Robert wilson director (30 resultados)

Paperback. Condición: Fair. 3rd ed. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Decorative Hardcover. Condición: Good. No Jacket. 119 pp. Vol. 9, No. 1, Winter 1972 issue only! An great study or work or reading or research copy! Solidly and tightly bound copy with moderate external, but minimal internal wear and use. Copy with clean text on crisp pages. Minimal, light, slight or very mild browning, tanning, foxing or discoloration on page edges, not affecting text. Slightly bumped cover board corners. Minor fraying on top of spine. No dust jacket. Over-sized and/or over weight book; may require additional postage. Please note that large and/or heavy items may incur extra shipping charge for both domestic and/or international shipments. Jane Wilson (Art Editor); Kenneth Munowitz (Art Director); Murray Belsky (Editorial Art Director) (ilustrador).…

Decorative Hardcover. Condición: Good. No Jacket. 120 pp. Vol. 13, No. 2, Spring 1971 issue only! An great study or work or reading or research copy! Solidly and tightly bound copy with moderate external, but minimal internal wear and use. Copy with clean text on crisp pages. Minimal, light, slight or very mild browning, tanning, foxing or discoloration on page edges, not affecting text. First few pages slightly detached from spine. Slightly bumped cover board corners. No dust jacket. Over-sized and/or over weight book; may require additional postage. Please note that large and/or heavy items may incur extra shipping charge for both domestic and/or international shipments. Jane Wilson (Art Editor); Kenneth Munowitz (Art Director); Murray Belsky (Editorial Art Director) (ilustrador).…

Vintage studio still photograph from the 1936 film. Based on the 1933 play "Glory," by Adelyn Bushnell. A man is convicted of murdering the town philanthropist. The local newspaper editor investigates the case hoping to exonerate the man convicted while sheltering him at her home after he breaks out of jail. 8 x 10 inches. Very Good plus, with pinholes at the corners, a small chip at the bottom right corner, and a tear at the left edge.…

Magazine. Condición: Near Fine. First Edition. SIGNED on the front cover by the artist, Mark Ryden, in gold acrylic pen. 88pp. Quarto [27.5cm]; saddle-stapled in glossy magazine wraps. Full-color. Profusely illustrated throughout. Just a hint of rubbing and edgewear. The front cover shows the Pop/Surrealist master Mark Ryden's painting "Princess Sputnik" and reads "Mark Ryden: Paintings About God, Children, and Grade A USDA Beef," under which Mark Ryden has signed this work in gold acrylic pen. The feature article "Mark Ryden: Overachiever Extraordinaire" appears on page 62. This copy is from the collection of Pat "the Cat" Eddington (1953-2016), a Utah-based artist and art teacher who carried on extensive correspondence throughout his life with a staggering number of writers, visual artists, and musicians. A generous gift-giver, Eddington was always eager to forge connections among the writers and artists that he knew and admired. Eddington also co-owned and operated the publishing company Green Cat Press, which specializes in original letterpress broadsides in small editions. Signed.…

Two vintage photographs from the 1943 film, one publicity photograph of Frances Langford, Walter Catlett, and Leon Errol, and one reference photograph of Langford and Catlett. Robert Paige stars as a struggling songwriter who poses as a Texas cattle baron in love with a Broadway star, played by Frances Langford, as a ruse to boost sales for a faltering Broadway show. 8 x 10 inches. Near Fine.…

Vintage studio still photograph from the 1968 sexploitation film. Several couples on a fishing trip become involved in sexual trysts. 8 x 10 inches. Very Good plus, with several pinholes.

Vintage pressbook for the first release of the groundbreaking 1968 film, based on the nonfiction book by Truman Capote. Laid in are all 4 of the original pressbook inserts, drawing equal attention to the best selling book and its filmed realization. Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book, and remains one of the great meditations on violence in America. 11 x 17 inches. Unfolded. Fine.…

Final Draft script for the first episode of the first season of the 1977 ABC television series, which aired on May 5, 1977. The series, about an android cop, Haven, who is assigned to work with two veteran patrol officers (Ernest Borgnine and John Amos), was created by Allen S. Epstein and Anthony Wilson, and was based on a made-for-television film of the same name which premiered a year earlier on May 1, 1976. The series predated the Paul Verhoeven's 1987 classic "Robocop" by a decade, and only lasted for one five-episode season before ending on April 30, 1977. In this episode Haven attempts to infiltrate a crooked boxing ring by posing as an Irish boxer. Set in and shot on location in Los Angeles. Yellow titled wrappers. Title page present, dated January 14, 1977, noted as FINAL DRAFT, with credits for screenwriter Mann Rubin. 65 leaves, with last page of text numbered 60. Mimeograph duplication on pink leaves, rectos only, with yellow and green revision pages throughout, dated 1/18/77 and 1/19/77. Pages Near Fine, wrapper Very Good plus, with foxing at the extremities, bound with two gold brads.…

