Reinhardt robert von (5 resultados)

weitere Mitwirkende: Josef Durm, Hermann Ende, Eduard Schmitt, Heinrich Wagner (Reihenherausgeber) - mit 482 Abbildungen und 8 Tafeln (komplett), prächtiger Einband in Halbleder mit Lederecken, dreiseitigem Rotschnitt, Mamorpapier auf den Deckeln und in den Vorsätzen - - internlpF-CP-2726 Deutsch - XI, 444 Seiten S. 28 x 20 x 4 cm - Quart 1360g. mit leichten Gebrauchsspuren - deutlich berieben und bestoßen mit Randläsuren, Leder mit kleinen Abreibungen, leicht nachgedunkelt, alter Buchhandelseinkleber - mit leichten Gebrauchsspuren - deutlich berieben und bestoßen mit Randläsuren, Leder mit kleinen Abreibungen, leicht nachgedunkelt, alter Buchhandelseinkleber - Halbleder (Hardcover) mit Lederecken -. …

Hardcover. Condición: Very Good. II ed. della raccolta (I ed.: 1965 (?). A Theory of Pictorial Perception by James J. Gibson is reprinted from Audio-visual Communication Review, I:1, Winter, 1954 - The Painter's Handwriting by J. P. Hodin is reprinted from The Journal of Aesthetiscs and Art Criticism, VII:3, March, 1949). Vision + Value Series. Testo in inglese. VIII grande/ (6)+282/ crat./ sovraccoperta in carta liscia con grafica in b/malva/salvia/n e con titoli in nero. Illustrazioni in b/n nel testo e f.t. Stato buono (usura della sovraccoperta, in particolare ai margini - sovraccoperta, fogli di guardia e pagine brunite e con qualche piccola fioritura). Contents: Lawrence K. Frank: The World as a Communication Network-Signs, Images and Symbols - Heinz Von Foerster; From Stimulus to Symbol: The Economy of Biological Computation - Rudolf Arnheim; Image and Thought - S. Giedion; Symbolic Expression in Prehistory and in the First High Civilizations - James J. Gibson; A Theory of Pictorial Perception - Rudolf Modley; Graphic Symbols for World-Wide Communication - Henry Dreyfuss; Case Study: Symbols for Industrial Use - Abraham H. Maslow; Isomorphic Interrelationships between Knower and Known - Charles Morris and Frank Sciadini; Paintings, Ways to Live, and Values - J. P. Hodin; The Painter's Handwriting - Werner Schmalenbach; The Problem of Reality in Mid-Century Painting - Ad Reinhardt; Art in Art is Art as Art - Robert Osborn; The Hangover - Saul Bass; Movement, Film, Communication - Edmund Carpenter; Image Making in Arctic Art - Paul Riesman; The Eskimo Discovery of Man's Place in the Universe - John E. Burchard; The City as Symbol - Ernesto N. Rogers; The Image: The Architect's Inalienable Vision - P. A. Michelis; Form in Architecture: Imitation and Abstraction - Ludwig von Bertalanffy; The Tree of Knowledge - Biographical Notes on the Autors.…

(. und Badeorte. Gebäude für Gesellschaften und Vereine. Baulichkeiten für den Sport. Panoramen; Musikzelte; Aussichtstürme, Bellevuen und Belvedere. Dritte Auflage ). Mit VIII, 314 Seiten, 5 n.n. Blätter. Mit 388 in den Text gedruckten schwarz-weißen Abbildungen und Illustrationen sowie 20 Tafeln. Original-Halbleder mit goldgeprägtem schmalen Einbandrücken, marmorierten Buchdeckeln sowie umlaufendem Farbschnitt, 4° ( 27 x 19 cm ). Der Einband ist berieben, Ecken und Kanten teils etwas bestoßen. Innen ist das Papier zeitbedingt leicht gebräunt. Insgesamt recht guter Zustand. ( Gewicht 1200 Gramm ) ( Weitere Bilder auf Anfrage ) Artikel 18620 /// (. and bathing resorts. Buildings for societies and clubs. Buildings for sports. Panoramas; music tents; observation towers, Bellevue and Belvedere. Third edition ). With VIII, 314 pages, 5 n.d. sheets. With 388 black and white illustrations printed in the text and 20 plates. Original half-leather with gilt-stamped narrow spine, marbled boards and surrounding color edges, 4° ( 27 x 19 cm ). The binding is rubbed, corners and edges somewhat bumped in places. Inside the paper is slightly browned due to the period. Overall quite good condition. ( weight 1200 gram ) ( more pictures on request ) item 18620. …

Condición: gut. 1995. Pholus - Wandler zwischen Saturn und Neptun: Die Wendung ins Unerwartete In deutscher Sprache. pages.

Two large colour lithograph advertising posters, sized 38.25 x 51 in., and 28.75 x 38.5 in. respectively, both bearing the Golden Trumpeter logo as rendered by noted artist Robert Reinhardt von Liski (minor dustsoiling, creasing, faint dampstain to very lower right fore-edge of larger poster, minor closed tears neatly repaired, light age toning), still both bright VG- copies, now mounted and shrink wrapped on archival foam core. The Hart Schaffner & Marx logo for men's fashion was first created by Edward Penfield in 1914, with the trumpeter bearing an upright lance, but the next year had turned into a trumpet, and would continue on HSM suits until the late 1980's. Hart Schaffner & Marx was founded in 1887 by Harry and Max Hart, Marcus Marx, and Joseph Schaffner. By the early 20th century they owned dozens of small garment factories around Chicago, and was one of the first tailoring/garment manufacturing firms to become unionized. They continued to grow through the 20th century and by the end of the 1960s had 38 factories, and 250 retail stores around the country. The Company continues to operate under the Hartmarx label, and is one of the leading men's clothing wholesalers to this day. Von Liski (1908-1991) was a noted self-taught artist and commercial artist who worked for various studios, and was a partner in a Chicago advertising agency. No copies located in Worldcat; See: Leif Peng & Nan Hall, Tom Hall, Today's Inspiration, Celebrating Illustrations, Design, Cartoon and Comic Art of the Mid-20th century (2016); Hart, Schaffner & Marx, Encyclopedia of Chicago (2005).…