Romano philip (23 resultados)

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condición: like_new. Book is in like new condition with minimal signs of wear. Pages are clean and free from notes or highlighting. Dust cover is intact. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: Very Good. Very Good Condition. Signed by the author. Has some wear. Five star seller - Buy with confidence.

Hardcover. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: very_good. This is a well-cared-for used book with light signs of previous use. There may be minor cover wear, a faint crease, or slight spine wear, but overall it's in great shape and fully readable. Please note: -May contain library or rental stickers. -Supplemental materials e.g., CDs, access codes, inserts are not guaranteed. -Box sets may not include original exterior box. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading. …

Hardback. Condición: Very Good.

Hardcover. Condición: Like New. First Edition. First Edition, First Printing. Published by Philip J. Romano, 2019. Octavo. Hardcover. Signed, inscribed and dated on flyleaf. Book is like new. Dust jacket is like new.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Hardcover. Condición: As New. Estado de la sobrecubierta: Fine. 1st Edition. 209 pp., xviii. Following List of Chairmen, Speakers and Invited Discussants; Foreword by Editor; and Addresses of Welcome by Lord May, Viscount Runciman, and Ambassador Bruno Bottai, Contents divided into "Topics" and subsequent "General Discussions"; Topic 1: THE LIMITS OF HUMAN KNOWLEDGE [1] Keith Thomas, Introduction; [2] Martin Rees, "Our Changing Cosmic Perspective and the Scope and Limits of Physical Law"; [3] Jean Starobinski, "Scientific Language and Poetic Language"; [4] Roger Highfield, "Where Fears Lurk:The Boundary between Science, Science Fiction, and Magic"; GENERAL DISCUSSION: Keith Thomas; [i] John Elliott, "Historical Knowledge and its Limitations" (Discussants: Tom Meade, Martin Rees, Brian Ridley, Thomas); (ii) Michael Mayor, "The Search for Evidence of Life on Other Planets" (Discussants: Martin Rees, Keith Thomas); (iii) Luigi Luca Cavalli-Sforza, "Are there Limits to Knowledge?' (Discussants: Thomas, Williams, Rees, Anne McLaren, Laszlo Solymar, Fiona Fox, Highfield, Elliott Leader, Starobinski, Runciman, Maddox, Nowotny, Gilland, Claire Fox, Cavalli-Sforza); Topic 2: THE IMPACT OF SCIENTIFIC KNOWLEDGE ON HUMANITY John Krebs, Introduction; [2] Thomas W. Meade, "Ethical and Social Issues arising from the Science of Medicine"; [3] Walter Burkert, "Impacts, Evasions, and Lines of Defense: Some Remarks on Science and the Humanities"; [4] Lord Jenkin, "Science and Society: ' The Public Understanding of Science ' is NO Longer Enough"; GENERAL DISCUSSION: John Krebs; [i] Stanley J. Tambiah, "The Stem Cell Research Discussion in the USA" (Discussants: John Krebs, John Maddux, Lord Jenkin, Jan Lloyd, Tom Meade, Claire Fox, Helga Nowotny, Tambiah); [ii] Phillip V. Tobias, "Evolutionary Studies and Society" (Discussants: John Krebs,Tony Gilland, Lord Jenkin); (iii) Wolfgang Berger, "Humankind as a Major Geological Factor" (Discussants: John Krebs, R.J.P. Williams, Ian Lloyd, Giorgio Salvini, Lord Jenkin, Eugen Seibold, Tom Meade, Tambiah, Berger) ; Topic 3: WHY SHOULD THE PURSUIT OF SCIENTIFIC KNOWLEDGE BY ENCOURAGED? [1] Sergio Romano, Introduction; [2] Lord May, "The Use of Scientific Advice in Making Public Policy"; [3] Michael Stolleis, "The Role of the Humanities in Western Industrialized Societies"; [4] Lord Sainsbury, "Why we need Both Cultures"; GENERAL DISCUSSION (i) Claude Lorius, "Antarctica: Climate Research, Public Policy, and Society"; (ii) Frederick J. Vine, "Policy-making in the Environmental Sciences" (Discussants: Sergio Romano, Ian Lloyd, Lord Sainsbury, Lord May, Sidney Shipton, Bruno Bottai); (iii) Shmuel N. Eisenstadt, "The Ambivalence toward Science" (Discussants: Romano, Krebs, May, Sainsbury, Gilland, Stolleis, Lorius, Giorgio Salvini, Eisenstadt); (iv) Vittorio Mathieu, "Final Remarks" (Discussant: Romano); APPENDIX (i) "The International Balzan Foundation"; (ii) "The Balzan Prize and its Prize Winners"; (iii) "Members of the Board and General Prize Committee . . . of the Foundation"; (iv) "Members of the Board of the International E. Balzan Prize Foundation".// Blue cloth with brilliant gilt lettering on spine and front cover; shiny glassine dustwrapper; "wallpaper"- patterned, two-tone taupe endpapers. NO previous owner names; NO remainder marks. Appears UNUSED. 1" superficial scratch to the glassine on lower right front cover (NO impact on cloth board itself) and 2 1/4" thin line, really superficial, scratch and a few other very fine linear marks (even less discernible, on rear glassine cover, with NO impact on book itself): chiefly FLAWLESS book and glassine (NO tears or cracks). Arguably, Gift-Giving Condition, or you may need new friends. LAID IN: Complimentary Copy publicity letter sent by Bruno Bottai to unnamed recipient.…

