Ricketts barry (11 resultados)

Hardback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condición: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

hardcover. Condición: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Condición: Used: Very Good. very good overall condition, sent next working day from the u/k 1st class 0.0.

Condición: Very Good.

Soft cover. Condición: Good. Good reading copy. Covers worn and creased, but a solid copy, internally clean throughout.

Softcover. ix, 509 pp. Cambridge Companions. Softcover. Very good condition; touches of wear on covers.

hardcover. Condición: Very Good. Writing on the first inside page. Appears unread, may have minor damage from transit/storage. Next day dispatch from the UK (Mon-Fri). Please contact us with any queries.

Edit. Casterman - "autres temps, autres mondes", 1978, in-8°, 251 pages, cartonnage éditeur, sous jaquette illustrée (bord sup. défraîchi), sinon très bon état. Couvert avec soin. Français.

Paperback. Condición: Very Good. 2015 Rodopi paperback edition. Light reading wear else very good condition. From the cover: The controversial British writer Ford Madox Ford is increasingly recognized as a major presence in early twentieth-century literature. He is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade's End, which was adapted by Tom Stoppard for the acclaimed 2012 television series, starring Benedict Cumberbatch. This volume marks the centenary of The Good Soldier, with eighteen essays by established experts and new scholars. It includes groundbreaking work on the novel's narrative technique, chronology, and genre; plus pioneering work considering the treatment of bodies and minds; eugenics; poison; and surveillance. Innovative comparative studies discuss Ford's novel in relation to Henry James, Violet Hunt, H. G. Wells, Franz Kafka, Jean Rhys, David Jones, and Lawrence Durrell. CONTENTS: List of Illustrations General Editor's Preface - Max Saunders Introduction - Max Saunders SECTION 1: NARRATIVE, CHRONOLOGY, GENRE The Good Soldier: Ford's Postmodern Novel - Catherine Belsey July 4 to August 4: Paradigmatic and Palimpsestic Plots in The Good Soldier - Melba Cuddy-Keane The Good Soldier and the Problem of Compositional (Un)Reliability - Eyal Segal From Disfigured to Transfigured Past: Memory and History in The Good Soldier - Isabelle Brasme 'It is Melodrama; but I Can't Help It': Dowell's Melodramatic Imagination - Rob Hawkes Screening The Good Soldier - Janet Harris SECTION 2: MIND/BODY, CARE, TREATMENT Dowell and Dopamine: Information, Pleasure and Plot - Sara Haslam The Case of The Good Soldier - Max Saunders Affairs of the Heart: Illness and Gender Subversion in The Good Soldier - Elizabeth Brunton Caring to Know: Narrative Technique and the Art of Public Nursing in The Good Soldier - Barry Sheils 'Rabbiting On': Fertility, Reformers and The Good Soldier - Paul Skinner The Good Soldier: A Tale of Poison. Lethal Little Bottles in the Work of Ford Madox Ford and Violet Hunt - Venetia Abdalla SECTION 3: CONTEXTS AND CONTRASTS 'Early Kipling Told by Henry James': A Reading of The Good Soldier - Harry Ricketts Anglo-German Dilemmas in The Good Soldier, or: Europe on the Brink in 1913 - Julian Preece 'The End is Where We Start from': Spatial Aspects of Retrospection in The Good Soldier and In Parenthesis - Cara Chimirri Good People and Chorus Girls: The Notion of Respectability in The Good Soldier and Quartet - Nagihan Haliloglu Love's Knowledge: Realisation Beyond Defence: Durrell's Alexandria Quartet After, and Beyond, Ford's The Good Soldier - Omar Sabbagh 'Don't You See?': Surveillance and Utopian Tranquillity in The Good Soldier - Peter Marks. …