Robert j smithson (11 resultados)

Hardcover. Condición: Good. Estado de la sobrecubierta: Fair. Pages clean and tight/no markings/former owners name on inside cover/slight sticker residue upper inside corner/BOXG-31.

Condición: Good. 1952. No Edition Remarks. 96 pages. Blue dust jacket over blue cloth. Black and white photographic plates throughout and similar frontispiece. Pages bright with some tanning and foxing, particularly to textblock edges and endpapers. Binding remains firm. Dedication to front pastedown. Boards have slight shelf wear with mild marking and corner bumping. Clipped jacket has light edge wear with minor tears and chipping and mild rubbing and marking. Spine mildly tanned and sunned.…

Condición: Good. 1952. No edition remarks. 96 pages. Blue dust jacket over blue cloth. Contains black and white photographic plates. Clean pages with light tanning and mild foxing throughout. Tightly bound with faint thumb-marking throughout. Boards have light edge wear with minor corner bumping. Mild crushing to spine, with occasional markings overall. Heavy sunning to head of spine. Boards are mildly warped. Unclipped jacket has moderate edgewear with chips, tears, and creasing. Notable foxing. Moderate tanning to spine. Notable rubbing and marking all over. …

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. The dustwrapper is rubbed and has discolouring, some wear to the edges and corners, with some small rips and chips to the edges. The blue boards are lightly rubbed with some bumping to the edges, with clear lettering to the spine, tanning lines to inside covers. The binding is firm. The pages are clean with light tanning and crease free. This book has 96 pages. All in all a nice example of this book.…

Condición: Good. No Edition Stated. 176 pages. Blue jacket over blue cloth. Pages are lightly tanned and thumbed at the edges. Binding has remained firm. Boards are a little rub worn, slight shelf wear to corners, spine and edges. Corners are a little bumped. Spine ends are mildly crushed. Light tanning to spine and edges. Light wear to clipped dust jacket with tears, nicks and creases to spine, edge and corners.…

Paperback. Condición: Very Good. 2009 Whitechapel Gallery paperback edition. Light reading wear else very good condition. Contents: THE REVIVAL OF BEAUTY Dave Hickey Enter the Dragon: On the Vernacular of Beauty Kathleen Marie Higgins Whatever Happened to Beauty? A Response to Danto Elaine Scarry On Beauty and Being Just Wendy Steiner Venus in Exile: The Rejection of Beauty in Twentieth-Century Art Suzanne Perling Hudson Beauty and the Status of Contemporary Criticism Saul Ostrow The Eternal Problem of Beauty's Return Arthur C. Danto The Aesthetics of Brillo Boxes Alexander Alberro Beauty Knows No Pain Diarmuid Costello, Arthur C. Danto, Anna Dezeuze, Martin Donougho, Thierry de Duve, James Elkins, David Raskin, Dominic Willsdon, Richard Woodfield The Art Seminar CONCEPTS AND CONTEXTS Theodor Adorno On the Concept of the Beautiful Jacques Derrida The Sans of the Pure Cut Griselda Pollock Woman as Sign: Psychoanalytic Readings Jay Bernstein Beauty and the Labour of Mourning Fredric Jameson Transformations of the Image in Postmodernity Thierry de Duve Kant after Duchamp Jason Gaiger Incidental and Integral Beauty: Duchamp, Danto and the Intractable Avant-Garde T.J. Clark Vulgarity Caroline A. Jones The Discourse of the Studio Meets the Technological Sublime John Roberts Replicants and Cartesians Mark Cousins The Ugly Mark Hutchinson Nausea: Encounters with Ugliness Simon O'Sullivan Art and the Political: Minor Literature, War Machines and the Production of Subjectivity POSITIONS Rosalind Krauss The Photographic Conditions of Surrealism Benjamin H.D. Buchloh Robert Morris's Paradoxes Robert Smithson An Aesthetics of Disappointment Andy Warhol On Beauty Rasheed Araeen Cultural Imperialism: Observations on Cultural Situation in the Third World Gerhard Richter Notes Paul Wood Truth and Beauty: The Ruined Abstraction of Gerhard Richter Leon Golub and Nancy Spero Interview with Adrian Searle Agnes Martin Interview with Irving Sandler Alex Katz Interview with David Sylvester John Currin Interview with Robert Rosenblum Wendy Steiner On Marlene Dumas Art & Language On Painting Rudolf Sagmeister Endangered Beauty: On Gary Hume Christoph Grunenberg Attraction-Repulsion Machines: The Art of Jake and Dinos Chapman Vito Acconci Interview with Bryant Rousseau Leo Fitzmaurice Beauty (a list of possibilities).…

National Museum of Contemporary Art, Oslo 1999. Small 4to. Illustrated in b/w and colour. 303 pages. Orig. soft cover. Owner's stamp and other stamp to the inside of the cover. Cover showing light signs of usage. Soine slightly cocked. In very good condition.

