Roth cecil editor szyk (24 resultados)

Hardcover. Condición: Very Good. No dust jacket. Blue felt boards have some general shelf wear. Pages of text are clean, bright and free of markings. Binding is tight and secure. ***Shipped within 24 hours from the beautiful Baltimore inner harbor area. First class service; accurate descriptions. Most items packed in boxes, not envelopes.***. …

Hardcover. Condición: Good. Blue velvet gilt illustrated binding.With Szyk striking color illustrations. First part in English and second part in Hebrew. From a Temple library, no marks on binding. donation bookplate and Temple stamp on flyleaf. Small stain along lower edge of first few pages and top edge of pages.…

hardcover. Condición: Good. lh.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: No DJ as Issued. Reprint. Reprint edition (1967.) Hardcover without dust jacket housed in matching clam shell case. 4to with 123 pages. Text in English and Hebrew. Illustrated by Arthur Szyk. The book is in very good condition. The clam shell case is in fair condition with some staining to back panel and wear to edges of spine. Interior is clean and tight. Black spine/gold text. #030702 Size: 4to. Arthur Szyk (ilustrador). Hardcover.…

hardcover. Condición: Good.

Hardcover. Octavo, unpaged. In Good condition with a Poor dust jacket. Spine is cream without print. Dust jacket is plain cream paper, with torn edges and spine, toning to spine, peripheral toning. Boards in plush blue cloth with gilt seder cup on front panel. Light wear to edges, light shelf wear. Text block Hebrew pages printed on one side of doubled leaves (pouch binding) followed by normally bound English pages; inscription in ink of front flyleaf. Illustrated: color pages. Illuminated text in Hebrew followed by plain text in English. NOTE: Shelved in Netdesk Column R. 1396579. FP New Rockville Stock. …

hardcover. Condición: As New. A very nice copy. Text in mint/unmarked condition. Velvet cover has minor wear. Binding is tight. Your Satisfaction Guaranteed. We ship daily.

Condición: Very Good. Very Good condition. Very Good dust jacket. Hebrew and English. (judaism, jewish) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Condición: Fair. covers have felt like cover cloth that attracts lots of dust, covers have heavy edge wear with a few tears, corners bumped and rubbed, binding tight, no writing, no page numbers, English and Hebrew text of the Haggadah with color illustrations by Arthur Szyk Size: 7 x 8.75.…

Cloth. Condición: Very Good. Estado de la sobrecubierta: No Dust Jacket As Issued. Unpaginated. Some foxing to fore-edge. Housed in cloth clamshell case. Wear to extremities. ; Color Plates; 4to.

Hardcover. Condición: Near Fine(-). Octavo in blue DJ, felt boards, gilt to spine, unpaginated, approx. 96 pages, chiefly color illustrations; 22 cm. Judaism -- Liturgy. DJ protected in archival mylar sleeve. Extremely mild rubbing to spine foot, extremely gentle rubbing to corners, extremely light soiling to corners, extremely faint soiling to two front endpapers, light soiling to DJ, edge-worn DJ, else Near Fine(-) in Very Good(+) DJ. First edition (presumed; no earlier dates stated).…

Condición: Sehr gut. Unpaginated, quarto, blue velvet cover with gilt vignette and title on spine, in half-leather solander box, folded double-leaves with colour illustrations and red-black printed texts. Sprache(n)/language(s): en, hebrBox somewhat faded and with traces of wear, box inside and book in very good condition.…

Hardcover. Condición: Fine. Large format, bound in deep blue velvet with bright gold decoration and title on spine, bright gold illustration of a kiddush cup on the front and rear covers, beautiful color illustrations throughout and beautifully-illustrated end-papers, the Hebrew text is embedded in the illustrations and the English text is on each facing page, the book is in excellent condition with no remarkable flaws, housed in a felt-lined, leatherette over cloth clamshell slipcase which has about seven small white spots on the front of the cloth. It is otherwise clean and presentable. PLEASE NOTE: The only publishing date listed on this copy is 1939, it is visible on our photo of the color frontispiece.…

Hardcover. Condición: Near Fine. Large hardback book in near fine condition boxed in very good plus clamshell slipcase. Book covers and inside of clamshell case covered in blue velvet with gilt design on the front of each. Interior clean and tight, on double sheet pages. Previous owner name and date on half title page, otherwise clean. Text in English and Hebrew on adjoining pages along with color artwork. Very slight wear to edges of slipcase but very good overall.…