Hardcover. Condición: Fair. First Edition. Prepared for the Technical Assistant to CNO for Polar Projects. "While this work is primarily prepared for military planners, it also presents the foundation study for engineers undertaking any planned construction. It is hoped that the study leads to consideration of a transportation approach from the inland rather than depending entirely on the difficult and unreliable sea approach to certain areas requiring logistic support. Covers in detail the north Canadian mainland and Baffin Island." - from Preface. Includes several bibliographies covering the geographic areas studied. Black and white illustrations and maps. Above-average wear. Usual library markings. Binding intact. A worthy reference copy.; 4to - over 9¾" - 12" tall; Canadian North: Technical Assistant to Chief of Naval Operations for Polar Projects (OP - 03A3) Arctic Resources Maps Bibliography Canada Military Planning Cold War Defense.…

Condición: Very Good. 1938; 1941. First edition. British Colour Council in collaboration with The Royal Horticultural Society. London. 1938; 1941. First edition. 2 volumes. Two 8-page stapled booklets; 200 loose plates each representing a different colour, with each colour sampled in 4 different tint or shades; 800 colour samples in total; black card viewing mask included. All housed in two matching olive-green cloth cases. English. 255x175mm. 1.95kg. Very good; slight shelf wear to cases with a few light marks; colour sample plates printed on gloss paper are curled at edges, as usual; foxing to booklets, rusting to staples, light marks to black card viewer. A colour sample chart, with all samples present. The British Colour Council was established in 1930 to standardise colour definition across industries. In 1934 the Council published The Dictionary of Colour Standards. This present work, published in parts in 1938 and 1941, selects colours particularly appropriate to horticultural and flowers. 'The need for standardized colour terms for horticultural use requires no emphasis, without them accurate description is impossible.' (from the introduction). The book remains an invaluable aid for colour inspiration and matching and, as the original text makes clear, it has 'a use and value far outside its horticultural scope'. Few copies of the chart have survived because it was used so extensively as a working tool. Beaux Books specialises in fine and rare books on art and culture in the 20th and 21st centuries. We welcome questions about our books and we are happy to provide any extra images. Buy with confidence from an experienced bookseller.…

Final script for the 1956 film. Originally, screenwriter Michael Wilson went uncredited because he was on the Hollywood Blacklist. Credited here for screenwriting are novelist Jessamyn West and one of the film's producers Robert Wyler. Wilson was finally given the credit by the Screenwriters Guild in 1996. Based on the 1945 novel by Jessamyn West. Members of a Quaker family in 1860s Indiana must individually reassess their faith and morals as the Civil War looms closer and closer to their home. Set in Jennings County, Indiana. Brown Allied Artists' leather binder, with credits for director William Wyler. Title page present, dated 18 August, 1955, noted as Final, with credits for novelist Jessamyn West, screenwriters Jessamyn West and Robert Wyler, and director William Wyler. 164 leaves, with last page of text numbered 163. Mimeograph duplication, rectos only, with revision pages throughout, dated variously between 9/6/55 and 9/12/55. Pages Very Good, binder Very Good plus, bound with three gold brads. Martin 140.…

Revised Shooting Draft script for the 1996 film. Single annotation in manuscript pencil on the rear wrapper verso. Wes Anderson's feature film directorial debut, cowritten with actor Owen Wilson, about three friends who plan a heist in the southwestern suburbs. Based on Anderson's 1992 short film of the same title, whose success at the 1994 Sundance Film Festival persuaded filmmaker James L. Brooks to finance a full-length version of the film. Shot on location in Dallas, Fort Worth, and Hillsboro, Texas, and at the Camarillo State Mental Hospital in Camarillo, California. White generic Gracie Films wrappers. Title page present, dated September 20, 1994, noted as Shooting Draft, and credits for Anderson and Wilson. 109 leaves, with last page of text numbered 108. Xerographic duplication, rectos only. Pages about Fine, wrapper Near Fine, bound with two gold brads.…

