ruben oliven (27 resultados)

Paperback. Condición: Very Good. Light edgewear and surfacewear. A nice, bright copy. ; 15.75 X 2.29 X 23.62 millimeters; 312 pages.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condición: new.

Paperback. Condición: New.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:9780231104258.

hardcover. Condición: Good. Estado de la sobrecubierta: Missing. Hardbound without dust jacket. Occasional marginal marks and underlining on about 10% of pages.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:9780231104258.

Paperback. Condición: Brand New. 151 pages. 9.00x6.25x0.50 inches. In Stock.

Paperback. Condición: New. In shrink wrap. Looks like an interesting title!

Kartoniert / Broschiert. Condición: New. This is a study of the cowboys of southern Brazil. It explores tradition, identity and change amongst the Gauchos in the Brazilian border state of Rio Grande do Sul, who have undergone many incarnations over the years, including vagabonds, cattle thieves,.

Rústica. Condición: Nuevo. Ejemplar nuevo. New. idioma español.

Paperback. Condición: New.

Condición: New.

Condición: New.

Condición: New.

Condición: New.

Condición: New. 2026. 1st Edition. hardcover. . . . . .

Condición: New. Ruben George Oliven is a professor of anthropology at the Federal University of Rio Grande do Sul in Porto Alegre, Brazil, and a member of the Brazilian Academy of Sciences. A former Fulbright scholar, he has held visiting professorships.

Hardcover. Condición: Brand New. 168 pages. 9.18x6.12x9.21 inches. In Stock.

Condición: New. 2026. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Buch. Condición: Neu. Neuware - This book compares the origins of samba, jazz, and the blues, discussing the racial and popular class elements surrounding them and how white middle-class composers gradually appropriated them, in the context of Brazil and the United States, providing invaluable comparative insights about modernity, music, and race. These musical styles developed at the beginning of the twentieth century when Brazil and the United States, despite their differences, underwent significant social processes, such as dealing with the consequences of enslavement, European and global migration, rapid urbanization and industrialization, monetization of life, changes in gender and family relations, and the building of national identities. Their lyrics carry potent messages that reflect their social context and shed light on recurring themes such as work, money, love, gender, family, and race. Many of these songs have become classics that continue to resonate with the imaginaries of both countries. Brazilian and American music intertwined through the performances of Black musicians in 1920s Paris, the development of jazz bands in Brazil, and the presence of artists like Carmen Miranda in 1940s Hollywood. The book will be of interest to those studying the modern Americas, popular culture, music and race, affect in history, gender, and modernity.

Soft Cover. Condición: Good. Editora Vozes. Petrópolis. 1992. De 21x13,5 cm. Com 143, [i] págs. Brochado. Language: Português / Portuguese Location/localizacao: SACO DG246-34.

Hardcover. Condición: new. Hardcover. This book compares the origins of samba, jazz, and the blues, discussing the racial and popular class elements surrounding them and how white middle-class composers gradually appropriated them, in the context of Brazil and the United States, providing invaluable comparative insights about modernity, music, and race. These musical styles developed at the beginning of the twentieth century when Brazil and the United States, despite their differences, underwent significant social processes, such as dealing with the consequences of enslavement, European and global migration, rapid urbanization and industrialization, monetization of life, changes in gender and family relations, and the building of national identities. Their lyrics carry potent messages that reflect their social context and shed light on recurring themes such as work, money, love, gender, family, and race. Many of these songs have become classics that continue to resonate with the imaginaries of both countries. Brazilian and American music intertwined through the performances of Black musicians in 1920s Paris, the development of jazz bands in Brazil, and the presence of artists like Carmen Miranda in 1940s Hollywood. The book will be of interest to those studying the modern Americas, popular culture, music and race, affect in history, gender, and modernity. This book compares the origins of samba, jazz, and the blues, discussing the racial and popular class elements surrounding them and how white middle-class composers gradually appropriated them, in the context of Brazil and the United States, providing invaluable comparative insights about modernity, music and race. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: new. Hardcover. This book compares the origins of samba, jazz, and the blues, discussing the racial and popular class elements surrounding them and how white middle-class composers gradually appropriated them, in the context of Brazil and the United States, providing invaluable comparative insights about modernity, music, and race. These musical styles developed at the beginning of the twentieth century when Brazil and the United States, despite their differences, underwent significant social processes, such as dealing with the consequences of enslavement, European and global migration, rapid urbanization and industrialization, monetization of life, changes in gender and family relations, and the building of national identities. Their lyrics carry potent messages that reflect their social context and shed light on recurring themes such as work, money, love, gender, family, and race. Many of these songs have become classics that continue to resonate with the imaginaries of both countries. Brazilian and American music intertwined through the performances of Black musicians in 1920s Paris, the development of jazz bands in Brazil, and the presence of artists like Carmen Miranda in 1940s Hollywood. The book will be of interest to those studying the modern Americas, popular culture, music and race, affect in history, gender, and modernity. This book compares the origins of samba, jazz, and the blues, discussing the racial and popular class elements surrounding them and how white middle-class composers gradually appropriated them, in the context of Brazil and the United States, providing invaluable comparative insights about modernity, music and race. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

HRD. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condición: new. Hardcover. This book compares the origins of samba, jazz, and the blues, discussing the racial and popular class elements surrounding them and how white middle-class composers gradually appropriated them, in the context of Brazil and the United States, providing invaluable comparative insights about modernity, music, and race. These musical styles developed at the beginning of the twentieth century when Brazil and the United States, despite their differences, underwent significant social processes, such as dealing with the consequences of enslavement, European and global migration, rapid urbanization and industrialization, monetization of life, changes in gender and family relations, and the building of national identities. Their lyrics carry potent messages that reflect their social context and shed light on recurring themes such as work, money, love, gender, family, and race. Many of these songs have become classics that continue to resonate with the imaginaries of both countries. Brazilian and American music intertwined through the performances of Black musicians in 1920s Paris, the development of jazz bands in Brazil, and the presence of artists like Carmen Miranda in 1940s Hollywood. The book will be of interest to those studying the modern Americas, popular culture, music and race, affect in history, gender, and modernity. This book compares the origins of samba, jazz, and the blues, discussing the racial and popular class elements surrounding them and how white middle-class composers gradually appropriated them, in the context of Brazil and the United States, providing invaluable comparative insights about modernity, music and race. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.