Hardcover. Condición: Fine. No Jacket. Later edition, not dated. Gift inscription on rear endpaper dated 1975. Covers are blue faux velvet with gold illustration on the cover, slightly worn. Condition very fine inside with on small brown spot of front edge. In plane slipcase - condition very good. This book is profusely illustrated with color illustrations and calligraphy. …

hardcover. Condición: Fine. 1st. 4to, Bound in embossed silver metal covers with four turquoise jewels on the front cover. Clear plastic wrapper on the book and glassine wrapper inside the box. The book is not dated but is circa 1960. Fine copy in original illustrated box. Illus. by Arthur Szyk (ilustrador).…

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Slipcase. Religion, art. Blue velvet covers near fine. Interior clean and tight, on double sheet page is neatly split, some ripples in the pages. In velvet lined clamshell case, interior near fine, exterior faded around the perimeter, moisture damage on the rear and edges, some fraying of the cover fabric, some bleach spots. Scarce. Arthur Szyk (ilustrador). …

24.5X30.5 cm. Hardcover with felt coating and gilted letters, packed in a box, in good condition. The book is in : Hebrew English.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. One of the most beautifully illustrated books I've seen in nearly 30 years working with books. Sumptuously covered in gold leaf-highlighted blue velvet over bevelled boards, this exceptional book is in fine condition in a near-fine gold leaf-highlighted blue cloth clamshell box that is configured to allow one to read the book while it sits in the box. English and Hebrew throughout. The spine and tips of the box are leather. Due to the size and weight of this volume, additional postage will be required.…

'The book is a masterpiece, one that should increase the happiness of every one of its possessors, who will find new interest and new delight every time he opens its pages' (The Jewish Chronicle). This copy was given as a Rosh Hashanah present by Mr Cyril Joshua Ross (1891-1973) to Prof. Samson Wright (a renowned British medical physiologist). Both men were leading Zionist figures in London's Jewish community during the mid-20th century. The short typed letter inserted in the book reads: 'Dear Professor Wright, / will you accept this gift (I can think of no more appropriate one to send you) as a token of my regard for you and your work in the community. I know in sending it that you will treasure it and add it to your library of outstanding works. / I take this opportunity of wishing you and your family a very happy New Year, in which Mrs. Ross joins me. / Yours sincerely, Cyril.' Arthur Szyk (1894-1951), a Polish-Jewish artist, produced works characterised by social and political comment, rejecting modernism and drawing on the traditions of medieval and renaissance painting, especially illuminated manuscripts from those periods. Unlike most caricaturists, Szyk always showed great attention to the colour effects and details in his works. Szyk's drawings and paintings became even more politically engaged after Hitler took power in Germany in 1933. Szyk started drawing the Führer's caricatures as early as 1933; probably, the first work the artist directed against the leader of the Third Reich was a drawing of Hitler, made in pencil, in which he was shown as a new pharaoh. These drawings anticipated the zenith of Szyk's arts: The Haggadah, his magnum opus. Szyk illustrated it in 48 drawings in the years between 1932 and 1938, and the growing political situation in Germany at that time persuaded him to introduce some contemporary elements to it. These referred to, in particular, the parable of the four sons, in which the 'wicked son' was portrayed as a man wearing German clothes, with a Hitler-like moustache. The expression of the series was even stronger in its original version: the drawings showed snakes with swastikas, there were also heads of Hermann Gà ring and Joseph Goebbels. In 1937, Arthur Szyk went to London to supervise the publication of The Haggadah. However, the artist had to agree to many compromises during the next three years, including painting over all the swastikas. It is not clear whether he did this as a result of pressure from his publisher or from British politicians, who pursued a policy of appeasement with Nazi Germany. Finally, The Haggadah was published in London in late 1940 (and not 1939, which is the date of Szyk's opening words; see Roth). The artist dedicated it to King George VI, and the work was widely acclaimed by critics. According to The Times, it was 'worthy to be placed among the most beautiful of books that the hand of man has ever produced'. Number 101 of 125 copies printed on vellum, signed by both Szyk & Roth; large 4to; comprising 118 french-fold leaves; original blue morocco by Sangorski & Sutcliffe, spine with raised bands, compartments framed in gilt enclosing gilt lettering and crown tools, triple gilt fillet border to covers, large illustration of High Priest holding the matzoh and Passover wine as centrepiece, board edges and turn-ins tooled in gilt, doublures of cream silk satin illustrated with Moses supporting the Ten Commandments, housed in the original velvet-lined blue half morocco solander box, blue morocco label with lion's head design in gilt to front board; text in Hebrew and English, printed in black, purple, blue, red, and green on vellum; with 14 full-page plates and numerous vignettes and border decorations printed in colour, all by Szyk; the box with couple of spots of wear at extremities, some marks and toning to cloth; with a typed letter signed, dated 18 September 1947; a fine copy in the handsome original binding. Provenance: Prof. Samson Wright (typed letter signed by Cyril Ross, dated 18 September, 1947). Yudlov 3712; Yaari 2285.…