First Edition. First edition. Softcover. 303 pages. Monograph published in conjunction with a traveling exhibition that had three stops in Oslo, Norway, Stockholm, Sweden and Ishoj, Denmark. Features text contributions by Per BJ Boym, Anette Osterby, Tim Martin, Vibeke Petersen, and Stian Grogaard with much of it in English. Includes numerous color and some black and white illustrations and a checklist. A very good plus copy in wrappers with some bumping to the corners. A fairly ucommon book on this important American artist who sadly died at the young age of only thirty five.…

Paperback. Condición: Good. First Edition. 72 pages. Features: Nice one-page photo ad for the Dodge Custom Royal V-8 Lancer Convertible; Photo ad of De Soto Indy pace car with De Soto President L.I. Woolson at the wheel; Super one-page color-photo ad for Palm Beach sportswear features golfers Cary Middlecoff and Gene Littler at the Thunderbird Country Club in Palm Springs; Nice one-page color ad for Wilson Patty Berg golf clubs; Article on the St. Louis Cardinals; Article on the Indianapolis 500 - with great color photos; Race horse Nashua; Great two-page photo of boxer Ray Robinson standing over Bobo Olson; Photo of Georgia Tech football practice - wearing 'space-suits; The Ultimate Storm (part 2) - with lovely photos of William A. Robinson beside his self-made Tahitian home, his daughters and wife; Photos of these Indy drivers in their cars - Giuseppe Farina, Paul Russo, Pat Flaherty and Jim Bryan; Georgia Tech's new Aeck dome under construction - article with photo; Tuna fishing at Cat Cay in the Bahamas - article with color photos; Photo of beautiful trampolinist Paulette Nelson; Photos of dog owners J. Horace Lytle, Frank Straw and Jack Greene; Nostalgic color-photo ad for Coopers boxer shorts inside back cover features five young men. Nice one-page color-photo ad for Jantzen shorts features young man with walking stick; Jimmy Jones of Calumet Farm; Nice one-page color-photo ad for Evinrude 'quiet' outboard motors shows water skiers putting their boat in the water. Average wear. Address label mostly removed from front cover. Unmarked. A worthy vintage copy. Lyon, Fred (cover); Broadhead, W. Smithson (ilustrador).…

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Carole Condé and Karl Beveridge; " Autopatripassionata," by Christine Kozlov and Mayo Thompson; "Review: Chic Kicking Muse," by Sharlene Spingler; "Chris Smith Confronts Norman Trotsky and Dame Flora Luxemburg, Many of their colleagues, Furry and Feathered Friends," by Art & Language UK; " For Your Reference," Ian Wilson; "Review: Convoy," by Mayo Thompson; "The 'Liquidation' of Art: Self-Management or Self-Protection," by Jasna Tijardovic; "Bathysiderodromophobia," Ross Neher; "Has Your License Expired," by Nigel Lendon; "Work," by Joseph Kosuth; "Method or Mouthtalk," by Fern Tiger and Edward Robbins; "The Organization of Culture under Monopoly Capitalism, Part I: 'How Do You Feel About the Arts and Artifacts Indemnity Act?' The Organization of Culture under Monopoly Capitalism, Part II: Culture Ain't No Headless Horseman," by Michael Corris, Preston Heller, Andrew Menard; "History," by David Rushton and Paul Wood; "On the Class of Character in Art," by Goram Djordjevic; "Sociological Art as Utopian Strategy," by Hervé Fischer; "Art-Learning," by David Rushton and Paul Wood; correspondence by Robert Witz, Joshua Neustein, Guerrilla Art Action Group, J. Byron Kearns and others; and notes: "May Stevens: Art & Class"; Jane Klion & Julie Wolf: Students Fighting Faculty at WU; Mayo Thompson: Natural Alliances; For the Sensitive Stefan Morawski: Theses on Aesthetics. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 72 - 73 and 77. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 261. Fair / Good. Volume One: light creasing of recto and verso; 10 cm. moisture soiling to bottom edge of recto carrying through to all pages; rubbing of cover edges with rounding of corners; previou.…

23x15,5 cm. Complete set of 8+1 issues (9 in total). Contributions by J. G. Ballard, Joseph Beuys, Stig Brøgger, Henning Christiansen, Poul Gernes, Allan Kaprow, Per Kirkeby, Ferdinand Kriwet, Jørgen Leth, Robert Morris, Hans-Jørgen Nielsen, Bjørn Nørgård, Robert Smithson, Erik Thygesen et al. (.)Despite its short life, the little magazine ta' undoubtedly represents one of the most important manifestations of the Danish avant-garde of the 1960s. This is where new currents in the Danish and Nordic post-war avant-garde, international affiliations as well as rediscoveries of the pre-war avant-garde, were introduced and where new ideas about art, subjectivity and technology were launched. In Danish literary history ta' has been seen either as part of late modernism or as an anticipation of post-modernism, whereas new research (Ipsen and Mogensen 2005) has suggested that an avant-garde perspective offers the most complete and precise understanding of ta'. As proclaimed in an advertising folder, ta' was intended to be a "dogmatic magazine" whose goal was to update "the domestic debate on arts and culture in accordance with a completely new attitude and sensibility" and to "operate across the borders of the arts". The intention was to "create an advanced debate about the new art forms that have emerged during recent years". (.) The name ta' (the imperative: "take") emerged during an early editorial meeting, when one of the editors, Peter Louis-Jensen, took the name from the slogan on a six-pack of Coca-Cola: "ta' 6" (take six) (Bjørnkjær 2005: 11). As the writer and critic Hans-Jørgen Nielsen later wrote in the essay "Gruppebillede fra 60erne" (Group Portrait from the '60s), the name was "totally unpretentious compared to the usual emphatic names" (Nielsen 2006: 470) (.)ta' gives an important insight into the discussions of the Danish avant-garde of the 1960s, which would have disappeared if they had not been printed. ta' printed important manifestos and articles and made them known to a (slightly) larger audience. The magazine served its purpose as an avant-garde platform, editors were interviewed in connection with the release of ta' no. 1, and ta' was widely reviewed and discussed in the Danish press, although often in very critical terms. The editors also went on a tour of Denmark in January 1967 with a programme of happenings in order to promote the first issue of the new magazine. [Kromann 2016, p. 208-211]. Excellent overall condition with minimal wear and light discolouration on covers. …