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

[52] pp.; 21 x 24 cm.; sewn bound; black-and-white; edition size unkown; unsigned and unnumbered; offset-printed Two volume exhibition catalogue published in conjunction with two-part show held March 14 ? May 18, 2014 and May 25 ? August 3. "Other Primary Structures revisited the premise of and built upon the Museum''s seminal 1966 exhibition Primary Structures: Younger American and British Sculptors, the first American museum exhibition to survey the style now known as Minimalism. Primary Structures introduced the public to such artists as Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Walter De Maria, Robert Morris, and others--figures unknown at the time but soon to become synonymous with a radically new approach to sculpture. Nearly 50 years later, Other Primary Structures revisits this formative moment in art history while also reexamining the period from today''s far more global perspective. "Presented in two parts, the first part of the exhibition titled Others 1, examined work created between 1960 and 1967, while Others 2, on view from May 25 ? August 3, presented work created between 1967 and 1970, some of which was directly influenced by the 1966 Primary Structures exhibition at the Jewish Museum." -- publisher''s statement. This publication includes a faithful reprint of the original 1966 catalogue published in conjunction with show held April 27 - June 12, 1966. Essay by exhibition''s curator Kynaston McShine. Includes works by Carl Andre, David Annesley, Richard Artschwager, Larry Bell, Ronald Bladen, Michael Bolus, Anthony Caro, Tony DeLap, Walter de Maria, Tom Doyle, Dan Flavin, Peter Forakis, Paul Frazier, Judy Gerowitz, Daniel Gorski, David Gray, Robert Grosvenor, David Hall, Douglas Huebler, Donald Judd, Ellsworth Kelly, Phillip King, Lyman Kipp, Gerald Laing, Sol LeWitt, John McCracken, Tina Matkovic, Robert Morris, Forrest Myers, Peter Phillips, Peter Pinchbeck, Salvatore Romano, Tim Scott, Anthony Smith, Robert Smithson, Michael Todd, Anne Truitt, William Tucker, Richard Van Buren, David von Schlegell, Isaac Witkin and Derrick Woodham. A seminal exhibition. Catalogue incorporates statements by many of the participating artists along with bibliographies and biographies. Catalogue design by Elaine Lustig Cohen. The second volume includes text by Jens Hoffmann and excerpts from the transcript of a symposium, "The New Sculpture," held May 2, 1966. Artists include Rasheed Araeen, Sérgio de Camargo, Willys de Castro, Saloua Raouda Choucair, Lygia Clark, Noemí Escandel, Gego, Stanislav Kolíbal, Edward Krasinski, David Lamelas, David Medalla, Hélio Oiticica, Lygia Pape, Alejandro Puente, Norberto Puzzolo, Branko Vlahovic, Oscar Bony, Benni Efrat, Yoshida Katsuro, Stanislav Kolíbal, Susumu Koshimizu, Ivan Kozaric, Amir Nour, Juan Pablo Renzi, Nobuo Sekine, Antonieta Sosa, Juro Takamatsu, and Lee Ufan. Also includes artist biographies. Reference : "Primary Structures : Younger American and British Sculptors" by Kynaston McShine. New York, NY : The Jewish Museum, 1966. New. In publisher's plastic wrap as issued.…

Softcover, 160 pages; in English and Italian; as new condition; clean and crisp, no internal marks. Foreign shipping may be extra.

Soft cover. Condición: New. Language:Chinese.Author:FEI LI PU ZHAN MU SI LUO MAN NUO (Philip J.Romano) LI YU JI HE ZI LONG YI.Binding:Soft cover.Publisher:Shanghai People s Publishing House Pub. Date :2010.

