Roger zuber (34 resultados)

Paperback. Condición: Very Good. Later Printing. In wraps, mm, 442pp. (light crease to wraps at one corner). Size: Mass Market. Book.

Condición: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.…

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Foxing. One leaf badly creased from paperclip. 391 pages. 391 pp.

1st ed. - 392 pages. - With index. - Softcover.

actes du colloque de Paris (15-19 octobre 1985) Gewicht in Gramm: 550 rücken etwas lichtrandig,ansonsten gut.

Condición: Neuf.

Condición: Neuf.

Sep 01, 1992. Condición: D'occasion - État correct. PUF, 1ère édition, 1992. Marques d'usage au dos, coins un peu frottés, page de garde manquante, livre se tient bien cependant. Envoi rapide et soigné.

Paperback. Condición: New. NA2475, PC3664, 0.475 gr. 2252031352. Autour des figures centrales de Malherbe, Guez de Balzac et Boileau, ce livre met en perspective la critique littéraire du XVIIe siècle français. Il montre qu'une jeune littérature, en constant état de renouvellement, a puisé ses forces dans la tradition classique, que cette tradition est multiple et que l'Antiquité et la Renaissance sont à l'oeuvre dans ce siècle littéraire.…

paperback. Librairie Marcel Didier Société des textes français modernes 1972. in-8. 292 pages. Librairie Marcel Didier Société des textes français modernes 1972. in-8. 292 pages. Nb de volume : 1. L'un des 60 exemplaires numérotés à la main et paraphé par Roger Zuber, exemplaire nominatif . L'un des 60 exemplaires numérotés à la main et paraphé par Roger Zuber, exemplaire nominatif . Très bon état de la couverture et du dos, exemplaire à toutes marges en très bon état, pages coupées . Lettres et préfaces critiques publiées avec une introduction, des notices, des notes et un lexique par Roger Zuber.…

Condición: sehr gut. XXXVII, 219 S., 23 cm. Sprache: Deutsch.

First French edition. (Note: English edition same year). Printed card wraps. Royal 8vo (24cm). pp. 501. Bibliography, Index, Table. Very Good. Cover and page edges toned, no spine crease, tiny ink owner and two short yellow strips on half-title. "His great book, Les Belles infideles and the formation of classical taste: Perrot d'Ablancourt and Guez de Balzac, an essay from his thesis prepared under the direction of Rene Pintard, is in no way a profession of libertinism, as the title might suggest. suggest, but a pioneering book published by Armand Colin in 1968. Centered on the figure of Nicolas Perrot d'Ablancourt, Protestant writer in the service of the King of France and Richelieu, who was one of the first members of the French Academy , at a time when all seemed forgiven to the Reformed Protestants under the monarchy, he inventories the abundant work of a translator or rather adapter, in turn of Tacitus, Arrian, Xenophon, Caesar, Lucian and finally Thucydides. His translation of Lucien, comments Roger Zuber, did not prevent Perrot d'Ablancourt from attacking the sly "Lucianists", the hypocritical defenders of the bad master, the very people who gravitated around Conde, who shared his vices and his impiety". Frank Lestringant (STUDI FRANCESI).…

paperback. Condición: New.

Condición: very good. Photo non contractuelle. Envoi rapide et soigné.

Couverture souple. Condición: Bon. Editions Klincksieck, 1994 - In-8° broché, couv. cart., 308 pp. + table, bon état. (Les lieux du monde / Le "bas-monde et le "beau monde" chez Ronsard / Le tour du monde / Monde sauvage et monde chrétien dans les Relations des Jésuites / Le Monde ou le beau roman de la physique de Descartes / L'épicurisme et les fables du monde : remarques sur Gassendi et Cyrano / Réflexions sur les mondes de Fontenelle / Leibniz et le meilleur des mondes / Le Monde et la Mode chez les moralistesdu XVIIe siècle / Balzac et le monde de ses lecteurs / Cosmographie, anatomie et écriture moraliste / Pascale et la figure du Monde / Le Mémoire pour Port-Royal de Racine / La prédication de Jacques Abbadie).…

Condición: Sehr gut. 396 Seiten. Very good copy. Sprache: Französisch Gewicht in Gramm: 990 Gr. 8° (22,5-25 cm). Orig.-Broschur. [Softcover / Paperback].

Broché. Condición: Très bon. 1 volume broché, 392 pages [4]. Actes du Colloque de Paris (15-19 octobre 1985) réunis par Roger Zuber et Laurent Theis. Très bel exemplaire.

Bon état couverture un peu défraichie.

rigide. Condición: Bon. publiées avec une introduction, des notices, des notes et un lexique par Roger Zuber, 1 vol. in-12 reliure demi-chagrin vert, dos à 5 nerfs, couverture conservée, Société des Textes Français Modernes, Librairie Marcel Didier, Paris, 1972, 290 pp. Très bon état (ex libris en garde, très bel état par ailleurs). Peu courant en relié, particulièrement dans un aussi bon état. Langue: Français.…

Condición: Neuf.

Couverture souple. Condición: Bon. Pas de jaquette. In8 broché bon état à très bon état, 326 pages, 1997 (légères marques sur la couverture, bon exemplaire). Envoi soigné.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:2252031352.

1 vol. in 8° br., 501 pages, bibliographie importante, index des noms cités et table des matières très détaillée, très bon état, exemplaire du service de presse pour cet imposant travail.