Five vintage borderless black and white photographs from the set of the 1967 film. With two printed mimeo snipes on the verso, along with the stamp of still photographer James Johnson. From the archive of the PIX Agency, a photo house that acted as an intermediary between emigre photographers (as well as those still living in Europe) and the American magazine and newspaper market between 1935-1969. Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Truman Capote's most famous book, and remains one of the great meditations on violence in America. Nominated for four Academy Awards. 10 x 8 inches. Most Very Good plus, with light creasing and edgewear, one Very Good, with a tear to the top right corner, repaired with cello tape on the verso. National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US.…

Two vintage studio still photographs from the 1947 film noir. Based on the 1945 novel, "None So Blind," by Mitchell Wilson. A Coast Guard officer develops feelings for a married woman despite the presence of her blind husband. Shot on location in Malibu, CA. 8 x 10 inches. Very Good, with a crease down the left side of the photos. One photo with a small tear at the right edge. One photograph with a loss at the top right corner. Grant US. Rosenbaum 1000. Selby US Canon. Silver and Ward Classic Noir. Spicer US.…

Vintage Island Records announcement of the forthcoming release of the 1993 album. The recto of the announcement is a press release regarding the release's history and its promotion, and the verso contains a black and white copy of the album cover and contact information. Originally presented as avant-garde musical theater created by theatre director Robert Wilson, musician Tom Waits, and writer William S. Burroughs, "The Black Rider" premiered in March of 1990, and would become Waits' twelfth studio album, released in 1993. The album featured studio versions of songs originally created for the play, and featured three songs written by Waits and Burroughs, one written by Burroughs, and one song on which Burroughs "sings." 8.5 x 11. Xerographic reproduction. Near Fine.…

Vintage reference photograph of actor Anthony Quinn and producer Sam Spiegel shaking hands on the set of the 1962 film. Based on T.E. Lawrence's 1926 autobiography "Seven Pillars of Wisdom." Opening in 1935 with the death of Lawrence (Peter O' Toole) in a motorcycle accident at the age of 46, we follow, in flashback, Lawrence as a young intelligence officer in 1916 Cairo, assigned to investigate the progress of the Arab revolt against the Turks. A landmark of British cinema, now considered one of the most influential adventure films ever made. Winner of seven Academy Awards, including Best Picture. 8 x 10 inches. About Fine. National Film Registry. Ebert I.…

Vintage photograph of Mary Linda Rapelye on the set of the 1967 film. Manuscript annotations in pencil and press agency stamps on the verso. Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book, and remains one of the great meditations on violence in America. 10 x 8 inches. Near Fine. National Film Registry. Criterion Collection 781. Ebert II. Penzler 101.…

Vintage double weight matte portrait photograph of actress Fritzi Ridgeway to publicize the 1923 Western film. With a mimeo snipe to the verso, along with the stamps of Paramount Pictures and photographer Eugene Robert Richee. Based on the 1915 novel, about a posh English valet who is forced to assimilate into a small town in the American West. Now considered to be a lost film. Shot on location in Eureka, California. 7.5 x 10 inches. Very Good plus, with light, even toning and slight edgewear.…

Vintage photograph of director Robert Wilson and assistant director Ann Christin Rommen during a workshop for the premiere of the 1992 production of the 1794 play. Photograph with a mimeo snipe label and a photographer's label on the verso. The play premiered at the Alley Theatre in Houston, Texas on October 30 and closed on November 14, 1992. Wilson's staging of the canonical 1794 play was Wilson's first project as Artistic Associate of Houston's Alley Theatre, and was produced after an eight month creative process led by Wilson as the production's director and designer. Set in during the French Revolution. 7 x 5 inches. Two small pinholes to the upper left margin, else Near Fine.…

Vintage borderless photograph from the December 5, 1974 to January 5, 1975 performances at Théâtre des Variétés in Paris, part of the Festival d'Automne, of the 1974 play, with a Philippe Gras photographer's stamp and annotations on the verso. Wilson's first work for the stage with spoken text. The theatrical piece premiered at the Festival dei Due Mondi in June 1974, and was subsequently performed later that year in La Rochelle and Paris. It also played a short season in March-April 1975 at the ANTA Theatre on Broadway. Nominated for a 1975 Tony Award for Best Original Score for composer Alan Lloyd. 9.5 x 7 inches. Near Fine.…