Softcover exhibition catalog, 160 pages; in English and Italian; as new condition; clean and crisp, sgned "P. Taaffe" in pen on title page; no other internal marks.

Two Draft scripts for the 1977 television film, which debuted on September 1, 1977, on NBC. One script dated January 14, 1976, credited to screenwriter Stuart Rosenberg (who was not credited on the completed film), and one script dated August 9, 1976, credited to screenwriters Sid Dorfman and Simon Muntner. January 14, 1976 script with manuscript pencil and ink annotations to every page, adding pagination. From the estate of Philip D'Antoni, a major figure in 1970s New Hollywood Cinema, as the producer of "Bullitt" (1968), "The French Connection" (1972), and "The Seven-Ups" (1973). A comedy about a misfit police squad in New York who are assigned to patrol Central Park but are not given guns. Initially intended to be a television series. Shot on location in New York City. January 14, 1976 script: Lacking wrappers. Title page present, dated January 14, 1976, with credits for screenwriter Stuart Rosenberg and story credits to Sonny Grosso. 52 leaves, with last page of text numbered 48. Xerographic duplication, rectos only. Pages Very Good plus, unbound. August 9, 1976 script: Orange titled Studio Duplicating Service wrappers. Title page present, dated August 9, 1976, noted as Revised, with credits for screenwriters Sid Dorfman and Simon Muntner. 31 leaves, with last page of text numbered 30. Mimeograph duplication, rectos only. Pages and wrapper Near Fine, bound with two gold brads.…

Condición: Good. Folio. . Contemporary roan with gilt spine, worn along edges of spine, but tight Pages fresh and crisp. Very good. Bookplates and old ink inscription of previous private owners on inside front cover. 30 x 48.5 cm. Text in French and Latin. . See collation below.OCLC only lists the English language edtion of the same year.References : Brunet III: 599; Cohen de Ricci: 768. .In -folio relié pleine basane brune, dos à nerfs orné et doré (Reliure de l'époque). [5] ff., 247 pp., [1] f., (249 254) pp., [2] ff. Orné d'un frontispice, une vignette armoriée de dédicace et de 130 figures in texte à mi-page d'après Lebrun, Leclere, Maas, Picard, Punt, J. Romain, Tosca, de Wit and Vandelaar par divers sculpteurs. Edition bilingue francol-atine imprimée sur 2 colonnes. Bon état, oxydation des ff. et rousseurs, usures à la reliure.…

