Rogers anna (549 resultados)

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Hardcover. Condición: Very Good. Rogers, Jessica (ilustrador).

paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

perfect. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Hancock, David (ilustrador).

Hardcover. Condición: New. NEW and UNREAD hardcover with Dust Jacket, from bookstore stock. Very minor shelf wear. May contain price tag.; 100% Satisfaction Guaranteed! Ships same or next business day.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: Good. Peter Weir's haunting and allusive Picnic at Hanging Rock (1975), set in 1900, tells the story of the mysterious disappearance of three schoolgirls and their teacher on a trip to a local geological formation. The film is widely hailed as a classic of new Australian cinema, seen as exemplary of a peculiarly Australian style of heritage filmmaking.Anna Backman Rogers' study considers Picnic from feminist, psychoanalytic and decolonialising perspectives, exploring its setting in a colonised Australian bushland in which the Aboriginal people are a spectral presence in a landscape stolen from them in pursuit of the white man's 'terra nullius'. She delves into the film's production history, addressing director Weir's influences and preoccupations at the time of its making, its reception and its lasting impact on visual culture more broadly. Rogers addresses the film's treatment of the young schoolgirls and their teachers, seemingly, as embodiments of an archetype of the ?eternal feminine?, as objects of the male gaze, and in terms of ideas about female hysteria as a protest against gender norms. She argues that Picnic is, in fact, highly subversive: a film that requires its viewers to read its seductive surfaces against the grain of the image in order to uncover its psychological depths.…

hardcover. Condición: As New. Ships quickly. Like new. Minimal shelf/reading wear. Orphans Treasure Box sells books to raise money for orphans and vulnerable kids. Hancock, David (ilustrador).

Hardcover. Condición: Very Good+. Estado de la sobrecubierta: Very Good+. A tight, clean copy. Near fine/very good+; Our City; 237 pages.

Hardcover. Condición: Acceptable. No Jacket. First Edition. Name of previous owner on ffep.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Good. Peter Weir's haunting and allusive Picnic at Hanging Rock (1975), set in 1900, tells the story of the mysterious disappearance of three schoolgirls and their teacher on a trip to a local geological formation. The film is widely hailed as a classic of new Australian cinema, seen as exemplary of a peculiarly Australian style of heritage filmmaking.Anna Backman Rogers' study considers Picnic from feminist, psychoanalytic and decolonialising perspectives, exploring its setting in a colonised Australian bushland in which the Aboriginal people are a spectral presence in a landscape stolen from them in pursuit of the white man's 'terra nullius'. She delves into the film's production history, addressing director Weir's influences and preoccupations at the time of its making, its reception and its lasting impact on visual culture more broadly. Rogers addresses the film's treatment of the young schoolgirls and their teachers, seemingly, as embodiments of an archetype of the ?eternal feminine?, as objects of the male gaze, and in terms of ideas about female hysteria as a protest against gender norms. She argues that Picnic is, in fact, highly subversive: a film that requires its viewers to read its seductive surfaces against the grain of the image in order to uncover its psychological depths.…

Condición: New.

Paperback. Condición: New. Peter Weir's haunting and allusive Picnic at Hanging Rock (1975), set in 1900, tells the story of the mysterious disappearance of three schoolgirls and their teacher on a trip to a local geological formation. The film is widely hailed as a classic of new Australian cinema, seen as exemplary of a peculiarly Australian style of heritage filmmaking.Anna Backman Rogers' study considers Picnic from feminist, psychoanalytic and decolonialising perspectives, exploring its setting in a colonised Australian bushland in which the Aboriginal people are a spectral presence in a landscape stolen from them in pursuit of the white man's 'terra nullius'. She delves into the film's production history, addressing director Weir's influences and preoccupations at the time of its making, its reception and its lasting impact on visual culture more broadly. Rogers addresses the film's treatment of the young schoolgirls and their teachers, seemingly, as embodiments of an archetype of the 'eternal feminine', as objects of the male gaze, and in terms of ideas about female hysteria as a protest against gender norms. She argues that Picnic is, in fact, highly subversive: a film that requires its viewers to read its seductive surfaces against the grain of the image in order to uncover its psychological depths. …

