Robert goodnough (75 resultados)

Paperback. Condición: Good. Literary Nonfiction. Art. In April of 1950, about two dozen of the artists who came to be known as the Abstract Expressionists met for a series of discussions about their own work as well as the contemporary scene. Nearly 60 years after the actual meetings took place, the transcript of ARTISTS' SESSIONS AT STUDIO 35 (1950) still pulses with the heated discussions around basic artistic issues like titling, process, relationship to history, community, and professionalism. Often referenced, but rarely fleshed out, this series of closed meetings allows readers fly-on-the-wall access to the artists' discussions. The goal of the current reprint is to refresh this document by giving it a new life in a new form.…

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Very Good. "As a painter and as one interested in education in relation to painting and drawing, the writer has become personally interested in the problem of subject matter in art. Since there is controversy in regards to this tendency in painting, research directed toward the source of ideas involved in the work, it is felt, will help to make clear the intention of the artists. This research will deal with the attitudes of these artists toward their own work and their relation to tradition as they express it." ?Robert Goodnough (1950). The absence of traditional subject matter was a primary issue for painters in mid-twentieth-century America whose imagery lacked representational references; it was also a problem for those struggling to understand modern art. Robert Goodnough (1917?2010), then a New York University graduate student and an artist deeply involved with these issues, responded to the situation in a 1950 research paper, "Subject Matter of the Artist: An Analysis of Contemporary Subject Matter in Painting as Derived from Interviews with Those Artists Referred to as the Intrasubjectivists." Goodnough's paper constitutes the first scholarly work on the artists who became known as the Abstract Expressionists and includes interviews with William Baziotes, Willem de Kooning, Adolph Gottlieb, Robert Motherwell, Barnett Newman, Jackson Pollock, and Mark Rothko. This previously unpublished study is presented here for the first time alongside related writings by Goodnough.…

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Good. Literary Nonfiction. Art. In April of 1950, about two dozen of the artists who came to be known as the Abstract Expressionists met for a series of discussions about their own work as well as the contemporary scene. Nearly 60 years after the actual meetings took place, the transcript of ARTISTS' SESSIONS AT STUDIO 35 (1950) still pulses with the heated discussions around basic artistic issues like titling, process, relationship to history, community, and professionalism. Often referenced, but rarely fleshed out, this series of closed meetings allows readers fly-on-the-wall access to the artists' discussions. The goal of the current reprint is to refresh this document by giving it a new life in a new form.…

paperback. Condición: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Paperback. Condición: Very Good. "As a painter and as one interested in education in relation to painting and drawing, the writer has become personally interested in the problem of subject matter in art. Since there is controversy in regards to this tendency in painting, research directed toward the source of ideas involved in the work, it is felt, will help to make clear the intention of the artists. This research will deal with the attitudes of these artists toward their own work and their relation to tradition as they express it." ?Robert Goodnough (1950). The absence of traditional subject matter was a primary issue for painters in mid-twentieth-century America whose imagery lacked representational references; it was also a problem for those struggling to understand modern art. Robert Goodnough (1917?2010), then a New York University graduate student and an artist deeply involved with these issues, responded to the situation in a 1950 research paper, "Subject Matter of the Artist: An Analysis of Contemporary Subject Matter in Painting as Derived from Interviews with Those Artists Referred to as the Intrasubjectivists." Goodnough's paper constitutes the first scholarly work on the artists who became known as the Abstract Expressionists and includes interviews with William Baziotes, Willem de Kooning, Adolph Gottlieb, Robert Motherwell, Barnett Newman, Jackson Pollock, and Mark Rothko. This previously unpublished study is presented here for the first time alongside related writings by Goodnough.…