Rilegato. Condición: come nuovo. Estado de la sobrecubierta: ottimo. prima edizione, edizione illustrata. Fra il primo e il quinto volume, i volumi centrali ripercorrono la storia italiana secondo l'ordine cronologico degli avvenimenti e la loro articolazione politico-sociale, economica, culturale e religiosa. La prospettiva esterna, cioè il modo in cui l'Italia è stata percepita all'estero, è parte integrante del progetto. La narrazione si sviluppa in tre grandi periodi: il secondo volume affronta il periodo dal V secolo al Settecento, il terzo copre il Settecento fino all'Unità d'Italia, il quarto dal 1861 a oggi. La periodizzazione, volutamente sbilanciata, dedica spazio equivalente a più di un millennio e a soli due secoli, per sottolineare le peculiarità della storia italiana. Dopo la caduta dell'Impero romano, l'Italia conosce sviluppi analoghi ad altre regioni d'Europa (regni barbarici, feudalismo), ma dall'XI secolo emergono caratteri originali: vitalità economica, progresso culturale, innovazioni artistiche e sociali. Questi elementi contribuiscono al Rinascimento e al ruolo centrale dell'Italia nell'età moderna. Tuttavia, le fragilità politiche e istituzionali portarono alla crisi del Cinquecento, a un declino rapido e al ridimensionamento del ruolo italiano nello scenario europeo. All'inizio del 700 l'Italia, da centro di civiltà, era ormai percepita come terra di rovine, meta di viaggiatori più interessati al passato che al presente. L'opera mostra questa parabola storica nella sua completezza: dall'apogeo al declino, dalla centralità culturale alla marginalità politica, offrendo una visione d'insieme che unisce politica, società, economia, cultura e religione. Informazioni bibliografiche Titolo: Storia d'Italia: Dalla caduta dell'Impero romano al secolo XVIII (2 v.) Collana: Storia d'Italia Grandi Opere Curatori: Ruggiero Romano Corrado Vivanti Autori: Giovanni Tabacco Corrado Vivanti Giovanni Miccoli Paul Renucci Philip Jones Jacques Le Goff Fernand Braudel Ruggiero Romano Editore: Giulio Einaudi, Torino 1974 ISBN: 8806407902 9788806407902 Lunghezza: pp. XL-2363; 23 cm; illustrato Soggetti: Storia Italia Storiografia Cronache Medievale Moderna Impero romano Respublica Romanorum Comuni Signorie Firenze Guelfi Ghibellini Divisione Relazioni internazionali Politica estera Stati Papato Cesare Borgia Riforma Gregoriana Chiesa Arnaldo da Brescia Innocenzo III Concilio di Trento Domenicani Ordini monastici Francescani Umanesimo Rinascimento Arte Dante Petrarca Boccaccio Letteratura Poesia Latino Volgare Feudalesimo Mecenatismo Renovatio Tragedia Savonarola Michelangelo Leonardo Raffaello Machiavelli Guicciardini Filosofia Telesio Giordano Bruno Critica letteraria Tasso Viaggio Erudizione Goethe Realismo Bernini Juvara Giannone Vico Musica Architettura Pittura Crisi Economia Costumi Folklore Barocco Rococò Medievistica Studi culturali Manuali Bibliografia Revisionismo storico Eventi storici Interpretazione Critica Opere generali Classici Conquiste Guerre Spagna Potere divino Potere temporale Incoronazione Imperatore Monarchie History Italy Historiography Chronicles Roman empire Municipalities Lordships Florence Guelphs Ghibellines International relations Foreign policy Papacy Gregorian Reform Council of Trent Dominicans Monastic Orders Franciscans Humanism Renaissance Literature Latin Vulgar Feudalism Patronage Renovatio Tragedy Philosophy Scolastica Literary criticism Travel Erudition Realism Music Architecture Painting Cultural studies Historical revisionism Historical events General works Books Out of print Classics Conquests Wars Divine power Temporal power Coronation Emperor Monarchies Libri illustrati Edizioni pregiate Illustrated books Iconografia Contadini Campagna Coltivazioni Stagioni Miniature Arte miniatoria Natura Frumento Grano Medicina popolare Iconography Peasants Countryside Crops Seasons Miniatures Nature Wheat Grain Folk medicine Consultazione Riferimento Da collezione Collezionismo Collectibles References.…

[1] pp.; 74 x 18.5 cm.; accordion; duotone; edition size unknown; unsigned and unnumbered; offset-printed Promotional poster for the 7th Annual New York Avant Garde Festival presented by Charlotte Moorman held September 28 - October 4, 1969. Performers included Charlotte Moorman, Jon Aldefer, Billy Apple, Ay-o, Norman Bauman, David Behrman, Lois Bernard, Robert Breer, Darlene Butsch, Luis Camnitzer, Jackie Cassen, Jaropolk Cigash, Michael Cooper, Philip Corner, Arthur Corwin, Ian Crofts, Douglas Davis, Lindsay Decker, Ken Dewey, Juan Downey, Sean Emmett, Jeni Engel, Charles Frazier, Frank Gillette, Jimmy Giuffre, Michael Gurian, Al Hansen, Gary Harris, Don Heckman, Piero Heliczer, Bici Hendricks, Geoffrey Hendricks, Jon Hendricks, Dick Hogle, Richard Hyatt, Yukihisa Isobe, Ken jacobs, Poppy Johnson, Ray Johnson, Joe Jones, Kenneth Knowlton, Gilles Larrain, Fred Lieberman, Ernst Lurker, Jackson Mac Low, Max V. Mathews, Preston McClanahan, Jim McWilliams, Peter Neumann, Henry Niese, Andrew Noren, Ralph Ortiz, Nam June Paik, Benjamin Patterson, Lil Picard, John Pierce, Dick Preston, Ely Raman, Jim Raridon, Earl Reiback, Jean Claude Risset, Sal Romano, Paul Ryan, Ira Schneider, Michael Snow, Rudi Stern, Tal Streeter, Sandra Sutton, Aldo Tambellini, Jean Toche, Jerry Tublin, John van Alstine, John Van Saun, Frank Lincoln Viner, Gerald Vis, Laurence Warshaw, Todd Watts, Joyce Wieland, Kenneth Werner, Pat Willard, David Wise, Ted Wolf, Jud Yalkut, and Gary Zeller performing works by Les Levine, Allan Kaprow, Philip Corner, Stan Brakhage, Jean Toche and many others. Very Good. Hand addressed mailed copy with mailing marks and wear including two 7 mm. tears to bottom edge along closure on either side of 1.6 cm. stain from removed tape. 1 cm. glue staining on verso from closure. Otherwise clean and unmarked.…