Rothenstein et al (26 resultados)

Hardcover. Condición: Acceptable. no jacket present. The book is in fair condition. The hardcover shows signs of wear, including stains and minor fraying at the spine edges. The absence of a dust jacket and some discoloration on the cover are notable. Internally, the pages are clean with no inscriptions or library markings.…

paperback. Condición: Used-Very Good. First Edition. Pap. Slight shelf-wear, else very sound, with clean internals.

Condición: Fair. Acceptable condition. Pages loose.

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN.…

Softcover, unpaginated, 93 plates, good condition; light rubbing and edgewear to cover with laminate starting to peel; crease to upper right corner of pages; owner's blindstamp on first page; no other internal marks. Foreign shipping may be extra.

Soft cover. Condición: Very Good. No Jacket. 1st Edition. Stiff paper covers with black lettering to front. Light shelf wear to edges. Clean and tidy throughout. A scarce copy of the Spring 1930 edition of this art quarterly magazine, edited by D S MacColl. Included in the magazine are articles on Walter Sickert, by Alfred Thornton, Charles Rennie Mackintosh by Desmond Chapman-Huston and The Wallace Collection, by S J Camp. Well illustrated with many black and white reproductions of works by the featured artists. Sicket, Rothenstein, Beerbohm, Mackintosh, Lutyens et al. (ilustrador).…

Condición: Fair. Acceptable condition. No Dust Jacket (military history, RAF, royal air force, britain) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.…

Condición: Poor. Volume 19. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN. …

Condición: Good. Volume 23. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN.

Condición: Fair. Volume 44. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN.…

Condición: Fair. Volume 2. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In fair condition, suitable as a study copy. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN.…

Paperback. Condición: Good. Estado de la sobrecubierta: n No Jacket. y First Thus. Bristol: Knowledge Publications / Purnell & Sons Limited, 1966. Book. Good. Soft cover. First Thus. Folio - over 12 - 15" tall. Fourth 10 volumes in a gallery of work by great artists, collected in a brown faux leather slipcase with gilt lettering to spine and brown ribbon. 31 Reynolds, 32 Gainsborough, 33 Mantagna, 34 Correggio, 35 Manet, 36 Guardi, 37 Watts, 38 Sarto, 39 Boucher, 40 Yeats. Minor edge and surface wear, otherwise very good copies. Each has 5 pages of text and list of plates followed by 16 full page colour plates plus colour reproduction to cover. Slipcase has some marking to edges and minor fading to lettering on spine, otherwise good. VERY HEAVY ITEM, extra postage will be required. Book.…

Paperback. Condición: Good. Estado de la sobrecubierta: n No Jacket. y 1st Edition. Bristol: Knowledge Publications / Purnell & Sons Limited, 1966. Book. Good. Soft cover. 1st Edition. Folio - over 12 - 15" tall. First 10 volumes in a gallery of work by great artists, collected in a brown faux leather slipcase with gilt lettering to spine and brown ribbon. 1 Goya, 2 Vermeer, 3 Canaletto, 4 Botticelli, 5 Hals, 6 Blake, 7 Poussin, 8 Toulouse-Lautrec, 9 El Greco, 10 Tiepolo. Light foxing to covers and title pages of 1, 2 & 7 and minor edge and surface wear to all, otherwise very good copies. Each has 5 pages of text and list of plates followed by 16 full page colour plates plus colour reproduction to cover.The slipcase has some marking to edges and cover, fading to spine and small tear to top corner, otherwise good. VERY HEAVY ITEM, extra postage will be required. Book.…

Paperback. Condición: Good. Estado de la sobrecubierta: n No Jacket. y First Thus. Bristol: Knowledge Publications / Purnell & Sons Limited, 1966. Book. Good. Soft cover. First Thus. Folio - over 12 - 15" tall. Third 10 volumes in a gallery of work by great artists, collected in a brown faux leather slipcase with gilt lettering to spine and brown ribbon. 21 Renoir, 22 Wright of Derby, 23 Durer, 24 Sisley, 25 Parmigianino, 26 Giotto, 27 Monet, 28 Kandinsky,29 Titian, 30 Murillo. Light foxing to covers and title pages of 24 & 27 and minor edge and surface wear to all, otherwise very good copies. Each has 5 pages of text and list of plates followed by 16 full page colour plates plus colour reproduction to cover. Slipcase has some marking to edges and 1/2" tear to top of spine, otherwise good. VERY HEAVY ITEM, extra postage will be required. Book.…

Paperback. Condición: Good. Estado de la sobrecubierta: n No Jacket. y First Thus. Knowledge Publications / Purnell & Sons Limited, 1966. Book. Good. Soft cover. First Thus. Folio - over 12 - 15" tall. Second 10 volumes in a gallery of work by great artists, collected in a brown faux leather slipcase with gilt lettering to spine and brown ribbon. 11 Duccio, 12 Turner, 13 Modigliani, 14 Raphael, 15 Delacroix, 16 Ingres, 17 Rembrandt, 18 Lawrence, 19 Miro, 20 Antonello. Light foxing to covers and title pages of 13, 16 & 18 and minor edge and surface wear to all, otherwise very good copies. Each has 5 pages of text and list of plates followed by 16 full page colour plates plus colour reproduction to cover. Slipcase somewhat bowed, with some marking to edges and slight fading to spine, otherwise good. VERY HEAVY ITEM, extra postage will be required. Book.…

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Spiral bound. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1900grams, ISBN.…

Condición: Fair. Volume 3. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Folder. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1950grams, ISBN.…

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Spiral bound. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1800grams, ISBN.…

Condición: Fair. Volume 5. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Spiral bound. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1850grams, ISBN.…

Condición: Good. The top left corner of the book is slightly bent/creased. Scratches to both sides. The book is fine to read throughout, a decent enough copy.

