reyner edward (7 resultados)

191 pp.; 19.5 x 19.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with "The Pop Project," a series of shows presented by the Institute for Contemporary Art at The Clocktower Gallery, New York, from October 22, 1987 - June 12, 1988. The four part series of shows included: "This is Tomorrow Today: curated by Brian Wallis; "Public Image: Homeless Projects by Krzysztof Wodiczko," and "Dennis Adams," curated by Tom Finkelpearl; "Present Tensions: 25 Years of Irreverence in Architecture," curated by Patricia Phillips and Glenn Weis and "Nostalgia as Resistance," curated by Thomas Lawson. Texts by Edward Leffingwell, Brian Wallis, Thomas Lawson, Lawrence Alloway, Graham Whitham, Judith Barry, Kenneth Frampton, Alison and Peter Smithson, Richard Hamilton, Reyner Banham, Eugenie Tsai, Dick Hebdige, Leo Castelli, John Coplans, Betsey Johnson, Roy Lichtenstein, Claes Oldenburg, Tom Finkelpearl, Patricia Phillips, Glenn Weiss, Howard Halle, and Alanna Heiss. Includes a bibliography and index. Very Good. Light yellowing of covers and rubbing of cover edges. 7.2 cm. pricing sticker on verso. Contents clean and unmarked.

Hardcover. Condición: Fair. -Eleventh Edition Stated-This is NOT an ex-library book- Binding is ORIGINAL LEATHER; binding and text are FAIR to GOOD. Pages fully intact up-to page 114 (including free front end paper and TITLE PAGE). Pages 115 through 146 present, but loose. Pages 147 through 238 missing. Pages 239 through 284 sewn into leather spine. The rest of the volume solid and intact until the 'finis' (pgs. 285 to 462). The title page also states: 'CONTAINING DUTIES to be DAILY OBSERVED by EVERY BELEEVER. With a PREFACE INTRODUCTORY to the Work of Walking by RULE. Hereunto is added a Direction for the GOVERNMENT of the THOUGHTS, and of the AFFECTIONS.' INCLUDED in this work are: The EPISTLE DEDICATORY, An EPISTLE to the READER (by EDMUND CALAMY), Ten Rules to Walk By, and An ALPHABETICAL TABLE of the chief things in the foregoing TREATISE, to wit, the RULE OF THE NEW CREATURE. 462 pages (some missing) with END PAPERS. OVERALL, a nice collector's copy of an EARLY, SCARCE and ORIGINAL RELIGIOUS work.

Hardcover. Condición: Good. No Jacket. Octavo (6.50'' tall x 4.50'' wide). ESTC ref 006088509. Wing R1232. Collates (64), 306, (2)p. Complete (lacking last two blank leaves only). Good solid copy. Lightly toned else a nice copy. Minimal marks or blemishes. Bound in early/contemporary full calf. Re-cornered. Finely re-backed over raised bands. Mauroon & green calf labels to the spine with gilt lettering. Solid and rather attractive period binding. MULTIPLE ADDITIONAL PHOTO IMAGES AVAILABLE. CONTACT US TO REQUEST.

Hardcover. Condición: Near Fine. 5th or later Edition. 11th edition. 18cm x 12cm. Full recent best morocco calf over raised bands with red label and gilt lettering to spine. Title page within border of fleurons. [30], 462pp Pagination is complete despite errors in printing. Wing R1227. Scarcely represented in Institutional libraries. Reyner was a non-confirming divine known for his devotional writings. Ejected in 1662.

Vintage handbill for the 1985 play, staged from January 3 through 27, 1985, at New York's La MaMa Experimental Theatre Club on East 4th Street. Jackie Curtis' final theatrical appearance before their death of an accidental overdose on May 15, 1985. Founded in 1961 by African American "Off-Off Broadway" pioneer Ellen Stewart, La MaMa Experimental Theatre Club (often stylized as "La MaMa ETC.") became home for the underfunded and the underrepresented, giving theatre innovators with diverse backgrounds a space to develop their art. Avant-garde, genderfluid performer Jackie Curtis was born on the Lower East Side, studying at the High School of Art and Design, Hunter College, and the Actors Studio in their youth. Curtis met Stewart as a teenager, and would both write and star in many plays in association with the theater. Curtis is perhaps best remembered today for their tenure as a Warhol superstar, appearing in the films "Andy Warhol's Flesh" (1968) and "Women in Revolt" (1971). They are also today considered a pioneer and early inspiration to the glam rock movement of the 1970s and 1980s. 5.5 x 4.25 inches. Recto only. About Fine.

Third edition, 8vo (166 x 110 mm), [16], 363, [21]pp., vertical half-title on final leaf recto: 'Reyners Government of the Tongue', some light browning and spotting to the text, cont. calf, rubbed, upper cover detached.

Condición: Very good +. First Edition. Catalogue. Richard Hamilton, Theo Crosby (ed.), Edward Wright, Whitechapel Gallery, This Is Tomorrow, The Whitechapel Art Gallery, London, 1956. 162x163 mm. Unpaginated, 64 leaves, 126 pp. Offset litho printed in black and white with the cover in brown and white on a blue background. In original ring bound wrappers. Edition of 1300. Published to coincide with the important show at The Whitechapel Art Gallery, August 9 - September 9, 1956. Twelve groups of three to four architects, artists, designers and theorists were allocated gallery space to produce work on the theme of 'modern life'. The exhibition featured work by, among others, John McHale, Alison and Peter Smithson, Richard Hamilton, William Turnbull, Sarah Jackson, Mary Martin, Eduardo Paolozzi, Reyner Banham, Victor Pasmore, Erno Goldfinger, Frank Cordell, and Toni del Renzio. Bryan Robertson was the director of the gallery at the time. The catalogue includes three introductions by Lawrence Alloway, Reyner Banham and David Lewis. Condition: neat small rubber stamp of previous owner on the back of the final page, some wear to edges of covers and surface wear to spiral binding, minor ding bottom right of front cover and top left of back cover. Overall: nternally Near Fine in Very Good + covers.