Rushton richard (277 resultados)
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Editorial: The Palaeontological Association, 2003
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Añadir al carritoNo Binding. Condición: Very Good. ORIGINAL 2003 Article, disbound from journal; no covers; in very good condition. Journal.
Editorial: Weidenfeld & Nicholson
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Librería: Bay State Book Company, North Smithfield, RI, Estados Unidos de AmericaBay State Book Company
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Condición: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing….
Comic Cuts : a Bedside Sampler of Censorship in Action
Findlater, Richard (compiled and Introduced by), Illustrated by Rushton, William
Idioma: Inglés
Editorial: London: Andre Deutsch, 1970, 1970
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- Primera edición
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Añadir al carritoHard Cover with Dust Jacket. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. Near fine, Shelfwear/VG, PC, 2 Clear Tape Repairs. 1st Edition. Expanded condition report/scan on request.
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Condición: New. pp. 218.
Idioma: Inglés
Editorial: Bloomsbury Academic December 2020, 2020
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Librería: Inquiring Minds, Saugerties, NY, Estados Unidos de AmericaInquiring Minds
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Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
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Hardcover. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
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Librería: Better World Books: West, Reno, NV, Estados Unidos de AmericaBetter World Books: West
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Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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Librería: Better World Books, Mishawaka, IN, Estados Unidos de AmericaBetter World Books
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Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Idioma: Inglés
Editorial: Bloomsbury Academic, 2020
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Librería: INDOO, Avenel, NJ, Estados Unidos de AmericaINDOO
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EUR 28,84
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Condición: New.
Idioma: Inglés
Editorial: Bloomsbury Academic, 2020
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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Librería: Better World Books Ltd, Dunfermline, Reino UnidoBetter World Books Ltd
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Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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Condición: New.
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Paperback. Condición: New. By formulating a notion of 'filmic reality', The reality of film offers new ways of understanding our relationship with cinema. It argues that cinema does not merely refer to, reproduce or represent reality, but has the capacity to create its own kinds of realities.Filmic reality is explored through th…e work of six key film theorists: André Bazin, Christian Metz, Stanley Cavell, Gilles Deleuze, Slavoj Zizek and Jacques Rancière. Comprehensive introductions are provided to each of these thinkers, whilst many myths and misconceptions about them are effectively debunked. The notion of filmic reality that emerges from this discussion radically reconfigures our understanding of cinema.This book is essential reading for film scholars, students and philosophers of film, while it will also appeal to graduate students and specialists in other fields.
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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Condición: As New. Unread book in perfect condition.
Idioma: Inglés
Editorial: Edinburgh University Press, Edinburgh, 2011
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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EUR 30,39
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Paperback. Condición: new. Paperback. Film criticism has always been about more than aesthetics, and by staging an encounter between Deleuzes cinema project and his schizoanalysis work with Felix Guattari this volume attempts to open Deleuzes aesthetic and philosophical analysis of film into spaces that can address his cinema bo…oks as a project that is also political, historical, industrial, economic, or cartographic in nature. Cinema no longer exists solely inside the cinematic apparatus cinema must become television, digital imagery, web broadcast, advertisement; it must become open to a field of moving images and visual culture at large, and this volume opens Deleuzes thought accordingly, inviting a range of leading scholars to question what can be done with Deleuzes cinematic analyses if we are made to think of them as a further study in schizoanalysis.Key Features*Tom Conley explores an intersection between Deleuze and Blanchot in order develop a cartographic theorisation of film and visual culture *Patricia Pisters asks what a cinematic conception of Deleuzes third synthesis of time might look like and begins to explore what she will call the Neuroimage*Richard Rushton charts the appearance of a Deleuzian imaginary in the films of Jean Renoir*Hanjo Berressem studies actual/virtual montage in Psycho and The Birds and uncovers a schizoanalytic Hitchcock of pure optical and sound images. Film criticism has always been about more than aesthetics, and by staging an encounter between Deleuze's cinema project and his schizoanalysis work with Felix Guattari this volume attempts to open Deleuze's aesthetic and philosophical analysis of film into spaces that can address his cinema books as a project that is also