Rushton richard (289 resultados)

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No Binding. Condición: Very Good. ORIGINAL 2003 Article, disbound from journal; no covers; in very good condition. Journal.

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Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Good. Book in Good condition.

Condición: New. pp. 218.

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Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hard Cover with Dust Jacket. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. Near fine, Shelfwear/VG, PC, 2 Clear Tape Repairs. 1st Edition. Expanded condition report/scan on request.

Condición: New.

Paperback. Condición: New. Gilles Deleuze represents the most widely referenced theorist of cinema today. And yet, even the most rudimentary pillars of his thought remain mysterious to most students (and even many scholars) of film studies. From one of the foremost theorists following Deleuze in the world today, Deleuze and Lola Montès offers a detailed explication of Gilles Deleuze's writings on film - from his books Cinema 1: The Movement-Image (1983) and Cinema 2: The Time-Image (1985). Building on this foundation, Rushton provides an interpretation of Max Ophuls's classic film Lola Montès as an example of how Deleuzian film theory can function in the practice of film interpretation.…

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Paperback. Condición: new. Paperback. Film criticism has always been about more than aesthetics, and by staging an encounter between Deleuzes cinema project and his schizoanalysis work with Felix Guattari this volume attempts to open Deleuzes aesthetic and philosophical analysis of film into spaces that can address his cinema books as a project that is also political, historical, industrial, economic, or cartographic in nature. Cinema no longer exists solely inside the cinematic apparatus cinema must become television, digital imagery, web broadcast, advertisement; it must become open to a field of moving images and visual culture at large, and this volume opens Deleuzes thought accordingly, inviting a range of leading scholars to question what can be done with Deleuzes cinematic analyses if we are made to think of them as a further study in schizoanalysis.Key Features*Tom Conley explores an intersection between Deleuze and Blanchot in order develop a cartographic theorisation of film and visual culture *Patricia Pisters asks what a cinematic conception of Deleuzes third synthesis of time might look like and begins to explore what she will call the Neuroimage*Richard Rushton charts the appearance of a Deleuzian imaginary in the films of Jean Renoir*Hanjo Berressem studies actual/virtual montage in Psycho and The Birds and uncovers a schizoanalytic Hitchcock of pure optical and sound images. Film criticism has always been about more than aesthetics, and by staging an encounter between Deleuze's cinema project and his schizoanalysis work with Felix Guattari this volume attempts to open Deleuze's aesthetic and philosophical analysis of film into spaces that can address his cinema books as a project that is also political, historical, industrial, economic, or cartographic in nature. Cinema no longer exists solely inside the cinematic apparatus -- cinema must become television, digital imagery, web broadcast, advertisement; it must become open to a field of moving images and visual culture at large, and this volume opens Deleuze's thought accordingly, inviting a range of leading scholars to question what can be done with Deleuze's cinematic analyses if we are made to think of them as a further study in schizoanalysis. Key Features *Tom Conley explores an intersection between Deleuze and Blanchot in order develop a cartographic theorisation of film and visual culture *Patricia Pisters asks what a cinematic conception of Deleuze's third synthesis of time might look like and begins to explore what she will call the Neuroimage *Richard Rushton charts the appearance of a Deleuzian imaginary in the films of Jean Renoir *Hanjo Berressem studies actual/virtual montage in Psycho and The Birds and uncovers a schizoanalytic Hitchcock of pure optical and sound images. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New. Film criticism has always been about more than aesthetics, and by staging an encounter between Deleuze's cinema project and his schizoanalysis work with Félix Guattari this volume attempts to open Deleuze's aesthetic and philosophical analysis of film into spaces that can address his cinema books as a project that is also political, historical, industrial, economic, or cartographic in nature. Cinema no longer exists solely inside the cinematic apparatus - cinema must become television, digital imagery, web broadcast, advertisement; it must become open to a field of moving images and visual culture at large, and this volume opens Deleuze's thought accordingly, inviting a range of leading scholars to question what can be done with Deleuze's cinematic analyses if we are made to think of them as a further study in schizoanalysis.Key Features*Tom Conley explores an intersection between Deleuze and Blanchot in order develop a cartographic theorisation of film and visual culture *Patricia Pisters asks what a cinematic conception of Deleuze's third synthesis of time might look like and begins to explore what she will call the Neuroimage*Richard Rushton charts the appearance of a Deleuzian imaginary in the films of Jean Renoir*Hanjo Berressem studies actual/virtual montage in Psycho and The Birds and uncovers a schizoanalytic Hitchcock of pure optical and sound images.…

paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: As New. Unread book in perfect condition.

Condición: New.

paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: like_new.

Hardcover. Condición: Very Good. No Jacket. 1st Edition. First edition. Glossy boards, 10 1/8 x 7 1/2 inches, 160 pp. Extensively illustrated, including contributions by Ralph Steadman and Gerald Scarfe. Very good. (1722RO071).