Richard anuszkiewicz (34 resultados)

Trade Paperback. Condición: Very Good. 328 pp. Solidly bound copy with minimal use. Minimal external wear. Lore Levenberg (Design); Richard Anuszkiewicz (Cover Art) (ilustrador).

paperback. Condición: Very Good. First Edition. 16 pp.; ill., pictorial stapled-wraps, 4to. : Sharp copy, one name on rear end-paper. Well packaged in a box, ships with tracking.

paperback. Condición: Very Good. First Edition. 20 pp.; b/w ill., stapled wraps, 4to. : Bumping/scuffing to wraps, no ownership markings. Well packaged in a box, ships with tracking.

Soft cover. Condición: Very Good. 1st Edition. Published for the Anuszkiewicz exhibition, February 10, 1971 - March 6, 1971, Sidney Janis Gallery, NYC, NY. Clean and tightly bound in stapled wraps. Very slight shelf wear to the covers, the contents remain fine.

Paperback. Condición: Very Good. First Edition. Art and Art History, Most Recent Listing, Most Recent Listing; 24 pages; New York: Very Good. 1967. First Edition. 24 pages; Contents clean and secure in original glossy pictorial wrappers. First and last pages printed on glossy black sheet, French folded. Numerous illustrations. OCLC 1195755179 Richard Joseph Anuszkiewicz (1930 - 2020) was an American painter, printmaker, and sculptor. Anuszkiewicz trained at the Cleveland Institute of Art and then with Josef Albers at the Yale University School of Art, where he earned his Masters of Fine Arts. He was one of the founders and foremost exponents of Op Art, a movement during the late 1960s and early 1970s. Victor Vasarely in France and Bridget Riley in England were his primary international counterparts. In 1964, Life magazine called him "one of the new wizards of Op". .…

Softcover. Wraps, blue and orange illustrated on front, back is white with black lettering, [22] pp, illustrated in color. Exhibition held at the Andrew Crispo Gallery. Text by Andrew Crispo; interview of Richard Anuszkiewicz with Gene Baro. Includes bibliographical references (page 20). VG- (light wear and tanning to wraps and page edges, otherwise pages are clean).…

Paperback. Condición: Very Good. First Edition. Art and Art History, Most Recent Listing, Most Recent Listing; 20 pages; New York: Very Good. 1965. First Edition. 20 pages; Clean and secure in original glossy stiff wrapeprs. Twenty pages with the first & last leaf printed on blue stock in French fold. 16 pages of illustrations in color and black & white. OCLC 81582441 Richard Joseph Anuszkiewicz (1930 - 2020) was an American painter, printmaker, and sculptor. Anuszkiewicz trained at the Cleveland Institute of Art and then with Josef Albers at the Yale University School of Art, where he earned his Masters of Fine Arts. He was one of the founders and foremost exponents of Op Art, a movement during the late 1960s and early 1970s. Victor Vasarely in France and Bridget Riley in England were his primary international counterparts. In 1964, Life magazine called him "one of the new wizards of Op". .…

Softcover, 32 pages; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Paperback. Condición: Very Good. First Edition. 4to; 14 pages; Clean and secure in original glossy black wrappers with die-cut to front wrapper revealing a detail of a red and black painting of concentric squares. A couple rubbed spots on front wrapper. OCLC 198060964 Richard Joseph Anuszkiewicz (1930 â" 2020) was an American painter, printmaker, and sculptor. Anuszkiewicz was born in Erie, PA to Polish immigrant parents. He first studied art under Joseph Plavcan, later describing him as his most significant influence. Anuszkiewicz then trained at the Cleveland Institute of Art in Cleveland, Ohio (1948â"1953), and followed by study with Josef Albers at the Yale University School of Art (1953â"1955). He was one of the founders and foremost exponents of Op Art, a movement during the late 1960s and early 1970s. In 1964, Life magazine called him "one of the new wizards of Op". Anuszkiewicz was concerned with the optical changes that occur when different high-intensity colors are applied to the same geometric configurations. Most of his work comprises visual investigations of formal structural and color effects, many of them nested square forms similar to the work of his mentor Josef Albers. In his series, "Homage to the Square", Albers experimented with juxtapositions of color, and Anuszkiewicz developed these concepts further. Anuszkiewicz continued to produce works in the Op Art style over the subsequent decades of his career. From the collection of Stefan P. Munsing [1915-1994] who worked in New York City as a designer for Hans Knoll, Norman Bel Geddes and RCA. Munsing served in the Army in World War II, then as Chief of the Monuments, Fine-Arts & Archives Section in Munich. The MFAA was an Army unit locating stolen artworks which had disappeared into the huge Nazi hoards during the war. [The "Monuments Men"] Munsing later joined the U.S. Department of State during the later 1940's and '50's, where he established the State Department's Amerika Haus programs in Munich and Berlin and organized exhibitions and cultural programs in Germany and Austria. In 1955, he was named cultural officer at the American Embassy in London, where he staged exhibitions of such New York artists as Philip Pavia, Paul Jenkins and Ben Shahn and became an important force in the London art world. Munsing returned to the U.S. in the 1960's and 70's where he helped establish the contemporary art collection of the National Museum of Fine Arts in Washington (now the National Museum of American Art) and headed the State Department's Art in Embassies program. In retirement from the State Department after 1976, Mr. Munsing was a consultant to the American Association of Museums.…

