Reigl judit (27 resultados)

Soft cover. Condición: Very Good. 28 page center stapled soft cover exhibition catalog with introductory essay by Jean-Paul Ameline and color illustrations of the work. Exhibit was at Janos Gat Gallery in NYC in the Fall of 2008. List of the artist's exhibits and select bibliography at rear.Unmarked, tight and clean.…

Soft cover. Condición: Very Good. 1st Edition. about very good condition with a bit of wear.

Paperback. Condición: New. Beginning in the 1950s, Judit Reigl (b. Kapuvár, Hungary, 1923; d. Marcoussis, France, 2020) builds a singular creative oeuvre between abstraction and figuration, between Surrealism and gestural painting. After studying art in Budapest, Reigl flees Hungary in 1950; arriving in Paris, she is introduced to André Breton, who organizes her first exhibition in 1954. Under the influence of the École de Paris, she branches out into écriture automatique, then shifts toward free expression.Like her contemporaries Jackson Pollock and Helen Frankenthaler in New York, she lays out ever larger unprimed canvases on the floor and works them with a brush, her fingers, or other instruments. After 1966, bodily shapes emerge from her abstractions, and figures reappear in the pictures.On occasion of Reigl's centenary and the gift of three major works, the Neue Nationalgalerie mounts the artist's first solo exhibition at a museum in Germany. The book surveys the oeuvre of one of the most important protagonists of European art in the second half of the twentieth century. …

Softcover, staple-bound, 24 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condición: New. Beginning in the 1950s, Judit Reigl (b. Kapuvár, Hungary, 1923; d. Marcoussis, France, 2020) builds a singular creative oeuvre between abstraction and figuration, between Surrealism and gestural painting. After studying art in Budapest, Reigl flees Hungary in 1950; arriving in Paris, she is introduced to André Breton, who organizes her first exhibition in 1954. Under the influence of the École de Paris, she branches out into écriture automatique, then shifts toward free expression.Like her contemporaries Jackson Pollock and Helen Frankenthaler in New York, she lays out ever larger unprimed canvases on the floor and works them with a brush, her fingers, or other instruments. After 1966, bodily shapes emerge from her abstractions, and figures reappear in the pictures.On occasion of Reigl's centenary and the gift of three major works, the Neue Nationalgalerie mounts the artist's first solo exhibition at a museum in Germany. The book surveys the oeuvre of one of the most important protagonists of European art in the second half of the twentieth century. …

Softcover, 112 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condición: Like New. 2021 softcover. 107 pages, illustrated (some in color.) Transcript of an interview which reads much like a memoir. Published in France; text is in English. No marks or flas. Condition: like new. Ships from Ohio, USA.

Softcover, 130 pages; in English, French and Hungarian; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Magazine. First edition. Fine magazine with a hint of handling/shelving. The March 2008 issue of Art in America magazine with: a major essay by Eleanor Heartney on Richard Prince; an essay on Allan Kaprow followed by a discussion on his legacy between Stephanie Rosenthal, Irving Sandler, and Paul McCarthy; a feature on the melancholic tone of Georges Seurat's drawings; features on Marisol and Judit Reigl; performance art; exhibition, art fair, and book reviews; and much more. Edited by Elizabeth Baker. Perfect-bound; 200 pages; color illustrations throughout; 9 x 10.75 inches. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX.…

Hardcover without dustjacket as issued, 56 pages, as new condition, no internal marks, clean and crisp. DVD in unopened pouch on inside front cover. (Spine is black no writing) Foreign shipping may be extra.

Paperback. Condición: New. Beginning in the 1950s, Judit Reigl (b. Kapuvár, Hungary, 1923; d. Marcoussis, France, 2020) builds a singular creative oeuvre between abstraction and figuration, between Surrealism and gestural painting. After studying art in Budapest, Reigl flees Hungary in 1950; arriving in Paris, she is introduced to André Breton, who organizes her first exhibition in 1954. Under the influence of the École de Paris, she branches out into écriture automatique, then shifts toward free expression.Like her contemporaries Jackson Pollock and Helen Frankenthaler in New York, she lays out ever larger unprimed canvases on the floor and works them with a brush, her fingers, or other instruments. After 1966, bodily shapes emerge from her abstractions, and figures reappear in the pictures.On occasion of Reigl's centenary and the gift of three major works, the Neue Nationalgalerie mounts the artist's first solo exhibition at a museum in Germany. The book surveys the oeuvre of one of the most important protagonists of European art in the second half of the twentieth century. …

Softcover, 54 pages; in English and French; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

paperback. Condición: Good. Ex-Library softcover book, usual library markings. Book has some light reader wear. Library stickers and stamps are present.

