robert buchar (31 resultados)

Paperback. Condición: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condición: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

Paperback. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. Clean text.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. In Czechoslovakia, in the 1960s, artists began to realize that the aesthetics of social realism contrasted with the realities of daily life; a movement of film arose in response to the politics and history of the nation. This work collects candid interviews with the creators of the Czech New Wave film movement (1960-2000). Their work put Czech film on the map of world cinema, generating two Oscars for Best Foreign Film, but the official critique marked them as decadent, pessimistic, and reactionary. The work contains sixteen uncensored interviews with filmmakers such as Jan Nemec, Jiri Menzel, Sasa Gedeon, and Jan Sverak, who describe the struggle to realize their visions in a constantly shifting political landscape: from the mid-1960s, through the repressive "normalization" after the Soviet occupation in 1968 (more films were banned in 1970 than during the previous twenty years of Communism), and after the Velvet Revolution of 1989. The interviews give portraits of some of the most talented figures in film, revealing artists searching for individual and national identity, who describe living and making film in the Czech Republic now and in the past, explore how foreign films influence Czech film, and speculate on the future of film. Each interview includes a short biography, filmography, and list of awards. The work is bookended by essays giving background on the political and economic situations leading up to and after the Velvet Revolution.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: Fair. Spuren von Feuchtigkeit / Nasse; Leichte Rillen / Abschurfungen / Risse / Knicke. Autor v knize na zaklade rozhovoru s osobnostmi z oblasti politiky jak ze zapadu, tak i z vychodu , mapuje situaci a priciny, ktere ve svem dusledku vedly k listopadu 1989.

Hardcover. Condición: Fair. Aus Bibliothek aussortiert; Abnutzung / Risse - leicht. Autor v knize na zaklade rozhovoru s osobnostmi z oblasti politiky jak ze zapadu, tak i z vychodu , mapuje situaci a priciny, ktere ve svem dusledku vedly k listopadu 1989.

Paperback. Condición: new. Paperback. In Czechoslovakia, in the 1960s, artists began to realize that the aesthetics of social realism contrasted with the realities of daily life; a movement of film arose in response to the politics and history of the nation. This work collects candid interviews with the creators of the Czech New Wave film movement (1960-2000). Their work put Czech film on the map of world cinema, generating two Oscars for Best Foreign Film, but the official critique marked them as decadent, pessimistic, and reactionary. The work contains sixteen uncensored interviews with filmmakers such as Jan Nemec, Jiri Menzel, Sasa Gedeon, and Jan Sverak, who describe the struggle to realize their visions in a constantly shifting political landscape: from the mid-1960s, through the repressive "normalization" after the Soviet occupation in 1968 (more films were banned in 1970 than during the previous twenty years of Communism), and after the Velvet Revolution of 1989. The interviews give portraits of some of the most talented figures in film, revealing artists searching for individual and national identity, who describe living and making film in the Czech Republic now and in the past, explore how foreign films influence Czech film, and speculate on the future of film. Each interview includes a short biography, filmography, and list of awards. The work is bookended by essays giving background on the political and economic situations leading up to and after the Velvet Revolution. This work features 16 uncensored interviews with filmmakers who have struggled to realise their visions in a constantly shifting political landscape. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback / softback. Condición: New. New copy - Usually dispatched within 3 working days.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. In.

Condición: Good. Envoi rapide Bon état intérieur frais couverture un peu défraîchie bords frottés. in12. 1963. Broché. Good.

paperback. Condición: New. In shrink wrap. Looks like an interesting title!

paperback. Condición: New.

Paperback. Condición: Brand New. 232 pages. 8.75x6.00x0.75 inches. In Stock.

Paperback. Condición: new. Paperback. In Czechoslovakia, in the 1960s, artists began to realize that the aesthetics of social realism contrasted with the realities of daily life; a movement of film arose in response to the politics and history of the nation. This work collects candid interviews with the creators of the Czech New Wave film movement (1960-2000). Their work put Czech film on the map of world cinema, generating two Oscars for Best Foreign Film, but the official critique marked them as decadent, pessimistic, and reactionary. The work contains sixteen uncensored interviews with filmmakers such as Jan Nemec, Jiri Menzel, Sasa Gedeon, and Jan Sverak, who describe the struggle to realize their visions in a constantly shifting political landscape: from the mid-1960s, through the repressive "normalization" after the Soviet occupation in 1968 (more films were banned in 1970 than during the previous twenty years of Communism), and after the Velvet Revolution of 1989. The interviews give portraits of some of the most talented figures in film, revealing artists searching for individual and national identity, who describe living and making film in the Czech Republic now and in the past, explore how foreign films influence Czech film, and speculate on the future of film. Each interview includes a short biography, filmography, and list of awards. The work is bookended by essays giving background on the political and economic situations leading up to and after the Velvet Revolution. This work features 16 uncensored interviews with filmmakers who have struggled to realise their visions in a constantly shifting political landscape. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: New. In Czechoslovakia, in the 1960s, artists began to realize that the aesthetics of social realism contrasted with the realities of daily life; a movement of film arose in response to the politics and history of the nation. This work collects candid interviews with the creators of the Czech New Wave film movement (1960-2000). Their work put Czech film on the map of world cinema, generating two Oscars for Best Foreign Film, but the official critique marked them as decadent, pessimistic, and reactionary. The work contains sixteen uncensored interviews with filmmakers such as Jan Nemec, Jiri Menzel, Sasa Gedeon, and Jan Sverak, who describe the struggle to realize their visions in a constantly shifting political landscape: from the mid-1960s, through the repressive "normalization" after the Soviet occupation in 1968 (more films were banned in 1970 than during the previous twenty years of Communism), and after the Velvet Revolution of 1989. The interviews give portraits of some of the most talented figures in film, revealing artists searching for individual and national identity, who describe living and making film in the Czech Republic now and in the past, explore how foreign films influence Czech film, and speculate on the future of film. Each interview includes a short biography, filmography, and list of awards. The work is bookended by essays giving background on the political and economic situations leading up to and after the Velvet Revolution.

Condición: New. Print on Demand pp. v + 215.

Condición: New. Print on Demand pp. v + 215 Illus.

Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condición: New. PRINT ON DEMAND pp. v + 215.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This work features 16 uncensored interviews with filmmakers who have struggled to realise their visions in a constantly shifting political landscape.KlappentextIn Czechoslovakia, in the 1960s, artists began to realize that the aesthe.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In Czechoslovakia, in the 1960s, artists began to realize that the aesthetics of social realism contrasted with the realities of daily life; a movement of film arose in response to the politics and history of the nation. This work collects candid interviews with the creators of the Czech New Wave film movement (1960-2000). Their work put Czech film on the map of world cinema, generating two Oscars for Best Foreign Film, but the official critique marked them as decadent, pessimistic, and reactionary.The work contains sixteen uncensored interviews with filmmakers such as Jan Nemec, Jiri Menzel, Säa Gedeon, and Jan Sverak, who describe the struggle to realize their visions in a constantly shifting political landscape: from the mid-1960s, through the repressive ''normalization'' after the Soviet occupation in 1968 (more films were banned in 1970 than during the previous twenty years of Communism), and after the Velvet Revolution of 1989. The interviews give portraits of some of the most talented figures in film, revealing artists searching for individual and national identity, who describe living and making film in the Czech Republic now and in the past, explore how foreign films influence Czech film, and speculate on the future of film. Each interview includes a short biography, filmography, and list of awards. The work is bookended by essays giving background on the political and economic situations leading up to and after the Velvet Revolution.