political, historical, industrial, economic, or cartographic in nature. Cinema no longer exists solely inside the cinematic apparatus -- cinema must become television, digital imagery, web broadcast, advertisement; it must become open to a field of moving images and visual culture at large, and this volume opens Deleuze's thought accordingly, inviting a range of leading scholars to question what can be done with Deleuze's cinematic analyses if we are made to think of them as a further study in schizoanalysis. Key Features *Tom Conley explores an intersection between Deleuze and Blanchot in order develop a cartographic theorisation of film and visual culture *Patricia Pisters asks what a cinematic conception of Deleuze's third synthesis of time might look like and begins to explore what she will call the Neuroimage *Richard Rushton charts the appearance of a Deleuzian imaginary in the films of Jean Renoir *Hanjo Berressem studies actual/virtual montage in Psycho and The Birds and uncovers a schizoanalytic Hitchcock of pure optical and sound images. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Editorial: Edinburgh University Press, GB, 2011
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
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Paperback. Condición: New. Film criticism has always been about more than aesthetics, and by staging an encounter between Deleuze's cinema project and his schizoanalysis work with Félix Guattari this volume attempts to open Deleuze's aesthetic and philosophical analysis of film into spaces that can address his cinema books as a…project that is also political, historical, industrial, economic, or cartographic in nature. Cinema no longer exists solely inside the cinematic apparatus - cinema must become television, digital imagery, web broadcast, advertisement; it must become open to a field of moving images and visual culture at large, and this volume opens Deleuze's thought accordingly, inviting a range of leading scholars to question what can be done with Deleuze's cinematic analyses if we are made to think of them as a further study in schizoanalysis.Key Features*Tom Conley explores an intersection between Deleuze and Blanchot in order develop a cartographic theorisation of film and visual culture *Patricia Pisters asks what a cinematic conception of Deleuze's third synthesis of time might look like and begins to explore what she will call the Neuroimage*Richard Rushton charts the appearance of a Deleuzian imaginary in the films of Jean Renoir*Hanjo Berressem studies actual/virtual montage in Psycho and The Birds and uncovers a schizoanalytic Hitchcock of pure optical and sound images.
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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Condición: As New. Unread book in perfect condition.
Idioma: Inglés
Editorial: Bloomsbury Academic, 2020
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Idioma: Inglés
Editorial: Continuum, 2012
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Editorial: Weidenfeld and Nicolson, London, 1963
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Añadir al carritoHardcover. Condición: Very Good. No Jacket. 1st Edition. First edition. Glossy boards, 10 1/8 x 7 1/2 inches, 160 pp. Extensively illustrated, including contributions by Ralph Steadman and Gerald Scarfe. Very good. (1722RO071).
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Paperback. Condición: new. Paperback. Theatricality and the Arts presents a series of investigations of the notion of theatricality. Primarily, theatricality concerns that which pertains to theatre, but the term has always carried with it the potentially pejorative associations of exaggeration and fakery. The essays here questio…n and contest such associations. The book is divided into four sections which together provide a comprehensive interrogation of theatricality. The four sections begin with multimedia, where theatricality is examined in relation to mixed modes of media (internet art, painting, performance and digital display). A second section takes a philosophical approach to questions of theatricality. A third section looks at art, broadly speaking, but also at the historical contexts of art, photography and other media (literature, film, music). A final section features reflections on theatre and cinema, often in conjunction. Considered as a whole, the collection contributes to debates on theatricality in various fields, while also enabling a cross-examination of approaches to the topic. Examines the notion of theatricality in relation to film, theatre, art, and contemporary media Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Editorial: Edinburgh University Press, 2011
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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Paperback. Condición: New. Theatricality and the Arts presents a series of investigations of the notion of 'theatricality'. Primarily, theatricality concerns that which pertains to theatre, but the term has always carried with it the potentially pejorative associations of exaggeration and fakery. The essays here question and con…test such associations. The book is divided into four sections which together provide a comprehensive interrogation of theatricality. The four sections begin with multimedia, where theatricality is examined in relation to mixed modes of media (internet art, painting, performance and digital display). A second section takes a philosophical approach to questions of theatricality. A third section looks at art, broadly speaking, but also at the historical contexts of art, photography and other media (literature, film, music). A final section features reflections on theatre and cinema, often in conjunction. Considered as a whole, the collection contributes to debates on theatricality in various fields, while also enabling a cross-examination of approaches to the topic.
