Rosamund garrett (25 resultados)

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Paperback. Condición: New. The first book on Peruvian-American artist Andrea Morales, whose photographs honor her community and their activism in Memphis and the surrounding region. This vibrant catalog showcases a decade's work by Peruvian-American photographer Andrea Morales (b. 1984), whose camera captures community life and activism in the American South, particularly in her home city of Memphis, Tennessee. It accompanies her first major exhibition at the Memphis Brooks Museum of Art, represents the first scholarly publication on her work, and the first major museum exhibition dedicated to movement journalism. Memphis has long been a place bubbling with social movements. Roll Down Like Water-a nod to Dr. Martin Luther King, Jr.'s iconic last speech in the city-shows Morales's incredible ability to engage with her subjects. From intimate portraits and records of daily life to the documentation of social and environmental movements with local and national resonance, her photography builds a passionate and tender portrait of this unique part of the South. Morales centers her practice on building long-term relationships with the communities she photographs and views this relationship as one of collaboration rather than detached observation. Her approach is informed by movement journalism, which recognizes that journalism, like the camera, is not totally objective. By establishing a human connection between chronicler and people and rooting it in an ethical and rigorous framework, Morales's community-driven visual storytelling reaches beyond historical injustice to capture the liveliness and joy of the communities she photographs. For Memphis and Morales, King's words loom large. Echoing his description of collective liberation as "an inescapable network of mutuality, tied into a single garment of destiny," Morales's captivating images of the South chart new, sustainable paths in photojournalism, while reflecting upon identity, community, and the power of storytelling.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Condición: New. 2024. 1st Edition. paperback. . . . . .

Hardcover. Condición: Good - Some Wear. No Jacket. Reprint. Michelle Garrett and David Downton (ilustrador).

Condición: New.

Paperback. Condición: new. Paperback. The first book on Peruvian-American artist Andrea Morales, whose photographs honor her community and their activism in Memphis and the surrounding region. This vibrant catalog showcases a decade's work by Peruvian-American photographer Andrea Morales (b. 1984), whose camera captures community life and activism in the American South, particularly in her home city of Memphis, Tennessee. It accompanies her first major exhibition at the Memphis Brooks Museum of Art, represents the first scholarly publication on her work, and the first major museum exhibition dedicated to movement journalism. Memphis has long been a place bubbling with social movements. Roll Down Like Water-a nod to Dr. Martin Luther King, Jr.'s iconic last speech in the city-shows Morales's incredible ability to engage with her subjects. From intimate portraits and records of daily life to the documentation of social and environmental movements with local and national resonance, her photography builds a passionate and tender portrait of this unique part of the South. Morales centers her practice on building long-term relationships with the communities she photographs and views this relationship as one of collaboration rather than detached observation. Her approach is informed by movement journalism, which recognizes that journalism, like the camera, is not totally objective. By establishing a human connection between chronicler and people and rooting it in an ethical and rigorous framework, Morales's community-driven visual storytelling reaches beyond historical injustice to capture the liveliness and joy of the communities she photographs. For Memphis and Morales, King's words loom large. Echoing his description of collective liberation as "an inescapable network of mutuality, tied into a single garment of destiny," Morales's captivating images of the South chart new, sustainable paths in photojournalism, while reflecting upon identity, community, and the power of storytelling. This vibrant catalogue showcases a decades work by Memphis-based Peruvian-American photographer Andrea Morales (b. 1984), whose camera sympathetically delves into community life and activism in the American South. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback. Condición: New. The first book on Peruvian-American artist Andrea Morales, whose photographs honor her community and their activism in Memphis and the surrounding region. This vibrant catalog showcases a decade's work by Peruvian-American photographer Andrea Morales (b. 1984), whose camera captures community life and activism in the American South, particularly in her home city of Memphis, Tennessee. It accompanies her first major exhibition at the Memphis Brooks Museum of Art, represents the first scholarly publication on her work, and the first major museum exhibition dedicated to movement journalism. Memphis has long been a place bubbling with social movements. Roll Down Like Water-a nod to Dr. Martin Luther King, Jr.'s iconic last speech in the city-shows Morales's incredible ability to engage with her subjects. From intimate portraits and records of daily life to the documentation of social and environmental movements with local and national resonance, her photography builds a passionate and tender portrait of this unique part of the South. Morales centers her practice on building long-term relationships with the communities she photographs and views this relationship as one of collaboration rather than detached observation. Her approach is informed by movement journalism, which recognizes that journalism, like the camera, is not totally objective. By establishing a human connection between chronicler and people and rooting it in an ethical and rigorous framework, Morales's community-driven visual storytelling reaches beyond historical injustice to capture the liveliness and joy of the communities she photographs. For Memphis and Morales, King's words loom large. Echoing his description of collective liberation as "an inescapable network of mutuality, tied into a single garment of destiny," Morales's captivating images of the South chart new, sustainable paths in photojournalism, while reflecting upon identity, community, and the power of storytelling.…

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: Very Good. Trade PB. 8vo. Published by Memphis Brooks Museum of Art in association with Paul Holberton Publishing, Memphis, Tennessee. 2024. 160 pgs. Illustrated. Wrappers lightly worn with some light shelf-wear to the extremities present. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. The first book on Peruvian-American artist Andrea Morales, whose photographs honor her community and their activism in Memphis and the surrounding region. This vibrant catalog showcases a decade's work by Peruvian-American photographer Andrea Morales (b. 1984) , whose camera captures community life and activism in the American South, particularly in her home city of Memphis, Tennessee. ; 7.87 X 0.4 X 9.84 inches; 160 pages.…

Condición: New. 2024. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Condición: New.

