Rossi philip ed (11 resultados)

Paperback. Condición: Good. 268p. Ex-library. A softcover book in very good condition. Unmarked and tight, but with a label taped to the spine, stamp on title page, and additional label inside back cover. Bottom corner of front cover lightly creased. Otherwise appears virtually unhandled. The Annual Publication of the College Theology Society 2009, volume 55.…

Rossi, Philip, ed. American Catholic Philosophical Quarterly, 75, 2, Spring 2001 : KANT. Philosophy Documentation Center, 2001, 147-316pp., PAPERBACK, very good. CONTENTS: American Catholic Philosophical Quarterly KANT Edited by Philip Rossi, S.J. and John L. Treloar, S.J. Introduction PHILIP ROSSI, S.J. and JOHN TRELOAR, S.J. Metaphysics, Freedom and History: Kant and the End of Reason RICHARD VELKLEY Autonomy: Toward the Social Self-Governance of Reason PHILIP ROSSI, S. J. The Religious Significance of Kant's Ethics JACQUELINE MARINA Nature or Providence? On the Theoretical and Moral Importance of Kant's Philosophy of History PAULINE KLEINGELD Incommensurable, Supersensible, Sublime JEFFREY WILSON The Task of the Critique of Judgment: Why Kant Needs a Deduction of the Principle of Purposiveness in Nature TED KINNAMAN Kant's "Antinomic" Aesthetics ROBERT E. WOOD Kant on Philosophy and Being a Philosopher JOHN L. TRELOAR, S.J. JOURNAL OF THE AMERICAN CATHOLIC PHILOSOPHICAL ASSOCIATION Volume LXXV Spring 2001 Issue No. 2. …

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

First Edition. First edition. Softcover. 216 pages. Features a preface by Timothy G. Goodsell and a foreword by John Carswell along with an introduction, acknowledgments, and essay by Dennis Adrian. Includes numerous color and black and white images after works by Roger Brown, Art Green, Philip Hanson, Gladys Nilsson, Jim Nutt, Ed Paschke, Christina Ramberg, Suellen Rocca, Barbara Rossi, and Karl Wirsum as well as a section of collaborative works. Also includes brief biographies of the artists as well a checklist. A clean near fine copy in yellow wrappers with some of the usual fading to the spine. Still a very nice copy of this important and seemingly uncommon reference.…

[32] pp.; 22.2 x 22.2 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held October 1 - November 9, 1969. Essay by Joan C. Siegfried. Includes exhibition checklist. Artists include Terry Allen, Frederick Anderson, Jeremy Anderson, Bernard Aptekar, Robert Arneson, Gene Beery, Wallace Berman, Peter Bodnar, Roger Brown, Roy De Forest, Oyvind Fahlström, Edward C. Flood, William Geis, David Gilhooly, Gerald Gooch, Robert Gordy, Red Grooms, Sue Hall, Philip Hanson, Robert Hudson, Jess, R.B. Kitaj, Nicholas Krushenick, Roy Lichtenstein, Alden Mason, James Melchert, Gladys Nilsson, James Nutt, Claes Oldenburg, Eduardo Paolozzi, Ed Paschke, Peter Phillips, Christina Ramberg, Mel Ramos, Suellen Rocca, Barbara Rossi, Peter Saul, William Schwedler, David Smyth, Norman Steigelmeyer, Ernest Trova, Andy Warhol, H.C. Westermann, William T. Wiley, Karl Wirsum, Ray Yoshida, Arlo Acton, Robyn Martin, and Giovanni Ragusa. Covers designed by Edward C. Flood. Very Good. Light rubbing of covers and cover edges and spine and bumping of top and bottom right corners. 2.3 cm. of water staining to the bottom of pages 27-32 at spine. Contents otherwise clean and unmarked.…

Paperback. Condición: Very Good +. Book. 265 x 210 mm, 36 pp. in printed stapled wraps. Winter/Spring 1966. Front cover image in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young graduates) were effectively taken over by important Cambridge academics of the day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. Symbiotic of its artistic agenda, this issue brings together a comprehensive, edited selection of the writings of the Groupe Recherche d'art Visuel (Paris, 1960-65) - many of which had hitherto never been published in translation, and the majority of which were first published in ephemeral catalogues or leaflets. Edited and translated by Stephen Bann and Reg Gadney, their introduction to the manifesto-texts of the Groupe Recherche d'art Visuel reads: 'These writings are not a prescription for kinetic art, nor are they sufficient to define the position of the GRAV on the modern scene. They are the product of a radical reappraisal of the relationship between artist, work and spectator and as such they have a unique interest.' From 1960 is a text declaring the aims of the GRAV, entitled 'Act of Foundation'; from 1961: a statement made by GRAV on the occasion of an exhibition of kinetic art at the Museum of Modern Art in Stockholm ('We prefer to consider the artistic phenomenon as an exclusively visual experience on the level of physiology rather than of emotion'); from September 1961: a secondary manifesto entitled 'Enough of Mystification', from 1962: extracts from 'Individual Declarations' by the artists of GRAV; from 1962/3: an extract from a text by Le Parc, entitled 'On the Subject of Art-Spectacle', and a text distributed for the opening of the 3rd Paris Biennale in October 1963; also from 1963, a text entitled ''Instability'-The Labyrith' and a talk by Le Parc at Rimini Congress. A series of questionnaires, from Bann, Gadney and Ohio University, conducted in 1965 (and translated by Annette Kobak), is also included. This issue also features an essay by the art historian and Image contributing editor, Stephen Bann, entitled 'Kinetic Art and Poetry' (a particular attention is given to Ian Hamilton Finlay's kinetic poetry); together with a text by Frank Popper entitled 'Mueller's Machine 'M'', examining the work by Hans-Walter Mueller Machine M, that was shown at the Fourth Biennale of Paris, as well as photographs of Edina Ronay, young actress-daughter of Hungarian gourmet, Egon Ronay. Rare, our last copy. Condition: light wear to front cover, light soiling to left edge of cover and crease to bottom corner, internally fine. Overall: Very good+.…