renee halm (11 resultados)

Soft cover. Condición: Very Good. No Jacket. 75 pp. with full-colour illustrations. Catalogue for an exhibition at Vancouver Art Gallery from November 14, 1998 to January 31, 1999, celebrating the work of ten Vancouver artists creating contemporary abstract art. Slight soiling along staple ridges at spine.

Trade Paperback. Condición: Near Fine. White cover shows some smudges. 76 pages. 6 7/8"w x 9".

Soft cover. Condición: Near Fine. Van Halm, Renee Ilustrador. Includes selections from The Faerie Queen by Robin Blaser as well as selections from Jack Spicer, Maxine Gadd, Fred Wah, and Brian Fawcett. 7-1/8" x 8-1/8", 112pp + cover. Saddle stitched brochure in uncoated card stock cover. Minor wear to cover. Staple binding is strong. Pages are mildly age toned but clean and unmarked.

Soft cover. Condición: Very Good. Clean exhibition catalog. 10 page fold out. 5 full-page color plates. Light shelfwear.

Soft cover. Condición: Near Fine. Van Halm, Renee Ilustrador. 8" x 9-1/2", 44pp. Printed on coated stock and perfect bound in varnished printed card stock cover with flap on front that is an extension of the cover drawing. Light shelf wear to cover. Binding is square and tight. Pages are clean and bright and unmarked.

Soft cover. Condición: Very Good ++. Colour Plates Ilustrador. First Edition. 32 page (UNpaginated) exhibition catalogue - approximately. A jury of three X 3 (Van Halm, Reid and Papararo) has selected 5 works in three Canadian regions, and presented them here. The painters are : Rick Leong, Alexis Lavoie, Benjamin Klein,Scott Bertram, Hugo Bergeron, Beth Stuart, Mark Stebbins, Jon Reed, Scott Everingham, Sarah Cale, Melanie Rocan, Laura Piasta, Megan Hepburn, Aaron Carpenter, and Eli Bornowsky. They represent institutions as broadly based as Concordia University, Banff Centre, and NSCAD in Halifax. Cond : Colurs bright, binding tight. No names, no marks. Collectible ! Quote (p. 24 ) : " he improvises an abstract composition with an interest in developing a new and unpredictable pictorial space. while he often sets parameters fir himself, improvisation remains ._._._. ." Size: 8vo.

Trade Paperback. Condición: Fine. A clean, unmarked copy with a tight binding. 44 pages. Exhibition catalog. Appears to be signed by Renee Van Halm. Signed by Author.

Trade Paperback. Condición: Fine. A clean, unmarked copy with a tight binding. 44 pages. Exhibition catalog.

Ohne Stempel, keine An-und Unterstreichungen, altersgemäss guter Zustand. Softcover. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

[0-88915-155-X] 1988. (4to staplebound) Very good. 30pp. Black & white and color photographs. There is some wear at the corners. Art of Jack Butler, Fast Wurms, Ron Giii, Noel Harding, Joan Kaufman, Marcia Pitch & Renee Van Halm. Curated by Shirley Madill. (Art--Canada, Art--Canada, Exhibition Catalog--Canada, Exhibition Catalog--Winnipeg Art Gallery).

Soft cover. Condición: Very Good. No Jacket. 44 pp. with B/W and full-colour illustrations, biography and bibliography . Catalogue for an exhibition at Contemporary Art Gallery from April 2 to June 2, 2002; Kamloops Art Gallery from June 22 to August 18, 2002; Southern Alberta Art Gallery from February 9 to March 23, 2003. "The title work, Dream Home, arises from the artist's fascination with Vancouver?s Multiple Listing Services (MLS), a database for prospective purchasers of houses and condominiums in the city. This work is a sculptural installation based on the largest and smallest individual units for sale on a given day last year. Utilizing the architectural plans of these properties as an imaginative starting point, Van Halm has produced scale models of the homes, recreating each room as a small, monochromatically painted wooden facsimile. In the related gouaches that accompany Dream Home, Van Halm has employed the perspective and aerial views of a number of houses for sale, reproducing them as evocative, romanticized home portraits. These works reveal how monumental structures that represent leisure, class, and social standing are often seen steeped in nostalgia, constructed through the architecture of historical revivalism, while more modest, smaller dwellings must utilize modernist notions of simplicity, utility and streamlined efficiency." - Foreword.