Vintage silver gelatin reference photograph from the brutal 1967 film, based on Truman Capote's nonfiction book. Stamped twice on the verso, once in red (Columbia Pictures) and once in black (ORIGINAL PRINT / Pictorial Press, Ltd., with contact information). This image shows Dick (Scott Wilson) taking a rifle from the back seat of his car, just prior to entering the house and committing the vile crime that is the subject of the film. Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book, and remains one of the great meditations on violence in America. 8 x 10 inches. Near Fine. …

Vintage silver gelatin reference photograph from the brutal 1967 film, based on Truman Capote's nonfiction book. A candid photograph that captures the essence of the story's cold-blooded killers in transit, driving the vehicle in which they spend much of the film. Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book, and remains one of the great meditations on violence in America. 9.5 x 7.5 inches. Near Fine.…

Vintage borderless studio still photograph from the 1967 film, showing writer Truman Capote talking with director Richard Brooks and cinematographer Conrad Hall on location in Kansas. Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book, and remains one of the great meditations on violence in America. Nominated for four Academy Awards. 7.5 x 10 inches. About Fine. National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US.…

Vintage borderless photograph of composer Robert Wilson holding a cardboard stick puppet on the set of the 1984 opera. Mimeo snipe in German on the verso. "The CIVIL warS" was originally conceived as six movements, created in six different countries, that once premiered in their countries of origin would then be joined together into a day-long opera for the 1984 Summer Olympics in Los Angeles. However, after adequate funding never surfaced for the project, the piece remained incomplete and is now known only for its five completed sections. It has never been performed whole. Originally performed at the Schnauspielhaus in Cologne, Germany, on January 19, 1984, the play would be performed again in Cambridge, Massachusetts. It was to this second production that the Pulitzer Prize jury unanimously awarded the prize for drama for 1986, only to be overruled by the supervisory board. 5 x 7 inches. Fine.…

Vintage reference photograph of director Jean Renoir talking with actors Joan Bennett and Robert Ryan on the set of the 1947 film. Printed mimeo snipe affixed to the verso, along with a provenance stamp and the stamp of RKO photographer John Miehls. Renoir's last Hollywood film, one of his most impressionistic and artistic efforts. A coast guard officer with post-traumatic stress disorder becomes involved with the beautiful wife of a blind painter. Shot on location in Malibu and Sequit Point, California. 10 x 8 inches. Near Fine. Grant US. Rosenbaum 1000. Selby US. Silver and Ward US. Spicer US.…

Vintage borderless photograph of Robert Blake and Scott Wilson from the 1967 film. Crop annotations in manuscript pencil and the stamp of photographer Michel Ciment stamp on the verso. Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book, and remains one of the great meditations on violence in America. Nominated for four Academy Awards. 10 x 8 inches. Very Good plus, some light creasing and edgewear. National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US.…

Vintage reference photograph of Peter O'Toole, Gamil Ratib, and David Lean on the set of the 1962 film. Based on the 1926 autobiography "Seven Pillars of Wisdom" by T.E. Lawrence. An incomparable film. Opening in 1935 with the death of Lawrence (Peter O'Toole) in a motorcycle accident at the age of 46, we then follow, in flashback, Lawrence as a young intelligence officer in 1916 Cairo, assigned to investigate the progress of the Arab revolt against the Turks. Winner of seven Academy Awards, including Best Picture. Shot on location in England, Saudi Arabia, Spain, and Morocco. 10.25 x 8 inches. Some edge and corner wear, else Near Fine. National Film Registry. Ebert I.…

Vintage reference photograph from the 1932 pre-Code film, showing director Michael Curtiz and a camera crew filming a scene. From the archive of film historian and author Joel Finler. Based on the 1932 memoirs of former prison warden Lewis E. Lawes, about a brash convict's increasingly desperate attempts to escape Sing Sing. Set in Ossining, New York. 8 x 10 inches. Very Good plus, lightly age toned. Grant US. Spicer US Precursor.…

Vintage keybook reference photograph of Alec Guinness, Sam Spiegel, Jack Hawkins, and David Lean on the set of the 1962 film. Based on the 1926 autobiography "Seven Pillars of Wisdom" by T.E. Lawrence. An incomparable film. Opening in 1935 with the death of Lawrence (Peter O'Toole) in a motorcycle accident at the age of 46, we then follow, in flashback, Lawrence as a young intelligence officer in 1916 Cairo, assigned to investigate the progress of the Arab revolt against the Turks. Winner of seven Academy Awards, including Best Picture. Shot on location in England, Saudi Arabia, Spain, and Morocco. 11 x 8 inches. Near Fine. National Film Registry. Ebert I.…