Softcover, 96 pages; in English; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: fine. moyen format , très bon état. Optez pour nos livres d'occasion en très bon état, et soutenez l'insertion sociale et l'écologie en leur offrant une seconde vie. 233818-6 - Judit Reigl: Entretien avec János Gát, Reigl, Judit, MANUELLA, 2021.

Paperback. Condición: New. Beginning in the 1950s, Judit Reigl (b. Kapuvár, Hungary, 1923; d. Marcoussis, France, 2020) builds a singular creative oeuvre between abstraction and figuration, between Surrealism and gestural painting. After studying art in Budapest, Reigl flees Hungary in 1950; arriving in Paris, she is introduced to André Breton, who organizes her first exhibition in 1954. Under the influence of the École de Paris, she branches out into écriture automatique, then shifts toward free expression.Like her contemporaries Jackson Pollock and Helen Frankenthaler in New York, she lays out ever larger unprimed canvases on the floor and works them with a brush, her fingers, or other instruments. After 1966, bodily shapes emerge from her abstractions, and figures reappear in the pictures.On occasion of Reigl's centenary and the gift of three major works, the Neue Nationalgalerie mounts the artist's first solo exhibition at a museum in Germany. The book surveys the oeuvre of one of the most important protagonists of European art in the second half of the twentieth century. …

Condición: fine. moyen format , très bon état. Optez pour nos livres d'occasion en très bon état, et soutenez l'insertion sociale et l'écologie en leur offrant une seconde vie,Déchirure sur la couverture. 233818-3 - Judit Reigl: Entretien avec János Gát, Reigl, Judit, MANUELLA, 2021.

Condición: fine. moyen format , très bon état. Optez pour nos livres d'occasion en très bon état, et soutenez l'insertion sociale et l'écologie en leur offrant une seconde vie. 233818-2 - Judit Reigl: Entretien avec János Gát, Reigl, Judit, MANUELLA, 2021.

Condición: fine. moyen format , très bon état. Optez pour nos livres d'occasion en très bon état, et soutenez l'insertion sociale et l'écologie en leur offrant une seconde vie,Déchirure sur la couverture. 233818-4 - Judit Reigl: Entretien avec János Gát, Reigl, Judit, MANUELLA, 2021.

Condición: fine. vendeur professionnel. envoi soigne en 24/48h. le livre peut presenter de tres legers signes d'usure, petites rayures ou imperfections esthetiques.

Condición: Good. First Edition. Judit REIGL (after) | Expo 85 - Galerie de France | Year: 1985 | Medium: poster - affiche | Dimensions: 50 × 64 cm | Image Size: 50 × 64 cm | Support: coated paper - papier couché | Signature: unsigned and not numbered - non signé(e), non numéroté(e) | Additional Information: offset printing - impression offset | Condition: in very good condition - en très bon état | Judit REIGL (after)'s work "Expo 85 - Galerie de France" from 1985 is a poster on coated paper. It measures 50 × 64 cm. It is unsigned and not numbered. | Keywords: Abstract art, Abstract - Art abstrait, Abstrait. Judit REIGL (ilustrador).…

Softcover, 144 pages; in French; very good condition; light scuffs to covers; no internal marks. Foreign shipping may be extra.

Condición: fair. Le livre peut montrer des signes d'usure dus a son utilisation : des defauts esthetiques tels que des rayures, des bosses, des coins endommages ou porter des annotations, peut avoir des traces d'humidite. Certaines pieces peuvent etre manquantes. vendeur professionnel; envoi soigne dans les 24/48h.…

Hardcover. Condición: Very Good. No Jacket. Hardbound, no dust jacket, as issued. Text in English & French.

Hardcover. Condición: Very Good. Hardcover (printed card boards, no jacket) in very good condition. Published in connection with the exhibition 'Judit Reigl: Unfolding Unfolding', Ubu Gallery, New York, December 2010-February 2011. CM. Used.

Paperback. Condición: As New.

One b&w illus. [6] pp. Single blue sheet, two vertical folds. Paris: A L'Etoile Scellée, 1954. A rare A L'Etoile Scellée exhibition announcement for Reigl's (1923-2020) solo show. The Hungarian painter presented 14 works, all of which are recorded in the check-list; one of them is likely reproduced here. On the reverse, a short and enthusiastic commentary by André Breton lauds her practice. Near fine; a trifle wrinkled.…