Couverture rigide. Condición: Très bon. Edition originale. Paris, 1888. 1 fort volume grand in-4°( 33,3 x 23,5 cm )( 3030 gr ). Chemise éditeur cartonnée percaline imprimée illustrée. ------ 20 fascicules en pagination continue de 160 pages. ****************** Couvertures de tous les fascicules conservées. *********************** ref 474.…

Couverture rigide. Condición: Très bon. Edition originale. Paris, 1888. 1 fort volume grand in-4°( 33,3 x 23,5 cm )( 2910 gr ). Chemise éditeur cartonnée percaline imprimée illustrée. ------ 20 fascicules en pagination continue de 164 pages. ****************** Couvertures de tous les fascicules conservées. ******************** ref 474.…

Couverture rigide. Condición: Très bon. Edition originale. Paris, 1887, 1888. 2 forts volumes grand in-4°( 33,3 x 23,5 cm )( 5940 gr ). Chemises éditeurs cartonnées percaline imprimées illustrées. ------ 20 fascicules en pagination continue pour chaque album de 160 et 164 pages. ****************** Couvertures de tous les fascicules conservées. ********************* ref 474. …

Softcover. Condición: g to vg. First edition. Folio (12 1/4 x 9 1/2"). Unpaginated. [32]pp. Original photo-illustrated wrappers, with blue lettering to front cover, and black, white and blue lettering to back cover. This March 1939 issue of the avant-garde magazine "Art et Médecine" is splendidly illustrated throughout with striking photogravures by Brassaï, Gaston Paris*, Pierre Boucher**, Wols***, André de Diénès**** and other key photographers of the period. This issue is entirely devoted to light effects in photography. The photogravures depict Paris and New York by night; statues at the Louvre; a circus horsewoman; parcs and gardens; the home; portraits. All with special light effects. Wrappers slightly foxed and rubbed along edges. Corners bumped, thus slightly affecting pages throughout. Text in French. Wrappers in overall good, interior in very good condition. * Throughout the 1930s, Gaston Paris (1903-1964) was one of the pillars of the weekly magazine "Vu," founded in 1928 by Lucien Vogel. The only salaried photographer, he shared the magazine's pages with Laure Albin-Guillot, Germaine Krull, André Kertész, Martin Munkacsi, Man Ray and Robert Capa. Alongside his reports and portraits of artists and celebrities of the time, he produced strange photographic series inspired by surrealism, work which appeared in "Detective magazine" from the 1930s to the 1950s to illustrate its stories of gangsters and femmes fatales. His archives were purchased by the Agence Roger-Viollet shortly after his death. ** In 1934, Pierre Boucher (1908-2000) founds with René Zuber the Alliance-Photo agency that delivers the first deontology of photography and enhances the importance of photographers' signatures. Multidisciplinary, the French photographer explores the avant-garde aesthetic with surrealist nudes, photograms, collages and solarizations. He also produces more commercial works, illustrating advertisements and books such as Emile Allais' French Skiing Method. *** Wols was the pseudonym of Alfred Otto Wolfgang Schulze (1913-1951), a German painter and photographer predominantly active in France. Though broadly unrecognized in his lifetime, he is considered a pioneer of Lyrical Abstraction, one of the most influential artists of the Tachisme movement. **** André de Diénès (1913-1985) was a Hungarian-Romanian photographer, noted for his work with Marilyn Monroe and his nude photography.…

Collection of 269 vintage black-and-white photographs for the 1959 French film. The collection consists of two unique and complimentary pieces, one being a film still keybook with 68 contact prints of small format negatives, most with 12 images per print, amounting to over 800 images captured. Nearly all images with series number bordering the image, and credits at the top for photo laboratory (Tele-Photo), film studio (Cinedis), film title, and photographer Rosselle, housed in a 2-ring paper binder with original French titles. The other piece is nearly 170 smaller photographs elegantly presented, mounted with cello tape on thick stock in a "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper. Series numbers and small "x" annotations in manuscript ink on the pages, several with small white borders, and several with series number on the verso in manuscript pencil. Photos without borders also have series number at the edges, etched in the original film negative before photo development, as on the keybook prints. Nearly all photographs have numerical annotations in manuscript pencil on the versos, a few smaller photographs have rubber-stamps on the versos crediting Richard, Pierre, film titles, director Bastia, and costars Alfred Adam and Noel Roquevart. Also included are 27 loose photographs, a few with rubber-stamps on the verso crediting starring actors and French film titles, and a small press packet from Cinedis detailing film credits, synopsis, and star biographies. Starring actors Richard and Pierre are amply represented in the collection and seen in nearly every image, mostly in their official uniforms. Actress Zuber is equally present, in striking high-contrast images, cuddling bunnies, fishing at a river, and wielding a rifle. The notebook depicts images seen in the film, while the keybook depicts on-the-set sequences, test shots, candid moments, and images of the crew; the loose photos show both candid and action shots. An expansive perspective of a little seen comedy about a gendarme who travels to a small town looking for a disappeared woman, a town known for its distrust of police officers. Director Bastia was an assistant director in the 1940s and 1950s, when he worked almost exclusively with director Jean Boyer, until his debut with "Nous autres à Champignol" (1957), the first in this series involving gendarmes and Champignol, followed by this film, and finally "The Boss of Champignol" (1966). Photographs in large quarto notebook 3.5 x 4.75 inches, keybook contact prints 8.25 x 10.5 inches, 2-hole punched, several trimmed, and loose photos range from 4.75 x 6.75 inches to 7 x 9.25 inches. Photographs about Near Fine, with light curling, a handful with short creases, press packet Near Fine, notebook Near Fine, and binder Very Good. …

Paris, Draeger, 1951. In-4, cartonnage éditeur, 251p. Impression en héliogravure. Intérieur de toute fraîcheur. Premier plat défraîchi. NB. Les questions et commandes sont traitées dans les 48h, les expéditions reprendront lundi 12 octobre. Merci .