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Fair. Fair hardcover. No DJ. ORIGINAL 1904 EDITION. Pages are clean and unmarked. Slightly tanned. Couple pages have foxing spots. Covers show edge wear with some rubbing/scuffing. Binding cracked slightly and back strip inlay loose but bindingl still intact.; 100% Satisfaction Guaranteed! Ships same or next business day.…

Paperback. Condición: New. Peter Weir's haunting and allusive Picnic at Hanging Rock (1975), set in 1900, tells the story of the mysterious disappearance of three schoolgirls and their teacher on a trip to a local geological formation. The film is widely hailed as a classic of new Australian cinema, seen as exemplary of a peculiarly Australian style of heritage filmmaking.Anna Backman Rogers' study considers Picnic from feminist, psychoanalytic and decolonialising perspectives, exploring its setting in a colonised Australian bushland in which the Aboriginal people are a spectral presence in a landscape stolen from them in pursuit of the white man's 'terra nullius'. She delves into the film's production history, addressing director Weir's influences and preoccupations at the time of its making, its reception and its lasting impact on visual culture more broadly. Rogers addresses the film's treatment of the young schoolgirls and their teachers, seemingly, as embodiments of an archetype of the 'eternal feminine', as objects of the male gaze, and in terms of ideas about female hysteria as a protest against gender norms. She argues that Picnic is, in fact, highly subversive: a film that requires its viewers to read its seductive surfaces against the grain of the image in order to uncover its psychological depths. …

Condición: Very Good. : El libro '@WORK 1 Teacher's Book Elementary [A2]' es una guía didáctica para profesores de inglés. Diseñado para el nivel A2, este libro ofrece unidades temáticas centradas en la gramática, presentadas en contexto con prácticas atractivas y actividades de expresión oral personalizadas. Incluye una sección de escritura de correo electrónico con consejos sobre estilo, tono, gramática, puntuación y ortografía. Además, proporciona acceso a material en línea adicional, como actividades de escritura de correo electrónico, plantillas listas para usar, archivos MP3 de todas las grabaciones de audio, listas de palabras editables y muestras de otros productos @work. EAN: 9788466813600 Tipo: Libros Categoría: Educación Título: @WORK 1 Teacher's Book Elementary [A2] Autor: James Greenan| Louis Rogers| Anna Cowper Editorial: Richmond Idioma: en Páginas: 88 Formato: tapa blanda.…

Condición: New.

Condición: New.

Paperback. Condición: New. All too often, the movies of Sofia Coppola have been dismissed as "all style, no substance." But such an easy caricature, as this engaging and accessible survey of Coppola's oeuvre demonstrates, fundamentally miscontrues what are rich, ambiguous, meaningful films. Drawing on insights from feminist philosophy and psychology, the author here takes an original approach to Coppola, exploring vital themes from the subversion of patriarchy in The Virgin Suicides to the "female gothic" in The Beguiled. As Rogers shows, far from endorsing a facile and depoliticized postfeminism, Coppola's films instead deploy beguilement, mood, and pleasure in the service of a robustly feminist philosophy.…

Hardcover. Condición: Fair. No Jacket. 214 Pages; 6 Chapters. Pages Tight. Moderate Page Wear; No Markings On Pages; Sticker Pasted On Front Inside Cover; Slight Warping On Pages;; Page Edges Cut Roughly And Darkened; Light Purple Linen Like Hard Covers With Gild Lettering On Front Cover And Spine. Some Rubbing; Corners Slightly Bumped; Spine And Portion On Back Cover Near Spine Are Greatly Faded. Moderate Shelf Wear. Chapter Headings Include: Why American Marriages Fail; Some Faults Of American Men; Why American Mothers Fail; What We Put Up With; Behind The Times; A Few Fallacies In Our Education, Etc. Rare Vintage Copy. …

Condición: As New. Unread book in perfect condition.