad Jokes," by Edmund White; "To Know, Know, Know Him," by Susan Tallman; "Richard Prince, Realist," by Daniela Salvioni; "Red Wings: Concerning Richard Prince's 'Spiritual America,'" by Kathy Acker; "Abstract Monsters," by Patrick McGrath; "Les Infos Du Paradis," by Jo Anna Isaak; "Cumulus From America," by Hunter Drohojowska; "Cumulus Aus Europa," by Eleonora Louis and Christoph Geissmar "Balkon," by Edward Ball. Insert by Tatsuo Miyajima. Text in German and English. Fine. Covers and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

N. PAG. 164 - BROSSURA ILL. - OTTIMO.

Softcover, 132 pages, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, staple-bound, 12 pages; in English; very good condition, clean and crisp; no internal marks.