roy william neill (30 resultados)

No Binding. Condición: VG+. A VGF or better 8 x 10 still. This is a high quality still and appears to be from a later re-release, probably around the 1970s or 1980s. Photographic Image.

No Binding. Condición: VGF. A VGF or better 8 x 10 still. This is a high quality still and appears to be from a later re-release, probably around the 1970s or 1980s. Size: 8" x 10". Photographic Image.

No Binding. Condición: VG+. 1312-51. A VGF or better 8 x 10 still. This is a high quality still and appears to be from a later re-release, probably around the 1970s or 1980s. Photographic Image.

No Binding. Condición: VG+. 1257-17. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

Soft Cover. Condición: Very Good. George Gross (front cover) Ilustrador. First Edition. ----------pulp magazine, standard pulp size. FIRST ISSUE, although it states Vol. 1 No. 10 on copyright page, likely a misprint. One inch tears to spine top and bottom, 1/2 inch piece missing from spine bottom, corner crease, less than the usual amount of small edge tears, a VG copy.

No Binding. Condición: VG+. 1466-16. A VGF or better 8 x 10 still. This is a high quality still and appears to be from a later re-release, probably around the 1960s or 1970s. Photographic Image.

No Binding. Condición: NF. 1466-46. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condición: VG+. 1257-17. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condición: VG+. C-10-22. A VG or better original release 8 x 10 still. This almost completely forgotten movie has one of the most famous plots in movie history. It was borrowed by Agatha Christie for her "Ten Little Indians", re-worked in the 1939 Boris Karloff movie "The Man They Could Not Hang" and borrowed by countless other films, including the comedy "Murder by Death", which closely parallels the plot of this movie. Photographic Image.

Magazine. Condición: Very Good. PROGRAMA DE MANO. EL CASO DE LOS DEDOS CORTADOS. Basil Rathbone, Bruce (Roy William Neill) Universal International. Hoja suelta. aprox 9x12 cm. (Base x Altura x Grosor). Ilustrado. Color. Ubic: CINE_2 (C). - - - NOTAS SOBRE EL ESTADO: Artículo de segunda mano. Buen estado general. Ver fotos y leer descripcion, las fotos se consideran parte de la descripcion.

No Binding. Condición: VG+. 1384-3. A VG or better original release 8 x 10 still. Photographic Image.

No Binding. Condición: NF. 1257-30. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condición: NF. 1466-2. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condición: VGF. A VG or better original release 8 x 10 still. Rare. Size: 8" x 10". Photographic Image.

No Binding. Condición: VG. 1290-30. Still attached to cardboard backer, otherwise a VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condición: VG+. 1312-18. A VG or better original release 8 x 10 still. Photographic Image.

No Binding. Condición: VGF. 1392-6. A VG or better original release 8 x 10 still. Rare. Size: 8" x 10". Photographic Image.

No Binding. Condición: VGF. 1392-33. A VG or better original release 8 x 10 still. Rare. Size: 8" x 10". Photographic Image.

No Binding. Condición: VGF. 1392-21. A VG or better original release 8 x 10 still. Rare. Size: 8" x 10". Photographic Image.

Milan: Ponzoni à diteur, 'Wampir' (le mensuel de l'horreur) n°2, 1967, 196 p. **Adaptation en roman-photos du film 'Frankenstein rencontre le loup-garou' de Roy William Neill, scà nario de Curt Siodmak. Volume agrafà (12x17 cm), couverture illustrà e en couleurs, en bon à tat gà nà ral (traces d'usure sur les bords de couverture).

No Binding. Condición: VGF. 1392-39. A VG or better original release 8 x 10 still. Rare. Size: 8" x 10". Photographic Image.

Original Cloth. Condición: Near Fine. Estado de la sobrecubierta: Not Issued. 1st Edition. Complete in two (2) volumes, uniformly bound in original burgundy cloth, lettered in gilt. viii,902 + viii,900 pp. Slight shelf wear, text block edges a bit toned by age. Firm bindings, intact hinges, clean interiors. Vol. 1 shows approx. 1/4" abrasion with loss of surface cloth along upper rear joint, rubbing with minor loss at head of spine. A clean, nicely preserved set of a scarce issue. Size: 8vo - over 7¾" - 9¾" tall. Book.