Paperback. Condición: Brand New. 160 pages. 9.84x7.87x9.84 inches. In Stock.

Condición: New. In English.

Condición: As New. Unread book in perfect condition.

Condición: NEW.

Paperback. Condición: new. Paperback. The first book on Peruvian-American artist Andrea Morales, whose photographs honor her community and their activism in Memphis and the surrounding region. This vibrant catalog showcases a decade's work by Peruvian-American photographer Andrea Morales (b. 1984), whose camera captures community life and activism in the American South, particularly in her home city of Memphis, Tennessee. It accompanies her first major exhibition at the Memphis Brooks Museum of Art, represents the first scholarly publication on her work, and the first major museum exhibition dedicated to movement journalism. Memphis has long been a place bubbling with social movements. Roll Down Like Water-a nod to Dr. Martin Luther King, Jr.'s iconic last speech in the city-shows Morales's incredible ability to engage with her subjects. From intimate portraits and records of daily life to the documentation of social and environmental movements with local and national resonance, her photography builds a passionate and tender portrait of this unique part of the South. Morales centers her practice on building long-term relationships with the communities she photographs and views this relationship as one of collaboration rather than detached observation. Her approach is informed by movement journalism, which recognizes that journalism, like the camera, is not totally objective. By establishing a human connection between chronicler and people and rooting it in an ethical and rigorous framework, Morales's community-driven visual storytelling reaches beyond historical injustice to capture the liveliness and joy of the communities she photographs. For Memphis and Morales, King's words loom large. Echoing his description of collective liberation as "an inescapable network of mutuality, tied into a single garment of destiny," Morales's captivating images of the South chart new, sustainable paths in photojournalism, while reflecting upon identity, community, and the power of storytelling. This vibrant catalogue showcases a decades work by Memphis-based Peruvian-American photographer Andrea Morales (b. 1984), whose camera sympathetically delves into community life and activism in the American South. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Condición: New. &Uumlber den AutorRosamund Garrett is chief curator at the Memphis Brooks Museum of Art, where she also serves as the curator of European and decorative arts.

Paperback. Condición: New. This vibrant catalogue showcases a decade's work by Memphis-based Peruvian-American photographer Andrea Morales (b. 1984), whose camera sympatheticallydelves into community life and activism in the American South. It accompanies herfirst major exhibition at the Memphis Brooks Museum of Art, represents the firstscholarly publication on her work, and the first major museum exhibition dedicatedto movement journalism.The unofficial capital of the Mississippi Delta, Memphis, Tennessee, has long been aplace bubbling with activism and social movements. Roll Down Like Water - a nod to Dr.Martin Luther King, Jr.'s iconic last speech in the city in support of the 1968 SanitationWorkers' Strike - shows Andrea Morales's incredible ability to engage with her subjects,in Memphis and the surrounding region, through the lens. From intimate portraits andrecords of daily life to the documentation of social and environmental movements withlocal and national resonance, her photography builds a passionate and tender portrait ofthis unique part of the American South.The energy vibrating through Morales's stills is the energy of the people themselves:the artist centres her practice on building long-term relationships with the communitiesshe photographs, and views this relationship as one of collaboration rather thandetached observation. Her approach is informed by 'movement journalism', whichrecognizes that journalism, like the camera, is not totally objective: behind laptops andlenses are people, institutions and systems that hold and wield power, for good or ill.By establishing a human connection between chronicler and people and rooting it inan ethical and rigorous framework, Morales's 'community-driven visual storytelling'reaches beyond historical injustice to capture the liveliness and joy of the communitiesshe photographs.For Memphis, and Morales, King's words loom large. Echoing his descriptionof collective liberation as 'an inescapable network of mutuality, tied into a singlegarment of destiny', Morales's captivating images of the American South inmoments of turbulence, stillness, darkness and beauty chart new, sustainable pathsin photojournalism, while reflecting upon identity, community and the power ofstorytelling.…

Paperback. Condición: New. This vibrant catalogue showcases a decade's work by Memphis-based Peruvian-American photographer Andrea Morales (b. 1984), whose camera sympatheticallydelves into community life and activism in the American South. It accompanies herfirst major exhibition at the Memphis Brooks Museum of Art, represents the firstscholarly publication on her work, and the first major museum exhibition dedicatedto movement journalism.The unofficial capital of the Mississippi Delta, Memphis, Tennessee, has long been aplace bubbling with activism and social movements. Roll Down Like Water - a nod to Dr.Martin Luther King, Jr.'s iconic last speech in the city in support of the 1968 SanitationWorkers' Strike - shows Andrea Morales's incredible ability to engage with her subjects,in Memphis and the surrounding region, through the lens. From intimate portraits andrecords of daily life to the documentation of social and environmental movements withlocal and national resonance, her photography builds a passionate and tender portrait ofthis unique part of the American South.The energy vibrating through Morales's stills is the energy of the people themselves:the artist centres her practice on building long-term relationships with the communitiesshe photographs, and views this relationship as one of collaboration rather thandetached observation. Her approach is informed by 'movement journalism', whichrecognizes that journalism, like the camera, is not totally objective: behind laptops andlenses are people, institutions and systems that hold and wield power, for good or ill.By establishing a human connection between chronicler and people and rooting it inan ethical and rigorous framework, Morales's 'community-driven visual storytelling'reaches beyond historical injustice to capture the liveliness and joy of the communitiesshe photographs.For Memphis, and Morales, King's words loom large. Echoing his descriptionof collective liberation as 'an inescapable network of mutuality, tied into a singlegarment of destiny', Morales's captivating images of the American South inmoments of turbulence, stillness, darkness and beauty chart new, sustainable pathsin photojournalism, while reflecting upon identity, community and the power ofstorytelling.…