Hardcover. Condición: As New. Looks unread in original acetate jacket, metal framed boards over velour covered boards "front" board with elaborate embroidery. Small sticker stain lower inside corner "front" board. Illustrated in color throughout text in English and Hebrew. e45 Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.…

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

A special 'Yedioth Achronoth' edition of the Szyk Haggadah with ornate silver-plated binding, housed in its original box. 'The book is a masterpiece, one that should increase the happiness of every one of its possessors, who will find new interest and new delight every time he opens its pages' (The Jewish Chronicle). Arthur Szyk (1894-1951), a Polish-Jewish artist, produced works characterised by social and political comment, rejecting modernism and drawing on the traditions of medieval and renaissance painting, especially illuminated manuscripts from those periods. Unlike most caricaturists, Szyk always showed great attention to the colour effects and details in his works. Szyk's drawings and paintings became even more politically engaged when Hitler took power in Germany in 1933. Szyk started drawing the Führer's caricatures as early as 1933; probably, the first work the artist directed against the leader of the Third Reich was a drawing of Hitler, made in pencil, in which he was shown as a new pharaoh. These drawings anticipated the zenith of Szyk's arts: The Haggadah, his magnum opus. Szyk illustrated it in 48 drawings in the years between 1932 and 1938, and the growing political situation in Germany at that time persuaded him to introduce some contemporary elements to it. These referred to, in particular, the parable of the four sons, in which the 'wicked son' was portrayed as a man wearing German clothes, with a Hitler-like moustache. The expression of the series was even stronger in its original version: the drawings showed snakes with swastikas, there were also heads of Hermann Gà ring and Joseph Goebbels. In 1937, Arthur Szyk went to London to supervise the publication of The Haggadah. However, the artist had to agree to many compromises during the next three years, including painting over all the swastikas. It is not clear whether he did this as a result of pressure from his publisher or from British politicians, who pursued a policy of appeasement with Nazi Germany. Finally, The Haggadah was published in London in late 1940 (and not 1939, which is the date of Szyk's opening words; see Roth). The artist dedicated it to King George VI, and the work was widely acclaimed by critics. According to The Times, it was 'worthy to be placed among the most beautiful of books that the hand of man has ever produced'. Offered here is a later, more compact reissue printed on paper for Yedioth Ahronoth, long established as Israel's leading daily newspaper. During the 1950s and 1960s, the newspaper published special holiday Haggadot. For a young nation integrating a rapidly growing immigrant population, the Passover Seder was a vital, unifying cultural anchor. Yedioth Ahronoth masterfully met this societal moment by offering ornate, luxury Haggadot as festive promotions for its subscribers - seamlessly marrying a successful marketing campaign with a profound cultural milestone. First edition thus; 8vo, publisher's silver-plated ornate binding, housed in publisher's cardboard box (rubbed and reinforced with tape); inscription in English to endpaper dated 'June 11th 1968', rubbing and marginal tears to few of the first and last leaves, closed tear to bottom margin of one of the plates, not affecting image; text in English and Hebrew.…

PLATE COVERS SILVER. Condición: VERY GOOD. beautiful and colorful illustrations, attractive silver plate cover set with red stones (on the Hebrew side), first page on Hebrew side slightly crumpled, esle mild wear, with no markings noted DATE PUBLISHED: 1967 CIRCA EDITION: 125 APPROX.