Condición: Good. Volume 1-2. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Spiral bound. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,3050grams, ISBN. …

Condición: Good. Some wear and light creases to the edges of the cover. The book is clean and readable throughout. Probably used.

Cloth. Condición: Near Fine. No Jacket. First Edition. SOLID & CLEAN, NO MARKINGS EXCEPT TINY NAME STICKER ON FRONT PASTEDOWN. 40 PLATES BY ROTHENSTEIN OF R.A.F. PILOTS & PERSONEL. 134 PAGES. SCANS ON REQUEST. THANKS. SIR WILLIAM ROTHENSTEIN (ilustrador).

Paperback. Condición: As New.

Uniformly Bound Hardcovers. Condición: Very Good/Fine. First Editions. Thirteen volumes. 8vo. Profusely illustrated with over 200 plates. Original black-stamped yellow cloth. Bound without advertisements. Spine of Vol. I a tad dulled; front cover a touch rubbed; rear hinge of Vol. XII cracked. Withal, original cloth bright, in VG-Fine condition. First editions of all thirteen volumes of Beardsley's celebrated art-nouveau quarterly with plates after works by Beardsley, Sargent, Sickert, Rothenstein and may others. With literary contributions from luminaries such as W. B. Yeats, H. G. Wells, Henry James, Anatole France, Kenneth Grahame, et al.The renowned journal was conceived in 1894 by Beardsley and the American novelist Henry Harland, who explained: "In one of the densest and soupiest and yellowest of all London's infernalest fox, Beardsley and I sat together the whole afternoon . we thought it quite a pity that London publishers should fee themselves under any obligation to refuse any of our good manuscripts . and then and there we decided to have a magazine of our own and the next day we had an appointment with John Lane."What they had in mind was a literary journal that would attract attention for its content, format, and unique artistic vision. Beardsley, who served as the art director for the quarterly until his dismissal in 1895, due to his association with Oscar Wilde, was responsible for the cover designs for the first five volumes and, more importantly, for setting an aesthetic tone that touched on morbidity, eroticism, perversity and irony, The Yellow Book carried on until 1897, giving rise to a variety of artists and writers whose collective spirit gave rise to a cultural spirit that transcended Victoriana.A magnificent set. John Singer Sargent, Aubrey Beardsley, Charles Conder, William Rothenstein, Walter Sickert, Philip Wilson Steer, et al. (ilustrador). …

No Binding. Condición: Near Fine. A neat archive of thirteen letters, comprising: two letters from William Rothenstein; one from Rachel Rothenstein; two from Thomas Keating; one from R. H. Bawden; one from Edward Croft Murray; one from Walter Thomas Monnington; one from Lord Cottesloe; one from R. B. Henderson; one from C. D. Sansom; a telegram from 'Tanis and Donald'; a list of contracts executed at historic and listed buildings by Roffe Limited. On a variety of subjects. The primary focus being a series of testimonials (Rothenstein, Monnington, Henderson, R. H. Bawden. Sansom) on Ososki's ability as an artist. Rothenstein writes: "You know how anxious I am that you gifted people should get on to the working path as soon as possible, & of course I like when I can, to help". They are generally concerned with Ososki's life and career as an artist, or as the proprietor of Roffe Limited. He established Roffe Limited during the economic slump of the 1930s, unable to support himself solely with his art. It specialised in interior decoration of theatres and cinemas. After the Second World War, Roffe Ltd turned to restoring historical English buildings, including St James' Palace, Bradenham Manor, The Savoy, Kensington Palace, The Sheldonian Theatre, Windsor Castle, and Buckingham Palace. An admirable resumé. It seems that Roffe Limited was not entirely fruitful. A letter from Thomas Keating, an artist known for his forgeries, dated 2nd March, 1962, reads: "Without wishing to reopen old wounds, I still consider Roffe Ltd owe me £24-10-0 from the last week's labours. This amount will help me considerably as I have no money and cannot obtain food". A fortnight later, in a separate letter, Keating responds: "Many thanks for your letter of the 9th March explaining your attitude towards my request, which I have assimilated […] My thanks also for the refund of £5". A letter from John Freemantle, 4th Baron Cottelsoe, 5th Baron Freemantle, describes an exhibition, organised by Ososki. He is "willing to make a [Walter] Sickert painting available" for exhibition. Finally, a letter from Rachel Rothenstein congratulates Ososki on his engagement. A nice archive of letters to artist Gerald Ososki (1903-1981), showing his broad and authoritative social network. He was well endorsed by his contemporaries in character and artistic ability, and this archive articulates that. He was born to Russian-Jewish parents in East London - his father was a tailor. He took night classes at St. Martin's School of Art from 1917-22, where his drawings were noticed by William Rothenstein, who facilitated his admission into the Royal College of Art on a scholarship. This archive provides an insight into this. Signed by Author(s). …