87 pp.; 38.3 x 27.4 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Josh Friedman. Cover stories include "East Village Art Attack," by Gerald Marzorati featuring Robin Tewes and Cynthia Karasek; "A Gay Night at the Prom," by Paul Slansky; "Veronica Geng on Film;" "Aging Rockers," by Roy Trakin; "Long Hot Summer Style Supplement." Art reporting includes "Louise Nevelson," by John Perreault "Art Reviews," William Zimmer on Brian O'Neill and Fontaine Dunn. Comic by Tuli Kupferberg. Cover photo by Edie Baskin. Good. Gently folded in two; light yellowing of paper from age, paper slightly brittle; light rubbing of covers; multiple small tears to page edges.

Vintage publicity photograph from the 1943 film. The seventh of 14 films to costar Basil Rathbone and Nigel Bruce as Sherlock Holmes and John Watson, respectively. Loosely based on Arthur Conan Doyle's 1890 novel "The Sign of the Four," as well as the short stories "The Final Problem", "The Adventure of the Empty House", and "The Adventure of the Speckled Band." From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Approximately 10 x 8 inches. Very Good, with moderate cracking to the emulsion and two small labels affixed just above the bottom edge of the recto.

Vintage keybook photograph of Ann Sothern from the set of the 1935 film, with three stamps on the verso, one crediting photographer Ray Jones, and a mimeo snipe on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Ann Sothern is the daughter of a steamship line owner who stows away on one of her father's ships to Shanghai, whose captain and first mate have feelings for Sothern. 8 x 10 inches. Near Fine.

Revised Draft script for the 1945 film, here under the working title "The Fugitive." With a single manuscript ink annotation on the front wrapper reading "92." All leaves watermarked CONTRACT FILE COPY. NOTE: script is incomplete as issued, with text ending on page 92. The twelfth entry in the fourteen film Sherlock Holmes series featuring Basil Rathbone and Nigel Bruce, loosely based on Arthur Conan Doyle's 1911 short story "The Adventure of the Red Circle." The prime minister of the fictitious eastern European country Rovinia begs Holmes and Watson to escort Prince Nikolas back home, as the king has been assassinated and the prince must ascend to the throne. The transatlantic voyage proves to be a dangerous journey, and every passenger becomes a suspect, though Holmes carries more than a few tricks and surprises up his cape. Set in Algiers. Tan titled wrappers, rubber-stamped production No. 7309, dated May 20, 1945. 93 leaves, with last page of text numbered 92. Carbon typescript on onionskin stock, rectos only. Pages Near Fine, wrapper Very Good plus, with three closed tears on the front wrapper and light edgewear overall, bound with three gold brads.

