Salsini paul (198 resultados)

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: Very Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

paperback. Condición: Very Good.

Hardback. Condición: Very Good. FOR TEN YEARS, they exchanged notes, letters, faxes, and phone calls. Stephen Sondheim would contact him, and Paul Salsini, the founder and editor of T he Sondheim Revie w, would respond. And vice versa. Now, Salsini, a Milwaukee journalist, has described his unlikely long-distance relationship with the fabled composer/lyricist in Sondheim & Me: Revealing a Musical Genius . The memoir includes the dozens of notes that Sondheim sent Salsini about articles in the magazine. It was clear that, at least at the start in 1994, he read every word of every issue, and often his comments were what Sondheim called emendations, pointing out a typo, a wrong first name or a misreading of a scene. There were a few disagreements; Sondheim was furious about the magazine's review of one of his shows and called to loudly complain. After the magazine published his lyrics for a high school show, he wrote to object vigorously to your reprinting my juvenilia. But mostly there was a good working relationship, and Sondheim's responses were encouraging and sometimes enthusiastic. Congratulations on another good issue! Keep up the good work! Sondheim & Me also includes numerous reports of talks, forums, and Q&As in which Sondheim revealed his process for composing, his inspirations, his comments on his shows (the original film of West Side Story isn't any good, the first act of Sunday in the Park with George is a stunt, the film of A Little Night Music is dreadful). The magazine reported on the openings of Passion , Saturday Night , and the troubled Mizner musical. And the decade also saw the Broadway revivals of A Funny Thing Happened on the Way to the Forum, Company, Follies, Into the Woods , and Gypsy . Besides all that, there was the $10 million Kennedy Center Sondheim Celebration with a repertory of six of his musicals. It was a remarkable decade for Stephen Sondheim, and Paul Salsini and The Sondheim Review were there to report it all. Almost none of the book's material has been seen by the general publicat its height, T he Sondheim Review had but a few thousand subscribers. To thoroughly understand the great, revolutionary artistry of Stephen Sondheim, Sondheim & Me is indispensable. In what may be something of an exclusive, the book also contains an extensive, detailed chronology of Sondheim's life, his works, and the many tributes he received. Sixty-four pages of photos of Sondheim productions, along with many TSR covers and the notes Sondheim wrote, enhance this illuminating, groundbreaking book.…

Hardback. Condición: Good. FOR TEN YEARS, they exchanged notes, letters, faxes, and phone calls. Stephen Sondheim would contact him, and Paul Salsini, the founder and editor of T he Sondheim Revie w, would respond. And vice versa. Now, Salsini, a Milwaukee journalist, has described his unlikely long-distance relationship with the fabled composer/lyricist in Sondheim & Me: Revealing a Musical Genius . The memoir includes the dozens of notes that Sondheim sent Salsini about articles in the magazine. It was clear that, at least at the start in 1994, he read every word of every issue, and often his comments were what Sondheim called emendations, pointing out a typo, a wrong first name or a misreading of a scene. There were a few disagreements; Sondheim was furious about the magazine's review of one of his shows and called to loudly complain. After the magazine published his lyrics for a high school show, he wrote to object vigorously to your reprinting my juvenilia. But mostly there was a good working relationship, and Sondheim's responses were encouraging and sometimes enthusiastic. Congratulations on another good issue! Keep up the good work! Sondheim & Me also includes numerous reports of talks, forums, and Q&As in which Sondheim revealed his process for composing, his inspirations, his comments on his shows (the original film of West Side Story isn't any good, the first act of Sunday in the Park with George is a stunt, the film of A Little Night Music is dreadful). The magazine reported on the openings of Passion , Saturday Night , and the troubled Mizner musical. And the decade also saw the Broadway revivals of A Funny Thing Happened on the Way to the Forum, Company, Follies, Into the Woods , and Gypsy . Besides all that, there was the $10 million Kennedy Center Sondheim Celebration with a repertory of six of his musicals. It was a remarkable decade for Stephen Sondheim, and Paul Salsini and The Sondheim Review were there to report it all. Almost none of the book's material has been seen by the general publicat its height, T he Sondheim Review had but a few thousand subscribers. To thoroughly understand the great, revolutionary artistry of Stephen Sondheim, Sondheim & Me is indispensable. In what may be something of an exclusive, the book also contains an extensive, detailed chronology of Sondheim's life, his works, and the many tributes he received. Sixty-four pages of photos of Sondheim productions, along with many TSR covers and the notes Sondheim wrote, enhance this illuminating, groundbreaking book.…

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Paperback. Condición: Very Good. Salsini spins a tale of both cruelty and courage and affirms, yet again, the ability of humans to endure.-Milwaukee Journal Sentinel Salsini's beautiful novel of Italy during World War I, peopled with a wide range of characters, deepens our knowledge of both Tuscan hill towns and the terrible effects of war on civilians.-Martha Bergland, author of A Farm Under a Lake The Cielo is an unforgettable read. You won't be able to put it down, through tears and smiles, until you reach the very end.-Bookreview.com Ordered by the Germans to evacuate, a group of Italian villagers flees to a farmhouse in the beautiful hills of Tuscany. As the war rages around them, the refugees confront betrayal by one villager, fearlessly house an escaped prisoner, and survive a raid by the Nazis. A young girl finds love, two boys become heroes, and secrets are revealed before an unthinkable event changes their lives forever. Inspired by experiences of Salsini's relatives, The Cielo: A Novel of Wartime Tuscany is a gripping story of courage, endurance, and the power of the human spirit.…