Soft cover. Condición: Near Fine. Near fine softcover exhibition catalog, no writing or marks. Some wear to cover. Contains 15 of the paintings from the exhibition which was October 2 - 25, 1967 at Sidney Janis Gallery in New York. Contains a list of the 50 works that were in the exhibition. M04102.

softcover. Condición: Sehr gut. [14] p. Mild wear to cover. Sprache: Englisch Gewicht in Gramm: 107.

Paperback. Condición: As New.

Softcover staple bound exhibition catalog, 36 pages, very good condition, light rubbing to cover; tiny creases t cover at spine edge; no internal marks.

. Kl4°. Broschur, 8 S. * geringe Gebrauchsspuren (K88).

118 S. mit zahlr. Abb. Einb. min. fl., Name auf Vorsatz. Gutes Exemplar. Sprache: Deutsch 4°, ill. Orig.-Karton (Softcover).

SOFTCOVER. Condición: Very Good. 1st Edition. 4to in stiff card covers, 112pp, plates etc . [CONDITION: VERY GOOD (covers a little tanned and very faintly soiled, otherwise a well preserved clean and tight copy) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Condición: Good. 8vo. [16 pp]. Stapled soft cover. Very Good. Color plates throughout. 4to. [14 pp]. Stapled soft cover. Very Good. Black & white plates throughout. Clipped out article inserted. From the Collection of the Art Historian Peter Selz (1919-2019).

Poster / order form for a 1972 calendar, 17 x 9 inches; very good condition; folded 1 time into 2 sections; an unmailed copy with loose order form. Will be mailed folded. Small images of the other artists pictured including: Wesley, Grooms, Pearson, Hinman, Levi,Ramos, Stanley, Milne, Nesbitt, Van Hoeydonck, Clerk. Actual calendar not included.…

Softcover exhibiton catalog, 120 pages, in English and German; very good condition except some rubbing wear to white covers; pages lightly yellowed at edges; inscribed and signed by Richard Anuszkiewicz, dated 1997 on first page; no other internal marks. Foreign shipping may be extra for this item.

Trade Paperback. Condición: Near Fine. Book is in excellent condition, with creaseless covers and spine, faint mar on back cover, small bump to upper fore edge corner at back cover; otherwise Fine. Binding is solid and square, text/interior is clean and free of marking of any kind. Profiles from the above authors, artists, with b&w photos of the artists and their work. 112 pages. Keywords: Photos, Art, Sculpture, Richard Anuszkiewicz, Lee Bontecou, Chryssa, Sally Drummond, Edward Higgins, Robert Indiana, Gabriel Kohn, Michael Lekakis, Richard Lindner, Profiles.…

Lunde, Karl. ANUSZKIEWICZ. 207 pp. with 202 illus. including many full-page color plates. Large oblong 4to, cloth. New York, Abrams, 1977. Freitag 206.

Softcover, staple-bound, 28 pages, very good condition; inscribed, signed and dated, "Richard Anuszkiewicz 1988" in pen on title page; no other internal marks.

hardcover. Condición: Acceptable. Acceptable. Dust Jacket NOT present. CD WILL BE MISSING. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condición: As New.

SOFTCOVER. Condición: Fine. 1st Edition. 4to in stiff card covers, 112pp, plates etc . [CONDITION: An extremely well preserved FINE very clean and tight unmarked copy in not far from new condition (page-block edges slightly tanned) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Softcover staple bound, 48 pages with 4 silkscreen images on the covers on inside flaps; very good good condition; except the front and rear covers and inside flaps are yellowed in the white borders; no internal marks. Foreign shipping may be extra.

Paperback. Condición: Very good in wraps. 23 x 30cm 120pp very good paperback with German and English text and colour reproductions showing the American painter, printmaker, and sculptor's geometric works. Signed by the artist for David Anfam, art critic and writer, on the title page.

15 x 15 cm. 1 Blatt. Papier etwas nachgedunkelt. Sonst noch gutes Exemplar. Einladungsklappkarte zu den Ausstellungen von drei Künstlern in der Kölner Galerie Der Spiegel im Jahre 1968: von Richard Anuszkiewicz zeigte man das Portfolio "Spectral Cadmiums", von Wesselmann Gouachen und Zeichnungen sowie von Segal Pastelle. Recto eine farbige Abbildung einer Arbeit von Anuszkiewicz, verso eine schwarzweiße Abbildung nach einer Bleistiftzeichnung von Tom Wesselmann.…

Hardcover. Condición: As New.

Condición: Good. 76x55 cm. Color poster. Very Good.