Archive of three scripts and one post-production script for the 1942 film. First is a First Draft script, under the working title "'Sherlock Holmes' (#2)," by screenwriters Edward T. Lowe and Scott Darling, dated March 24, 1942. Ribbon copy typescript on onionskin, with annotations in manuscript pencil on several pages, inquiries about plotline, question marks, as well as dates, and name of screenwriter Darling. Bound in, preceding script, are: A two-page, carbon typescript, breakdown of the story in 21 points, with annotation of "1st rough draft" and "One 3/24/42," in manuscript pencil, in upper right of first page. A ribbon copy typescript "continuity" breakdown of locations and sequences in ten points, dated 4/6/42. A ribbon copy typescript "comments on Sherlock Holmes #2," broken into nine points, dated 4-6-42, and a three-page ribbon copy typescript synopsis, dated 3/24/42. Second is a Third Draft script, under the working title "'Sherlock Holmes' (#2)," crediting screenwriter Scott Darling on front wrapper, and Edward T. Love and Scott Darling on title page, dated April 22, 1942. Annotation in manuscript pencil of "mimeographed pink" on lower right of front wrapper. Ribbon copy typescript on onionskin, with several annotations in red or graphite manuscript pencil, question marks, an asterisk, underlines, and screenwriter S. Darling's name and date "4-27-42." Third is a Draft script, under the working title "Sherlock Holmes Fights Back," with name of screenwriter Edmund L. Hartmann on front wrapper. Title page credits to "Additional Changes by Edmund L. Hartmann," and screenwriters Scott Darling and Edward T. Lowe, dated May 22, 1942. Carbon typescript, with mimeograph duplication revision pages. Bound in, preceding script, is a page describing concept for "The Miss Bently School for Girls," with photograph affixed, illustrating concept. Annotations in red and graphite manuscript pencil throughout, noting dialogue, locations, shots, characters, as well as strikes and dates. Lastly, a Post-production Dialogue and Contitnuity script, dated August 6, 1942, with single annotation in manuscript ink on front wrapper. Loosely based on the 1903 Sherlock Holmes short story "The Adventure of the Dancing Men," by Sir Arthur Conan Doyle. The fourth Sherlock Holmes movie starring Basil Rathbone and Nigel Bruce, and the second produced at Universal Studios. Preceded by "Sherlock Holmes and the Voice of Terror" (1942), directed by John Rawlins, and followed by "Sherlock Holmes in Washington" (1943), also directed by Roy William Neill (who would go on to direct all subsequent Holmes films at Universal). Watson and Holmes, transplanted from their usual Victorian setting, now in England in the midst of WWII, have to protect Swiss scientist Dr. Franz Tobel and his invention, an advanced bomb site, from falling into the hands Nazi Germany, as well as Holmes' arch-nemesis, Professor Moriarty (Lionel Atwill). The first Holmes film to feature Inspector Lestrade (Dennis Hoey) of Scotland Yard. March 24, 1942 script, "'Sherlock Holmes' (#2)": Gray titled wrappers, dated March 24, 1942, with credits for screenwriters Edward T. Lowe and Scott Darling. Title page integral with first page, dated 3/24/42, noted as 1st draft screenplay, with credits for screenwriters Lowe and Darling. 103 leaves, with last page of text numbered 96. Ribbon copy typescript on onionskin, rectos only. Pages Near Fine, wrapper Very Good with chipping and closed tears to extremities and one large 4.5 inch closed tear on bottom of front wrapper, bound with three gold brads. April 22, 1942 script, "'Sherlock Holmes' (#2)": Gray titled wrappers, noted as THIRD DRAFT on the front wrapper, dated April 22, 1942, with credits for screenwriter Scott Darling. Title page integral with first page, with credits for screenwriters Edward T. Lowe and Scott Darling. 110 leaves, with last page of text numbered 110. Ribbon copy typescript, rectos. Pages Near FIne, wrapper Very Good with closed tears and chipping at extremities, bound with three gold brads. May 22, 1942 script, "Sherlock Holmes Fights Back": Gray titled wrappers, with credits for screenwriter Edmund L. Hartmann. Title page present, dated May 22, 1942, with credits for Additional Chages by screenwriter Edmund L. Hartmann, screenwriters Scott Darling and Edwart T. Lowe and author Sir Arthur Conan Doyle. 107 leaves, with last page of text numbered 100. Carbon typescript with mimeograph duplication revision pages, rectos only, with pink revision pages throughout, undated. Pages Near Fine, wrapper Very Good with large closed tear to front wrapper and chipping and closed tears to extremities, bound with three gold brads. script: Titled self wrappers, noted as DIALOGUE CONTINUITY on the front wrapper,dated August 6, 1942, with credits for director Neill. 109 leaves. Mimeograph duplication, rectos only. Pages Near Fine, bound at top with two gold brads.

Condición: Gut. Standard Version. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Datenträger ohne Kratzer. Leichte Gebrauchsspuren. Sprache: Deutsch Gewicht in Gramm: 140 DVD, Maße: 13.6 cm x 2.5 cm x 19.5 cm.

Two vintage reference photographs of Marian Marsh from the 1935 film, including one keybook photograph. Keybook photograph with a mimeo snipe on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Boris Karloff stars as twin brothers in a cursed aristocratic family, with an ancient prophecy predicting that one brother will murder the other in the hopes of taking his power. Set in a castle in eighteenth century Austria. 8 x 10 inches. Near Fine.

Two vintage photographs of Bela Lugosi as Frankenstein's Monster, for the 1943 film. One photograph with a provenance label on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. The first of Universal's "monster rally films," which incorporated seemingly disparate Universal monsters into a single narrative, and the only film to feature Lugosi as the monster, originally made famous by Boris Karloff in the 1931 film "Frankenstein." Accidentally revived by grave robbers,"wolf man" Lawrence Talbot, seeks out Dr. Frankenstein in the hopes of finding a cure, only to discover the doctor has died but finds his creature still very much alive. 8 x 10 inches. Near Fine.