Paperback. Condición: Good. Praise for The Cielo Salsini spins a tale of both cruelty and courage, and affirms yet again the ability of humans to endure.-Milwaukee Journal Sentinel A moving debut novel of a luscious country too often forgotten when we consider the ravages of the 'Good War.'-Jacquelyn Mitchard, author of The Deep End of the Ocean (The Cielo) diligently explores the complexities and exquisite tortures of wartime existence, the sense of powerlessness and fear and the essential qualities of those who survived. A well-researched and gripping drama of wartime survival and transcendence.-Kirkus Discoveries The Cielo: A Novel of Wartime Tuscany won First Place for Fiction from the Council for Wisconsin Writers; First Place for Fiction from the Midwest Independent Publishers Association, and First Honorable Mention from Writer's Digest International Self-Published Book Awards. In Sparrow's Revenge: A Novel of Postwar Tuscany, the Resistance fighter whose code name was Sparrow relentlessly pursues the collaborator of one of the worst Nazi atrocities in Italy during WI. But in the treacherous and mysterious land of the Garfagnana, he discovers something he has long hidden within himself. Sparrow's Revenge is an unforgettable tale of revenge, retribution, guilt and, finally, forgiveness.…

Paperback. Condición: Very Good. Illustrated. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condición: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condición: Good. 1st PB Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Hardback. Condición: Very Good. FOR TEN YEARS, they exchanged notes, letters, faxes, and phone calls. Stephen Sondheim would contact him, and Paul Salsini, the founder and editor of T he Sondheim Revie w, would respond. And vice versa. Now, Salsini, a Milwaukee journalist, has described his unlikely long-distance relationship with the fabled composer/lyricist in Sondheim & Me: Revealing a Musical Genius . The memoir includes the dozens of notes that Sondheim sent Salsini about articles in the magazine. It was clear that, at least at the start in 1994, he read every word of every issue, and often his comments were what Sondheim called emendations, pointing out a typo, a wrong first name or a misreading of a scene. There were a few disagreements; Sondheim was furious about the magazine's review of one of his shows and called to loudly complain. After the magazine published his lyrics for a high school show, he wrote to object vigorously to your reprinting my juvenilia. But mostly there was a good working relationship, and Sondheim's responses were encouraging and sometimes enthusiastic. Congratulations on another good issue! Keep up the good work! Sondheim & Me also includes numerous reports of talks, forums, and Q&As in which Sondheim revealed his process for composing, his inspirations, his comments on his shows (the original film of West Side Story isn't any good, the first act of Sunday in the Park with George is a stunt, the film of A Little Night Music is dreadful). The magazine reported on the openings of Passion , Saturday Night , and the troubled Mizner musical. And the decade also saw the Broadway revivals of A Funny Thing Happened on the Way to the Forum, Company, Follies, Into the Woods , and Gypsy . Besides all that, there was the $10 million Kennedy Center Sondheim Celebration with a repertory of six of his musicals. It was a remarkable decade for Stephen Sondheim, and Paul Salsini and The Sondheim Review were there to report it all. Almost none of the book's material has been seen by the general publicat its height, T he Sondheim Review had but a few thousand subscribers. To thoroughly understand the great, revolutionary artistry of Stephen Sondheim, Sondheim & Me is indispensable. In what may be something of an exclusive, the book also contains an extensive, detailed chronology of Sondheim's life, his works, and the many tributes he received. Sixty-four pages of photos of Sondheim productions, along with many TSR covers and the notes Sondheim wrote, enhance this illuminating, groundbreaking book.…

Hardback. Condición: Good. FOR TEN YEARS, they exchanged notes, letters, faxes, and phone calls. Stephen Sondheim would contact him, and Paul Salsini, the founder and editor of T he Sondheim Revie w, would respond. And vice versa. Now, Salsini, a Milwaukee journalist, has described his unlikely long-distance relationship with the fabled composer/lyricist in Sondheim & Me: Revealing a Musical Genius . The memoir includes the dozens of notes that Sondheim sent Salsini about articles in the magazine. It was clear that, at least at the start in 1994, he read every word of every issue, and often his comments were what Sondheim called emendations, pointing out a typo, a wrong first name or a misreading of a scene. There were a few disagreements; Sondheim was furious about the magazine's review of one of his shows and called to loudly complain. After the magazine published his lyrics for a high school show, he wrote to object vigorously to your reprinting my juvenilia. But mostly there was a good working relationship, and Sondheim's responses were encouraging and sometimes enthusiastic. Congratulations on another good issue! Keep up the good work! Sondheim & Me also includes numerous reports of talks, forums, and Q&As in which Sondheim revealed his process for composing, his inspirations, his comments on his shows (the original film of West Side Story isn't any good, the first act of Sunday in the Park with George is a stunt, the film of A Little Night Music is dreadful). The magazine reported on the openings of Passion , Saturday Night , and the troubled Mizner musical. And the decade also saw the Broadway revivals of A Funny Thing Happened on the Way to the Forum, Company, Follies, Into the Woods , and Gypsy . Besides all that, there was the $10 million Kennedy Center Sondheim Celebration with a repertory of six of his musicals. It was a remarkable decade for Stephen Sondheim, and Paul Salsini and The Sondheim Review were there to report it all. Almost none of the book's material has been seen by the general publicat its height, T he Sondheim Review had but a few thousand subscribers. To thoroughly understand the great, revolutionary artistry of Stephen Sondheim, Sondheim & Me is indispensable. In what may be something of an exclusive, the book also contains an extensive, detailed chronology of Sondheim's life, his works, and the many tributes he received. Sixty-four pages of photos of Sondheim productions, along with many TSR covers and the notes Sondheim wrote, enhance this illuminating, groundbreaking book.…

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. hardcover 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. . Satisfaction 100% guaranteed.

Hardcover. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Trade Paperback. Condición: Used - Very Good.

Condición: Good. 0th Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.