Sadinsky rachael (17 resultados)

Condición: Very Good. 566 pp., Paperback, some library markings, but textually clean with a solid binding. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

Soft cover. Condición: Fine. no marks. minimal wear.

Soft cover. Condición: As New. 1st Edition. Arnot Art Museum, 1989. Condition: as new.

First Edition. First edition. Softcover. 24 pages. Exhibition catalog for a show that ran May 1-30, 1987. Essay by Rachael Sadinsky. Includes several color and black and white illustrations. A close to near fine copy in stapled wrappers and from the Cranbrook Academy of Art Library with their small stamp to the verso of the rear cover. Otherwise, a very clean copy.…

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condición: Good. 1st Edition.

softcover. Condición: Very good copy. 1st. Square 8vo, 56 pp. Profusely illustrated (ilustrador).

Softcover. Pictorial wraps. 125 pp. Profuse bw plates. VG (Ex-lib., small label at front cover, pencil markings at title page).

Soft cover. Condición: Near Fine. Elmira: Arnot Art Museum, 1995. Small quarto, 56 p., original perfect bound wraps. Light edgewear, lower front corner gently bumped, else NF.

paperback. Condición: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Softcover. Tan & color illus. stapled wraps, 24 pp., 18 BW & color illus. Issued in conjunction with a 1987 exhibition featuring sculptures rendered by upstate New York artist Ronald Gonzalez (b. 1952). With an extensive illustrated essay by Rachael Sadinsky. G+ (Label & few marks from previous gallery owner; cover slightly aged or tanned; interior is good and unaffected.).…

Paper. Condición: Good. Good paper copy ex. cat. chronology by Rebecca A. McClung, 44 no. pp, 1 pp preface and ack by Harriet Fowler, Director, 22 pp essay, illus. throughout in 4/C, 1 pp notes, 3 pp chron, 2 pp exhibition checklist 3 columns per page.

Softbound. White pictorial wraps, 56pp, 35 color and BW plates. Exhibition catalog; includes a wonderful essay by Sadinsky; artist biography. VG+, small label on lower left corner of front cover.

Paperback. Condición: New.

Paperback. Condición: New.

Portfolio/Prints. SIGNED and limited first edition. Fine/As New, all elements. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. A portfolio containing two original signed silkscreen prints, a numbered colophon sheet, and a signed exhibition catalogue, all as issued. PRINT 1: "Messenger" by Kurt Vonnegut, hand-printed in five colors on Coventry cotton paper; 12 x 16.75 inches with a tissue guard; SIGNED BY VONNEGUT in pencil and numbered 30/50; with the printer's embossed chop mark. PRINT 2: "Red Shark" by Ralph Steadman, hand-printed in two colors on Coventry cotton paper; 12 x 16.75 inches with a tissue guard; SIGNED BY STEADMAN in pencil and numbered 30/50; with the printer's embossed chop mark. The image is of Hunter S. Thompson from Fear and Loathing in Las Vegas. CATALOGUE: The catalogue was published in conjunction with an exhibition at the University of Kentucky Art Museum, Lexington, in 1999, and includes original essays by Kurt Vonnegut and Ralph Steadman. The copies included with the portfolio have been SIGNED BY VONNEGUT, STEADMAN, JOE PETRO III (the printmaker, additionally embossed with his chop mark) and RACHAEL SADINSKY (the curator of the University of Kentucky Art Museum.) It has been numbered as well, 30/50. Preface by the curator; exhibition checklist. Staple-bound, stiff wraps; 12 pages; 4 color and 2 b&w illustrations; 6 x 10.5 inches. There is also a printed vellum title page/colophon sheet that is hand-numbered and a small card with the printer's chop that is also numbered. PORTFOLIO: All the items are housed in a black-cloth-bound, ribbon-tied portfolio with embossed silver text to the front, pocket to the inside front cover, and flaps to the inside back; 13 x 17.5 inches. …

Condición: Fine. First Edition. First edition. Signed by Kurt Vonnegut in blue ink and Ralph Steadman in red at verso of rear leaf. [12] pp. Bound in publisher's side stapled illustrated wraps. With three works illustrated in color. 6 x 10.5". Fine with a tiny stray red ink stain from Steadman's signature on the right edge of the front cover. A scarce exhibition catalog for a show of screenprints at The University of Kentucky Art Museum by Kurt Vonnegut and Ralph Steadman with contributions by Hunter S. Thompson and William S. Burroughs. Signed.…