rocknroll (15 resultados)

Paperback. Condición: Brand New. 110 pages. 11.00x8.50x0.28 inches. In Stock.

Paperback. Condición: Very Good. MaximumRocknroll. Magazine has some light wear to corners, a one by two inch brown stain at bottom of front cover. otherwise a very nice copy, clean and presentable.

Condición: Good. Etat correct. Sans date. Good.

Paperback. Condición: New.

Audio CD. Condición: Sehr gut. CD - 25 Rock'n'Roll Greatest Hits . Part 1 W0-KANC-IBT5 Sprache: Deutsch Gewicht in Gramm: 82.

Condición: g. Taschenbuch 182 S. guter Zustand, ohne Namenseintrag, Schnitt etwas staubfleckig, sieht man kaum Zustand: 3, g, Taschenbuch Soulsaver , 2012 182 S. , Dying Stars - Kiffen Koksen Saufen Rocken Sterben - We sold our Souls for Sex, Drugs and Rock'n'Roll, Dying Stars - Kiffen Koksen Saufen Rocken Sterben - We sold our Souls for Sex, Drugs and Rock'n'Roll, 3942893053, BU395241.

Hardback. Condición: New.

Condición: very good. vendeur pro, expedition soignee en 24/48h.Le livre peut montrer des signes d'usure dus à son utilisation, des défauts esthétiques tels que des rayures, des bosses et/ou des coins legerement endommages.

N° 4 - 1977 - revue mensuelle illustrée - Couverture : Ange et factory - in-4 broché bon état.

Dics AZ, sans date ( années 60 ). Belle carte postale en noir et blanc avec photo du groupe français " Les Sunlights " prise par Michel Laguens, au format 13,5 x 9 cm. Les Sunlights est un groupe de musique français, originaire de Roubaix, dans le Nord. Formé au début des années 1960 par trois frères d'origine sarde, Serge, Aldo et Bruno Cogoni. Superbe état. Rare.( Port inclus pour la france ).

Paperback. Condición: New.

Hardback. Condición: New.

Maximum Rocknroll Punk Zines Archive. San Francisco: Maximum Rocknroll, 1988?1989. Six issues: Nos. 61, 65, 70, 71, 72, and 77. Staple-bound zines on newsprint in pictorial self-wrappers (two issues lacking covers), measuring 11" x 8", approximately 100 pages each. A politically charged six-issue archive of Maximum Rocknroll from the late 1980s, reflecting the zine?s sharp editorial focus on global punk resistance, radical activism, and anti-authoritarian scene culture. Founded in 1982 by Tim Yohannan, MRR grew to become the definitive punk platform of its time, weaving together anarchist, anti-racist, feminist, and anti-capitalist perspectives with firsthand reporting from scenes in East Germany, Latin America, Indigenous North America, and the U.S. underground. These issues document punk's critical role as a transnational youth movement responding to state violence, colonial legacies, and corporate encroachment while building alternative infrastructures of expression and support. Includes: [1] No. 61 (June 1988): Features a cover story on Scream, the Washington D.C. hardcore band known for their socio-political lyrics and ties to the Dischord label (and future Nirvana drummer Dave Grohl). Includes commentary on the evolution of D.C. punk toward post-hardcore and resistance culture. [2] No. 65 (Oct. 1988): ?This Is Indian Land!? ? A landmark issue foregrounding Indigenous sovereignty and Native punk voices, with pieces on land reclamation, AIM activism, and Native youth confronting racism in punk and society. [3] No. 70 (March 1989): Features a special section on East German punks resisting surveillance and repression under the GDR. Includes profiles on Agent 86, Walking Ruins, and punk life behind the Berlin Wall. [4] No. 71 (April 1989): Emphasizes grassroots anti-police brutality organizing and punk?s role in environmental and anti-nuclear movements. Includes Latin American scene reports and critiques of institutional sexism. [5] No. 72 (May 1989): Contains international reviews, DIY distro listings, and columns from Europe, South America, and Japan. Spotlights punk?s global communication networks and anti-commercial stance. [6] No. 77 (Oct. 1989): Cover features a corpse clutching MRR, underscoring themes of repression, martyrdom, and media resistance. Includes in-depth essays on El Salvador, deep ecology, and punk?s political future. Each issue is packed with scene reports, letters, interviews, columns, and detailed reviews of demos, 7-inches, and zines. Featured bands include Scream, Agent 86, Christ on Parade, and international acts from Chile, East Germany, and Japan. Ads for 924 Gilman Street, Blacklist Mailorder, and mail-based record trading illustrate punk?s decentralized infrastructure during this pre-internet era. Uniform toning to newsprint, some edgewear and creasing; Nos. 71 and 72 lacking covers but internally complete and well-preserved. A compelling and historically rich archive from MRR?s most confrontational and globally aware editorial period?essential for researchers of Cold War punk, Indigenous activism, international DIY culture, and underground media resistance.

90 : 140 mm. Frühes Kniestück im Halbprofil nach rechts. - Weltbekannt wurde er Anfang der 1960er-Jahre durch seine Hits The Twist und Let's Twist Again, die den Tanzstil Twist populär machten.

90 : 140 mm. Kniestück von vorn. - Weltbekannt wurde er Anfang der 1960er-Jahre durch seine Hits The Twist und Let's Twist Again, die den Tanzstil Twist populär machten.