robert bartlett haas editor (15 resultados)

PaperBack. Condición: Very Good +. 1st. 1st edition paperback. Clean tight strong without remainder or other markings. Size: 8vo.

Paperback. Condición: Good. No Jacket. Covers of book are yellowed with some wear/ scuffing. Previous owner's signature on FEP. All text blocks are yellowed. Size: 8vo - over 7¾" - 9¾" tall.

paperback. Condición: Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .

stiff paper wrappers. Haas, Robert Bartlett Ilustrador. 8vo. stiff paper wrappers. 87+(1) pages, 4 plates. An Annotated Bio-Bibliography of Robert Bartlett Haas. A bio-bibliography of Robert Haas in the form of a Festschrift, planned by his friends and colleagues for his seventieth birthday. The text is in German and English, with English translations when the original text is German. Several black-and-white plates and illustrations. Warmly inscribed note on title page by Haas dated January 20, 1986. Slight shelf wear and minor dent on front cover.

Cloth. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Second Edition. Second Edition Revised for the 100th Anniversary of William Grant Still. Illustrated with photographs. Thematic Catalog of Works (1921-1972). Recordings in the William Grant Still collection. bibliography. Index. 360pp. Black cloth boards with bright and bold gilt title on spine. Pictorial Dust Jacket.William Grant Still 1895-1978. From the library of author R. Ora Williams. Laid in is a letter and note from author to Ora Williams. Hardcover.

Hardcover. Condición: Fine. Fine in 1/2 cloth with no dust jacket, as issued. Uncommon.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Good. Limited. Size: 8vo - over 7¾" - 9¾" tall. One of 750 hardbound copies of this book. Blue cloth spine with paper label, illustrated paper over boards, red endpapers, 164 pp., Preface, volume I of the previously uncollected works of Gertrude Stein. A very nice copy, clean, no writing or marks, binding tight. In a paper dust jacket that is toned especially on spine, soiled, two inch tear at spine on front, chipped at corners and spine ends and fore-edges, several short tears; in a Brodart. Quantity Available: 1. Shipped Weight: 1 lb 2 oz. Category: Literature & Fiction; Critcism, History; Books; ISBN: 0876851669. Pictures of this item not already displayed here available upon request. Inventory No: 006154.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Condición: Very Good+. Estado de la sobrecubierta: Very Good+. A Very Good or Better Book in a Very Good or Better Dust Jacket, Unclipped ($10.00). Book is lightly shelf worn and sunned to extremities. Top edge of text block is somewhat toned and soiled. A small mark is present to label on spine. Text is unmarked. Binding is tight and square. Dust jacket is generally toned with a darkened spine. Moderately shelf wear has caused a few bumps, chips, and small closed tears. Light but various soiling across jacket panels. Hardcover. Octavo. [x], [11], 12-164pp. + [Limitation Page]. Publisher's Illustrated Grey Boards Backed with Denim Blue Cloth, Cream Spine Label with Red Detailing First Edition, First Printing, Limited to 750 Copies.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. First edition. 201pp. Corners lightly bumped, else fine in a very good edgeworn dust jacket with spine age-toned, short tears on edges.

paperback. Condición: New. In shrink wrap. Looks like an interesting title!

Estado de la sobrecubierta: dj. First Edition / First Printing. First Edition / First Printing. Introductions by Howard Hanson and Frederick Hall. Trade first edition, SIGNED by Still on the page facing the title page. Study of the life and work of composer William Grant Still, often referred to as the ?Dean of Afro-American Composers,? whose music blended classical forms with jazz, blues, spirituals, and other American traditions. PLEASE NOTE that all our First Editions are also First Printings, unless we specifically note otherwise. All our dust jackets are protected in clear mylar covers. Previous owner bookplate inside. Very good copy in lightly word dust jacket with discoloring along spine and tiny chip on front panel. Signed.

Los Angeles: Black Sparrow Press, 1974. Octavo. 161 pages. Hardcover. Quarter cloth and illustrated boards. Fine in lightly-soiled near fine dustwrapper. Limited to 50 numbered copies, this is hand-numbered #21. With a small broadside reprinting Stein's poem "Very Well I Thank You" (published privately in 1939 in an edition of 100 copies). Broadside and edition slip laid into publisher's envelope mounted on front endpaper.

First Editions. First Printings, wrappered issue. Two octavo volumes (22.75cm); original pictorial card wrappers; [11],12-164,[4]; [11],12-161,[3]pp. Faint production crease to rear wrapper of Vol.I, else a clean, Fine set. An attractive set, gathering Steins uncollected writings spanning the years 1914-1946. MORROW & COONEY 162a & 171a. 86485.

First Edition. Limited Issue, one of 100 numbered copies specially bound and signed by the author on the colophon, this being copy no.23. Octavo (23cm); decorative paper-covered boards and dark brown machine-embroidered cloth backstrip, with title label mounted to spine; publisher's original acetate dustjacket and brown paper-covered slipcase; xii,201,[3], with [12]pp of black & white plates. Hint of foxing to two sides of the textblock and upper board edges, with a faint musty odor from long storage; Near Fine in a lightly rubbed, Near Fine dustjacket. The slipcase shows some gentle sunning around the opening, a few small scuffs, else Near Fine.Authoritative work by the pioneering African-American composer, containing a substantial collection of his work, along with a detailed discography and bibliography. With introductions by Howard Hanson and Frederick Hall, and contributions by Paul Harold Slattery, Verna Arvey, and Louis and Annette Kaufman. "Still writes in every medium of musical expression with a power that is undergirded by a spirit of great humility and honest dedication. It is such a spirit that causes him to rise above the technical and creative skills of musical composition, over which he has complete mastery, and give forth utterances that "lift a race from wood and stone to Christ." What he has done and is doing for American Negro Music is inestimable" (p.xi). Morrow & Cooney 123b.