Condición: Used: Like New. Near fine.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. "As a painter and as one interested in education in relation to painting and drawing, the writer has become personally interested in the problem of subject matter in art. Since there is controversy in regards to this tendency in painting, research directed toward the source of ideas involved in the work, it is felt, will help to make clear the intention of the artists. This research will deal with the attitudes of these artists toward their own work and their relation to tradition as they express it." Robert Goodnough (1950).The absence of traditional subject matter was a primary issue for painters in mid-twentieth-century America whose imagery lacked representational references; it was also a problem for those struggling to understand modern art. Robert Goodnough (19172010), then a New York University graduate student and an artist deeply involved with these issues, responded to the situation in a 1950 research paper, "Subject Matter of the Artist: An Analysis of Contemporary Subject Matter in Painting as Derived from Interviews with Those Artists Referred to as the Intrasubjectivists." Goodnough's paper constitutes the first scholarly work on the artists who became known as the Abstract Expressionists and includes interviews with William Baziotes, Willem de Kooning, Adolph Gottlieb, Robert Motherwell, Barnett Newman, Jackson Pollock, and Mark Rothko. This previously unpublished study is presented here for the first time alongside related writings by Goodnough. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New. "As a painter and as one interested in education in relation to painting and drawing, the writer has become personally interested in the problem of subject matter in art. Since there is controversy in regards to this tendency in painting, research directed toward the source of ideas involved in the work, it is felt, will help to make clear the intention of the artists. This research will deal with the attitudes of these artists toward their own work and their relation to tradition as they express it." -Robert Goodnough (1950).The absence of traditional subject matter was a primary issue for painters in mid-twentieth-century America whose imagery lacked representational references; it was also a problem for those struggling to understand modern art. Robert Goodnough (1917-2010), then a New York University graduate student and an artist deeply involved with these issues, responded to the situation in a 1950 research paper, "Subject Matter of the Artist: An Analysis of Contemporary Subject Matter in Painting as Derived from Interviews with Those Artists Referred to as the Intrasubjectivists." Goodnough's paper constitutes the first scholarly work on the artists who became known as the Abstract Expressionists and includes interviews with William Baziotes, Willem de Kooning, Adolph Gottlieb, Robert Motherwell, Barnett Newman, Jackson Pollock, and Mark Rothko. This previously unpublished study is presented here for the first time alongside related writings by Goodnough.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: Brand New. 64 pages. 7.40x4.90x0.30 inches. In Stock.

Paperback. Condición: Brand New. 80 pages. 7.30x5.10x0.40 inches. In Stock.

Condición: New. In English.

Condición: New. In English.

Softcover staple bound exhibition catalog, 32 pages, very good condition, no internal marks, clean and crisp, with color reproductions.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Softcover, 80 pages, as new condition, clean and crisp; no internal marks.

Paperback. Condición: Near Fine. 1st. [32] pages, illustrations (some colour); 22 x 28 cm. Catalogue of exhibitions of the artist's work, held December 3, 1987 to January 9, 1988 at the Shippee Gallery. New York and other galleries. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. *** Robert Goodnough (1917-2010) was affiliated with the Abstract Expressionists and the New York School, particularly of the 1950s. He contributed to the important Ninth Street Show of 1951, and became part of the stable of artists represented by Tibor de Nagy Gallery. Notable contribution by dealer Andre Emmerich. Size: Oblong. Collectible.…

Paperback. Condición: Near Fine. 1st. [16] pages, illustrations (some colour); 22 x 28 cm. Firm binding, clean inside copy. Light edgewear to wraps, age toning. *** Painted aluminum sculptures by Robert Goodnough. Size: Oblong.

Softcover, staple bound, 16 pages, very good condition, light rubbing to covers; no internal marks.

Softcover staple bound, 8 pages, very good condition, light rubbing to covers; no internal marks.

Trade Paperback. Condición: Very Good. First Edition. 4to - over 9¾" - 12" tall. A Very Good copy, saddle-stitched in wrappers with slight browning to edges and a touch of shelfwear; else a nice, clean copy. Emphasis on steel and aluminum constructions, 1985- 1986. 8 full color images, 6 b/w photos, 8 pp. (unpaginated), 11 x 8 1/2 in. (oblong). …

First Edition. First edition. Oblong softcover. 16 pages. Exhibition catalog for a show that ran February 10-21, 1987 Includes 14 color and black and white illustrations and a list of public collections. A near fine copy in stapled wrappers. The same catalog as one printed in 1987 for the Gallery of Lincoln Center but with no internal bibliographical information.…

Oblong Paperback. Condición: Near Fine. No Jacket. Small ink number to front cover and front end paper.

Condición: Good. Wraps. New Edition. 8vo. 60 pp. Transcripts of the celebrated sessions with Adolph Gottlieb, Hans Hoffman, Alfred Barr, Robert Motherwell, Willem de Kooning, Ad Reinhardt, et al. Photographs of the participants. This was a chapter in Modern Artists in America published by Wittenborn in 1951.…

Softcover staple bound, 16 pages, very good condition, no internal marks, clean and crisp.